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AUSTRALIAN COMMERCIAL GALLERIES ASSOCIATION
© Bett Gallery Hobart
Tasmania
No image on this site
may be reproduced in any way without prior permission from the artist.
Please contact Bett Gallery Hobart on +61 3 6231 6511.
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Philip
Wolfhagen
–
Curriculum Vitae
(May 2007) |
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Biography
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1963 |
Born
Launceston, Tasmania |
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1987 |
Bachelor
of Fine Arts, Centre for the Arts, the University of Tasmania, Hobart |
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1990 |
Graduate
Diploma of Visual Arts, Sydney College of the Arts, University of Sydney |
|
1990–95 |
Lived
and worked in Sydney |
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Currently lives and works in Tasmania |
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Solo Exhibitions
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|
2007 |
Vapour
Trails, Embassy of Australia, Washington DC, USA |
|
2006 |
Luminary
Traces,
Bett Gallery Hobart,
Hobart, TAS
Night
Visions,
Sherman Galleries, Sydney, NSW |
|
2005 |
Night Beacons,
Christine Abrahams Gallery, Melbourne, VIC |
|
2004 |
The
Inner Edge, Sherman Galleries, Sydney, NSW
The
Inner Edge, Academy Gallery, School of Visual and Performing Arts,
University of Tasmania, Launceston, TAS
Noctiluca, Bett Gallery Hobart, Hobart, TAS
Archipelago,
Queen Victoria Museum and Art Gallery at Inveresk, Launceston, TAS |
|
2003 |
Archipelago, Queen Victoria Museum and Art Gallery at Inveresk,
Launceston, TAS
Shifting light,
Christine Abrahams Gallery, Melbourne, VIC |
|
2002
|
high
ground, Sherman Galleries Goodhope, Sydney, NSW |
|
2001 |
Winter Journeys, Christine Abrahams Gallery, Melbourne, VIC |
|
2000 |
converging
planes, Sherman Galleries, Sydney, NSW
Liawenee Exploration, Bett Gallery Hobart, Hobart, TAS |
|
1999 |
Cross
Sections, Christine Abrahams Gallery, Melbourne, VIC |
|
1998 |
Surface Tension, Sherman Galleries, Sydney, NSW |
|
1997 |
Six
Level Seas and Four Recollections,
Dick Bett Gallery,
Hobart, TAS
Plateaux, Chapman Gallery, Canberra, ACT |
|
1996 |
Illuminations,
Sherman Galleries Goodhope, Sydney, NSW |
|
1995 |
Vanishing Points, Dick Bett Gallery, Hobart, TAS |
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1994 |
Passages, Sherman Galleries, Sydney, NSW |
|
1993 |
Elevations, Devonport Gallery and Arts Centre, Devonport, TAS; Dick Bett Gallery, Hobart,
TAS |
|
1992 |
Illusory Fields, Series 2, Dick Bett Gallery,
Hobart, TAS |
|
1991 |
Illusory Fields, Syme Dodson Gallery, Sydney, NSW |
|
1990 |
The
Stages of a Delirium, Syme Dodson Gallery, Sydney, NSW |
|
|
The
Path of Least Resistance, Salamanca Place Gallery (Bett Gallery), Hobart,
TAS |
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Selected Group Exhibitions
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2007 |
Archibald, Wynne & Sulman Prize,
Art Gallery of
NSW, Sydney, NSW |
|
2006/07 |
From an
Island South, Asia Link Touring Exhibition; Lahore, Pakistan; Kuala Lumpur,
Malaysia and Bangkok, Thailand |
|
2006 |
Australia
and
Constable, National Gallery of Australia, Canberra, ACT
Senses
of Place: Art in Tasmania, 1970-2005,
Plimsoll Gallery, Hobart,
TAS
Salon,
curated by
Catherine Wolfhagen, Bett Gallery Hobart, Hobart, TAS |
|
2005 |
Rhapsody
21C: Tasmanian Contemporary Art,
Academy Gallery, University of Tasmania, Launceston, TAS |
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2004-05 |
Great
Escapes,
Lake Macquarie City Art Gallery, NSW |
|
2004 |
Frank Saxby
Acquisitions,
Manning Regional Art Gallery, Taree, NSW
Tidal,
Devonport Regional Gallery, TAS |
|
2003 |
Depth of Field,
Shepparton Art Gallery, Shepparton, VIC
Depth
of Field, Monash University Museum of Art, Melbourne, VIC
Painting Tasmanian Landscape,
Plimsoll Gallery, University of Tasmania, Hobart, TAS |
|
2002 |
Extreme Landscapes (with Philip Hughes), Sherman Galleries
Hargrave,
Sydney, NSW |
|
2001 |
Redlands
Westpac Art Prize,
(first prize), Mosman Art Gallery, Sydney, NSW
Five
Painters,
Sherman Galleries Goodhope, Sydney, NSW
Aspects of Tasmanian Art,
Queen Victoria Museum and Art Gallery at Inveresk, Launceston, TAS
Between Phenomena - The Panorama in
Tasmania,
Plimsoll Gallery, Hobart, TAS
Poets and Painters, Bett Gallery Hobart, Hobart, TAS |
|
2000 |
Through the
Landscape,
Queen Victoria Museum & Art Gallery, Launceston, TAS
Uncommon World: Aspects of Contemporary Australian Art, National
Gallery of Australia, Canberra, ACT |
|
1999 |
distance, Sherman Galleries
Hargrave, Sydney,NSW |
|
1998 |
1998
Redlands Westpac Art Prize,
Sydney, NSW
Contemporary Australian Art from the Tamar Collection,
Queen Victoria Museum & Art Gallery, Launceston, TAS
Leading the Way: 1997–98 Acquisitions Exhibition,
Newcastle Region Art Gallery, NSW |
|
1997 |
Australian
Perspecta: Between Art and Nature,
Temple
of Earth Memories, S.H. Ervin Gallery,
Sydney, NSW
Moët &
Chandon Touring Exhibition,
Queensland Art
Gallery, Brisbane; national tour
ANON,
Sherman Galleries Goodhope, Sydney, NSW
Site
and Sensibility: A Selection from the Artbank Collection,
S.H. Ervin Gallery, Sydney, nsw
The
Horizon Line,
King Street Gallery, Sydney, NSW |
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1996–98 |
Flagging the Republic, Sherman Galleries
Goodhope,
Sydney;
regional
gallery tour |
|
1996 |
Moët & Chandon
Touring Exhibition, National Gallery of Victoria, Melbourne; national tour
Brushing the Dark: Recent Art from Tasmania,
Tasmanian Museum and Art Gallery, Hobart, TAS; Perc Tucker Gallery, Townsville,
QLD; Ivan Dougherty Gallery, Sydney, NSW; Adelaide Festival Centre, Adelaide,
SA; Lawrence Wilson Gallery, Perth, WA; Brisbane Civic Gallery & Arts Centre,
Brisbane, QLD; Burnie Regional Gallery, TAS; Queen Victoria Museum & Art
Gallery, Launceston, TAS |
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1995-96 |
Blundstone
Contemporary Art Award,
Queen Victoria Museum & Art Gallery, Launceston, TAS; Penrith Regional Art
Gallery, NSW; Waverley City Gallery, Melbourne, VIC |
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1995
|
The Artist's
Garden,
National Gallery of Australia, Canberra, ACT
Windows on
Australia I, Australian Embassy,
Tokyo, Japan
Figure/Ground,
Dick Bett Gallery, Hobart, TAS
Salon des Refusés,
S.H. Ervin Gallery, Sydney, NSW
Storehouse,
Long Gallery, Salamanca Place, Hobart, TAS
Hidden Treasures; Art in Corporate Collections, S.H. Ervin Gallery,
Sydney, NSW
Group Show,
Sherman Galleries Goodhope, Sydney, NSW |
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1994 |
Salon des Refusés,
S.H. Ervin Gallery, Sydney, NSW
Rommix,
ROM Gallery, Sydney, NSW |
|
1992 |
Festival of
Fisher’s Ghost Award,
(first prize), Campbelltown City Art Gallery, NSW
Seven,
Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales,
Sydney, NSW
Salon des Refusés,
S.H. Ervin Gallery, Sydney, NSW |
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1991 |
Microcosm, Garry Anderson Gallery, Sydney, NSW |
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1989 |
The October Show,
Queen Victoria Museum & Art Gallery, Launceston, TAS
Genius Loci: Spirit of Place,
Plimsoll Gallery, Hobart; RMIT, Melbourne, VIC |
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1988 |
Thinly Veiled
Threats,
Chameleon Contemporary Art Space,
Hobart,
TAS
12th International Print Biennale,
Biuro Wystaw Artystycznych, Cracow, Poland
Fragments of False Houses,
Pomeroy Purdy Gallery, London, UK |
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Commissions and Grants
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2007 |
Winner, Wynne Prize, Art Gallery of NSW, Sydney, NSW |
|
2001 |
Winner, Redlands Westpac Art Prize, Sydney, NSW
Awarded the Centenary Medal, for contribution made to the Arts |
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1998 |
Commonwealth Law Courts, Melbourne, VIC |
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1997 |
Royal
Women’s Hospital, Sydney, NSW |
|
1996 |
Illuminations,
Australia Council, VACB Project Grant |
|
1995 |
Sydney
Grammar School Fellowship in Art, Sydney, NSW |
|
1993 |
Elevations,
Australia Council, VACB Project Grant |
|
1990 |
Art for
Public Buildings Scheme, Tasmanian Arts Advisory Board, Hobart Project for
Murray High School, Unknown Landscapes, Queenstown, TAS |
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Collections
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National Gallery of
Australia,
Canberra |
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Parliament House Art Collection,
Canberra |
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Art Gallery of South Australia,
Adelaide |
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Art Gallery of New South Wales,
Sydney |
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National Gallery of Victoria,
Melbourne |
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TarraWarra
Museum of Art,
Victoria |
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Queen Victoria
Museum and Art Gallery, Launceston |
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Tasmanian Museum
and Art Gallery, Hobart |
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Campbelltown City
Bicentennial Art Gallery, NSW |
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Devonport Gallery & Arts Centre, TAS |
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Newcastle Region
Art Gallery, Newcastle |
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Powerhouse
Museum, Sydney |
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New
England
Regional Art Museum |
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University of
Tasmania, Hobart |
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University of Technology,
Sydney |
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Muzeum Narodowe W Warsawie,
Poland |
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Artbank |
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Derwent Collection, TAS |
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Macquarie Bank,
Sydney, Melbourne
and London |
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Pat Corrigan Collection,
Australia |
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Sydney Grammar
School, Sydney |
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Tamar Collection, Launceston |
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Esk Collection, TAS |
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Private Collections Australia,
New Zealand,
Japan, UK, Canada and USA |
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Selected
Bibliography
|
|
Laura Murray Cree (ed.), Twenty:
Sherman Galleries 1986-2006, Craftsman House,
Melbourne,
2006 |
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Anne Gray. ‘Australia
and Constable’, catalogue essay, Constable: Impressions of Land Sea and Sky,
NGA, March 2006 |
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Peter Timms, Philip Wolfhagen (a Tasmanian
Monograph presented through Arts Tasmania), Craftsman House, Melbourne 2005 |
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Malcolm Bywaters,
Rhapsody 21C: Tasmanian Contemporary Art,
exhibition catalogue, Academy Gallery,
University of Tasmania, 2 – 27 May 2005 |
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Gillian Serisier, ‘The art of collectives’,
Australian Art Market Report, no. 14, December 2004 – February 2005,
pp.30–32 |
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‘Philip Wolfhagen’, Artlink,
vol.24, no.3, 2004, p.93 |
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Terry Ingram, 'Feeding feeding at show’,
Saleroom, Australian Financial Review,
12
August 2004, p.20 |
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David Hansen, 'Philip Wolfhagen', Art
&
Australia
, vol.42, no.1, spring 2004, pp.90–95 |
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Maria Rae, ‘Gallery director in love with history’,
Examiner News,
12 June 2004,
p.? |
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Philip Wolfhagen, Noctiluca, artist’s
statement, Bett Gallery Hobart, May–June 2004 |
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Laura Murray Cree, ‘Beauty and hidden agendas’,
State of the Arts, July–September 2003, pp.80–82 |
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Susan McCulloch, ‘An earthy masterpiece’, Weekend
Australian, 19–20 April 2003 |
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Bridget Arkless, Philip Wolfhagen: Archipelago,
exhibition catalogue,
Queen Victoria
Museum and Art Gallery at Inveresk, February 2003 |
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Benjamin Genocchio, ‘Residues of space’, Weekend
Australian, 29–30 June 2002 |
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Michael Hutak, ‘Australia’s
50 Most Collectable Artists’, Australian Art Collector, issue 15, 2001 |
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Dinah Dysart & Jackie Dunn, Artbank: Australian
Art in Public Places, Artbank, 2001 |
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Robert Nelson, ‘The “death of painting” a little
premature’, Age,
22 September 2001 |
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Peter Clarke,
‘Picture perfect’, Country Style, June 2001 |
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Georgia Warner, ‘Critics put Tassie artist in elite
club’, Mercury,
16 January 2001 |
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Deborah Hart, ‘Uncommon world’, artonview,
issue 23, spring 2000 |
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Bruce Roberts, ‘A fish-like boat in a water-like
landscape’, Island magazine, winter 2000 |
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Laura Murray Cree & Nevill Drury (eds), Australian
Painting Now, Craftsman House,
Sydney,
1999 |
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‘Waxing lyrical in
Tasmania’,
Australian Art Collector, issue 8, April–June 1999, pp.24, 26 |
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Susan McCulloch, ‘Guy Abrahams: Dealer in optimism’
Australian Art Collector, issue 7, 1999 |
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Joanna Mendelssohn, ‘Liquid landscapes from the
island state’, Australian,
12 June 1998 |
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Nevill Drury, Surface Tension, catalogue
essay, Sherman Galleries,
Sydney, 1998 |
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Deborah Hart, ‘Temple
of Earth Memories’, catalogue essay, Australian Perspecta: Between Art
and Nature, 1997 |
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Sebastian Smee, ‘180 degrees of separation’, Metro,
Sydney Morning Herald, 20–26 June 1997 |
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Victoria Hammond, 'Landscape and memory in
Tasmania', Art
& Australia, vol 34, no.2, summer 1996, pp.210–219 |
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Victoria Hammond, 'Painting the spirit of place',
40° South, no.5, December 1996 |
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Giles Auty, 'Southern sojourn', Australian,
26–27 October 1996 |
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John McDonald, 'Becoming what one is', Sydney
Morning Herald,
26 October 1996 |
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Amanda Meade, 'It starts with a message',
Australian,
18 October 1996 |
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John McDonald, 'Peaks of inspiration', Sydney
Morning Herald,
4 May 1996 |
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Colin Simpson, 'Challenging winners – to corner
cutters', Bulletin,
27 February 1996 |
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Marie Geissler, ‘Banking on art’, Qantas Club
Magazine, February 1996, pp.40–43 |
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Giles Auty, 'Sparkle of sweet success', Australian,
17–18 February 1996 |
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Victoria Hammond, Brushing the Dark,
exhibition catalogue, Contemporary Art Services Tasmania, touring exhibition,
January 1996 |
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David Hansen, 'My dog, your car, our art collection',
Art Monthly Australia, July 1995 |
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Bronwyn Watson, 'Treasures from the corporate world',
Sydney Morning Herald,
3 January 1995 |
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Felicity Fenner, 'Sublime horizons', Sydney
Morning Herald,
8 July 1994 |
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Courtney Kidd, 'Landscape as metaphor in the art of
Philip Wolfhagen', Contemporary Art Tasmania Magazine, issue no.5, 1994 |
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Richard Stanford, 'Heightening the senses',
Elevations, catalogue essay, Devonport Gallery and Arts Centre, September
1993 |
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Christopher Allen, 'Seven at Ivan Dougherty Gallery',
Asian Art News, September–October 1992 |
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Nick Waterlow, Seven, exhibition catalogue,
Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales,
Sydney, 1992 |
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Jacques Delaruelle, 'Small is beautiful', Sydney
Review, January–February 1992 |
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Jacques Delaruelle, 'In search of the modern soul',
Sydney Review, November 1991 |
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Elwyn Lynn, 'Into the landscape of space
exploration', Weekend Australian, 12–13 October 1991 |
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Elwyn Lynn, 'Idol worship at the altar of
abstraction', Weekend Australian, 27–28 October 1990 |
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David McDowell, 'Hobart:
Philip Wolfhagen at Salamanca Place Gallery', Art & Text, no.36, 1990 |
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Nick Waterlow,
Genius Loci: Spirit of Place, exhibition catalogue, Centre for the Arts,
University of Tasmania, Hobart, 1989 |
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go to
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Painting
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Publications
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Philip Wolfhagen's Exhibition Index |
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