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David Stephenson - Curriculum Vitae (May 2012) |
|
| Born 1955 in Washington, D.C. USA | |
| To Australia 1982, American and Australian citizenship | |
| Academic Qualifications | |
| 2001 | Doctor of Philosophy, University of Tasmania |
| 1982 | Master of Fine Art, University of New Mexico |
| 1980 | Master of Art, University of New Mexico |
| 1979 |
Bachelor of Fine Art with Honors, University of
Colorado Bachelor of Art with Honors (Art History), University of Colorado |
| Academic Appointments | |
| 2010-12 | School Research Coordinator, School of Art, University of Tasmania |
| Faculty of Arts Research Committee | |
| 2008-09 | Research / research supervision, School of Art, University of Tasmania |
| 2004-2007 | Research / Graduate Research Coordinator, School of Art, University of Tasmania |
| 1984-2004 | Head of Photography, School of Art, University of Tasmania |
| 1982-83 | Tutor, School of Art, University of Tasmania |
| 1979-81 | Teaching Assistant, Art Department, University of New Mexico |
| Grants and Commissions | |
| 2011 | University of Tasmania Internal Grant |
| 2007 | Australia Council Visual Arts Fellowship 2008-09 |
| 2002 |
IRGS Grant (with Bill Hart) |
| 2001 | Australia Council Visual Art/Craft Fund Project Grant |
| 2000 | Australian Research Council Grant |
| 1996 | Australia Council Visual Art/Craft Fund Project Grant |
| 1995 | Australian Research Council Grant (with A MacDonald, R. Arnold) |
| 1993 | Arts Tasmania Project Grant (with Anne MacDonald) |
| 1992 | Australia Council Visual Arts/Crafts Board Overseas Studio Grant |
| 1991 | University of Tasmania Antarctic Commission |
| 1990 | Tasmanian Arts Advisory Board Art in Public Places Commission |
| 1989 | Tasmanian Arts Advisory Board Art in Public Places Commission |
| 1988 | University Research Grant |
| 1985 | University Research Grant |
| 1984 | New Parliament House Photography Commission |
| 1983 |
CSR Photography Project Commission |
| Tasmanian Arts Advisory Board Grant | |
| 1980 | National Endowment for the Arts Fellowship |
| 1979 | Ford Foundation Grant, through the University of New Mexico |
| Recent Lectures | |
| 2011 | Art Gallery of New South Wales, Sydney |
| 2010 | Massachusetts College of Art and Design, Boston |
| Texas Tech University, Lubbock | |
| University of Washington, Seattle | |
| 2009 | National Gallery of Victoria, Melbourne |
| 2008 | Art Gallery of New South Wales, Sydney |
| 2007 | Museum of Contemporary Art, Sydney |
| Individual Exhibitions | |
| 2011 | Transcendence: Photographs by David Stephenson,
Monash Gallery of Art, Melbourne |
| Light Cities: Tokyo Melbourne San Francisco Las Vegas New York,Julie Saul Gallery, New York | |
| 2010 | Light Cities: Sydney Boston Perth Tokyo Melbourne Osaka, Boutwell Draper Gallery, Sydney |
| 2009 | Heavenly Vaults, John Buckley Gallery, Melbourne |
| Dusk to Dawn, Boutwell Draper Gallery, Sydney | |
| David Stephenson, Highland Gallery, Boulder, Colorado | |
| 2008 | Star Drawings, John Buckley Gallery, Melbourne |
| David Stephenson, O'Sullivan Art Gallery at Regis University, Denver |
|
| David Stephenson: Sublime Symmetries, Australian Embassy, Washington, D.C. | |
| 2007 | Vaults, Julie Saul, New York |
| Vaults 2006-07, Boutwell Draper, Sydney | |
| Selected Photographs 1993-2003, John Buckley Gallery, Melbourne | |
|
Marking Time, Carnegie Gallery, Hobart |
|
| 2006 |
Symétries sublimes, photographies de David Stephenson, Centre Culturel Calouste Gulbenkian, Paris, curated by Jorge Calado, with full colour 140 page catalogue |
| 2005 | Drawing Time, Boutwell Draper Gallery, Sydney |
| 2004 | |
| 2003 |
David Stephenson: The Dome Project, Candace Perich
Gallery, Katonah, NY |
| Skeletons, Bett Gallery Hobart | |
| Skeletons, Boutwell Draper Gallery, Sydney | |
| 2001 | Starlight: David Stephenson Photographs, Cleveland Museum of Art, USA |
| Space + Light: David Stephenson Photographs, 1982-1996, Tasmanian Museum and Art Gallery, Hobart | |
| Dome Photographs, 1993-2000, Bett Gallery Hobart | |
| 2000 |
Heaven, Julie Saul Gallery, New York |
| Cupolas, Australian Centre for Photography, Sydney | |
| Dome, CAST Gallery, Hobart | |
| Virtual Dome, Robert Lindsay Gallery, Melbourne | |
| 1999 |
Stars, Robert Lindsay Gallery, Melbourne |
| Domes, Dolphin, Kansas City | |
| 1998 |
Sublime Space: David Stephenson Photographs 1989-98,
National Gallery of Victoria, Melbourne |
| Anatomies, Robert Lindsay Gallery, Melbourne | |
| 1997 |
Domes, Julie Saul Gallery, New York |
| Domes, Dick Bett Gallery, Hobart | |
| 1996 | Transfigurations, Robert Lindsay Gallery, Melbourne |
| 1995 | Transfigurations, Paisley Museum and Art Gallery, Scotland for Fotofeis International Festival of Photography in Scotland |
| 1994 |
Winter, James Danziger Gallery, New York |
| Dark Nature, Dick Bett Gallery, Hobart (collaboration with Anne MacDonald) | |
| The Ice, Australian Centre for Contemporary Art, Melbourne | |
| 1993 |
Dissolution, Melbourne Contemporary Art Gallery,
Melbourne |
| The Ice, Art Gallery of New South Wales, Sydney | |
| 1992 |
Vast, Dick Bett Gallery, Hobart |
| Vast, Australian Centre for Photography, Sydney | |
| 1991 |
Vast, Contemporary Art Centre of South Australia |
| Vast, Melbourne Contemporary Art Gallery | |
| 1990 |
Untitled 1989-90, Melbourne Contemporary Art
Gallery, Melbourne |
| Untitled 1989-90, Australian Centre for Photography, Sydney | |
| 1989 |
David Stephenson, Selected Photographs 1979-89,
Salamanca Place Gallery, Hobart |
| David Stephenson, Gallerie Cimitiere, Launceston | |
| 1988 | David Stephenson, Salamanca Place Gallery, Hobart |
| 1987 |
Mountain/Sea, Chameleon Gallery, Hobart |
| David Stephenson, Roslyn Oxley9 Gallery, Sydney | |
| 1985 |
David Stephenson, Ivan Dougherty Gallery, Sydney |
| David Stephenson, The Friends of Photography, Carmel | |
| 1984 | David Stephenson, The Developed Image, Adelaide |
| 1983 |
The Divided Landscape, Robert Freidus Gallery, New
York |
| David Stephenson, The Developed Image, Adelaide | |
| Extended Landscape, Tasmanian School of Art Gallery, Hobart | |
| 1982 | David Stephenson, Australian Centre for Photography, Sydney |
| 1981 |
David M Stephenson, Camerawork Gallery, San
Francisco |
| Trans Alaska Pipeline, ASA Gallery, University of New Mexico, Albuquerque | |
| Group Exhibitions | |
| 2011 | City of Hobart Art Prize, Tasmanian Museum and Art Gallery |
| 25 Years / 25 Artists, Julie Saul Gallery, New York | |
| 25 Years – an unfolding journey, Bett Gallery, Hobart | |
| Deep Water: Photographs 1860-2000, National Gallery of Victoria, Melbourne | |
| Photography and Place: Australian landscape photography, 1970s until now, Art Gallery of New South Wales, Sydney | |
| River Effects: the waterways of Tasmania, Academy Gallery, Launceston / Centre for the Arts, Hobart | |
| Art + Architecture 11, Boutwell Draper Gallery, Sydney | |
| 2010 | In the Balance, Museum of Contemporary Art, Sydney |
| Stormy Weather: Contemporary Landscape photography, National Gallery of Victoria, Melbourne | |
| Imagining the Everyday, Pingyao International Photography Festival, China | |
| 2009 | Looking up: a view of contemporary photography, Ambient Art Projects, Las Vegas |
| Shared Sky, National Gallery of Victoria, Melbourne | |
| Vertigo, Monash Gallery of Art, Melbourne | |
| Natural World, Glen Eira City Council Gallery, Melbourne | |
| 2008 | Neo-Goth: Back in Black, University of Queensland Museum of Art, Brisbane, Australia |
| Photography and Architecture, Parc de Sceaux, Paris | |
| 2007 |
Ingenuidades: Fotografia e Engenharia 1846-2006, curated by Jorge Calado |
| Galeria de Exposições Temporårias da Fundação Calouste Gulbenkian, Lisbon; Centre for Fine Arts, Brussels (BOZAR) | |
| Light Sensitive: Contemporary Australian Photography from the Loti Smorgon | |
| Fund, National Gallery of Victoria, Melbourne | |
| ABN AMRO Emerging Artist Award, Sydney | |
| Cross Currents: Focus on Contemporary Australian Art, Museum of Contemporary Art, Sydney | |
| 2006 |
From an Island South (Asialink/Devonport Regional Gallery touring exhibition
curated by Jane Stewart) touring venues in Asia. |
| aniGma-2006 The 3d Novosibirsk International Festival of Digital Imaging, Animation & Video-Art, Novosibirsk State Art Museum, Russia, curated by Andrey Martynov. | |
| Different Dimension, 1st Novosibirsk International Festival of contemporary photography, Novosibirsk State Art Museum, Russia, curated by Andrey Martynov. | |
| A Precipitation in Time, Devonport Regional Gallery, Devonport, curated by Troy Ruffels | |
| Artbank: Celebrating
25 Years of Australia Art,
Redland Art Gallery, Queensland, and national tour, curated by Antonia Syme et al. |
|
| 2005 |
Studies in Meditation, Candace Perich Gallery, Katonah, New York. |
| Looking
South, Plimsoll Galley, Centre for the Arts, Hobart. |
|
| The Place Where Three Dreams Cross, Plimsoll Galley, Centre for the Arts, Hobart (national tour). | |
| Breaking Ice, Adam Art Gallery, Victoria University of Wellington, New Zealand. | |
| Idiosyncrasy: Painting and Photography, Qld Centre for Photography, Brisbane. | |
| Transformer, Long Gallery, Hobart. | |
| Points of View: Australian Photography, 1985-95, Art Gallery of New South Wales, Sydney | |
| Olhares Estrangeiros, Fotografias de Portugal, Colecçao da Caixa de Depositos, Fidelidade Mundial Chiado 8, Lisbon. | |
| 2004 |
Josephine
Ulrick & Win Schubert Foundation for the Arts Photography Award |
| I want to take you higher, McKenzie Fine Art, New York. | |
| Australian Art Fair, Royal Exhibition Building, Melbourne. | |
| Tidal: City of Devonport Art Prize (Tasmanian Artist Award winner) Devonport Regional Gallery, Devonport |
|
| The Nature Machine, Queensland Art Gallery, Brisbane | |
| 2003 |
Sky Lounge – Future Projections, National Museum of
Australia, Canberra |
| First Impressions: Contemporary Australian Photograms, National Gallery of Victoria, Melbourne | |
| Future Perfect, Bett Gallery Hobart and assorted venues | |
| Second Sight: Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne. | |
| American Beauty, Art Gallery of New South Wales, Sydney. | |
| 2002 |
Gold
Coast Ulrick Schubert Photographic Art Award
(winner) Gold
Coast
City
Art
Gallery,
Surfers Paradise. |
| Melbourne Art Fair, Royal Exhibition Building, Melbourne | |
| Fieldwork: Australian Art 1968-2002, National Gallery of Victoria, Melbourne. | |
| In Sequence, Dolphin Fine Art, Kansas City. | |
| 2001 |
Striking: Contemporary Australian Photography from the Monash Gallery of |
| Art Collection, Monash Gallery of Art, Melbourne. | |
| Between Phenomena-The Panorama and Tasmania, Plimsoll Gallery, Centre for the Arts, Hobart. | |
| Night Light: Photographs of heavenly bodies, 1885-2000, Robert Klein Gallery, Boston. | |
| 1999 |
Mount Wellington – Peak and Pinnacle, Allport
Library and Museum of Fine Arts, State Library of Tasmania, Hobart |
| An American Century of Photography: From Dry-Plate to Digital, Phillips Collection, Washington, D.C. and national tour | |
| Artificial Nature: a survey of vintage and contemporary photograms, Julie Saul Gallery, New York | |
| Striking: Contemporary Australian Photography from the Monash Gallery of Art Collection, Gold Treasury Museum, Melbourne, Casula Powerhouse Gallery, Sydney | |
| Earth Sky, Jackson Fine Art, Atlanta | |
| Tempus Fugit/Time Flies, Nelson-Atkins Museum of Art, Kansas City | |
| 1998 |
Waterproof, Festival of 100 days/EXPO '98, Belen Art
Centre, Lisbon Click, Robert Lindsay Gallery, Melbourne |
| Parliament House Photography Project: David Stephenson and Debra Phillips, Parliament House, Canberra | |
| Constellations, University of Missouri-Kansas City Gallery of Art, Kansas City | |
| Drawings from Light 2: The Contemporary Imagination, Waverley City Gallery, Melbourne | |
| Ground Control, Lombard-Freid Contemporary Art, New York | |
| 1997 |
Oceans and Galaxies, Karen McCready Fine Art, New
York |
| Vantage, Australian Centre for Photography, Sydney | |
| Site and Sensibility - selections from the Art Bank Collection, S. H. Irvin Gallery, Sydney | |
| What's New II, Waverley Gallery, Melbourne | |
| The Blake Prize, State Library of New South Wales, Sydney | |
| 1996 |
Imagine Nature, Plimsoll Gallery, University of
Tasmania Centre for the Arts, Hobart |
| Brushing the Dark: Recent Art and Tasmania, Tasmanian Museum and Art Gallery, Hobart, and national tour | |
| The Power to Move: Recent Australian Photography, Queensland Art Gallery, Brisbane | |
| Inheritance, Australian Centre for Photography, Sydney | |
| Contemporary Australian Photography from the collection of the National Gallery of Victoria, National Gallery of Victoria, Melbourne | |
| Out Takes: Obscure Works by Gallery Artists, Julie Saul Gallery, New York | |
| Gold Coast City Conrad Jupiters Art Prize (winner), Gold Coast City Art Gallery, Queensland | |
| City of Hobart Art Prize, Carnegie Gallery, Hobart | |
| 1995 |
Likeness, Centre for Contemporary Photography,
Melbourne |
| Figure/Ground, Dick Bett Gallery, Hobart | |
| The Derwent Collection: Australian Art of the 1980s and 1990s, Tasmanian Museum and Art Gallery, Hobart | |
| The Blundstone Contemporary Art Prize (Aquisitive Award) Queen Victoria Museum and Art Gallery, Launceston, and national tour | |
| 1994 |
Tradition and the Unpredictable: The Allan Chasanoff
Photographic Collection, Museum of Fine Arts, Houston |
| Pictograms: Aspects of Contemporary Photographic Practice, Monash University Gallery, Melbourne and national tour | |
| The Full Spectrum: Colour and Photography in Australia 1860s to 1990s, National Gallery of Victoria, Melbourne | |
| Landed: Landscape Art in Australia, 1960-90, Australian National Gallery, Canberra | |
| Antarctica: Secrets of the Frozen World, Tasmanian Museum and Art Gallery, Hobart, and Museum of Victoria, Melbourne | |
| An American Century of Photography: From Dry-Plate to Digital, Nelson-Atkins Museum of Art, Kansas City, and international tour | |
| Tableaux: Works from the Monash University Collection, Monash University Gallery, Melbourne | |
| 1993 |
To the Surface-Contemporary Landscape, Centre for
the Arts, Hobart |
| Artists in Antarctica-Visions of the Frozen World, Tasmanian Museum and Art Gallery, Hobart | |
| Reflex, Centre for Contemporary Photography, Melbourne, and national tour | |
| 1992 |
A Show of Strength, Dick Bett Gallery, Hobart |
| Location, Australian Centre for Contemporary Art, Melbourne, and Australasian tour | |
| Intimations of Mortality, Art Gallery of South Australia, Adelaide | |
| Contemporary Works, Tasmanian Museum and Art Gallery, Hobart | |
| 1991 |
42° South, Chameleon Gallery, Hobart, and Australia/
NZ tour |
| David Stephenson/Ray Arnold, Cradle Mountain Visitor Centre, Tasmania | |
| Agfa National Photography Exhibition, Albury Regional Art Centre, New South Wales | |
| 1990 | Fragmentation and Fabrication: Recent Australian Photography, Art Gallery of South Australia, Adelaide |
| 1989 |
Night, Nacht, Noir, Chameleon Gallery, Hobart |
| Tableaux Mourant, Fine Arts Gallery, University of Tasmania | |
| 1988 |
Australian Photography: the 1980's, Australian
National Gallery, Canberra and national tour |
| The CSR Photography Collection, Art Gallery of New South Wales, Sydney | |
| Landfall, Chameleon Gallery, Hobart | |
| A Place For Art, Centre for the Arts Gallery, Hobart | |
| 1987 |
Photogenics: Works from the University Collection,
University of Tasmania Fine Arts Gallery, Hobart |
| Australian Contemporary Photographers, National Gallery of Victoria, Melbourne | |
| On Collecting Photographs: Master Photographs from St. Louis Private Collections, University of Missouri, St. Louis | |
| The New Romantics, Macquarie Galleries, Sydney, and regional tour | |
| 1986 |
New Views: Landscape Photographs From Two
Continents, University of Missouri, St, Louis |
| CSR Photography Project, Queensland Art Gallery and regional tour | |
| Recent Australian Photography, Australian National Gallery, Canberra | |
| 1985 |
Festival of Perth Exhibition, Editions Gallery,
Fremantle |
| Approaching Landscape, Chameleon Gallery, Hobart and Penrith Regional Gallery, New South Wales | |
| 1984 | Tenth Anniversary Exhibition, Australian Centre for Photography, Sydney |
| 1983 |
Australian Perspecta 1983, Art Gallery of New South
Wales, Sydney, and national tour |
| Landscape/Cityscape, Susan Spiritus Galley, Newport Beach | |
| Not a Picture Show, Long Gallery, Hobart, and national tour | |
| Recent Acquisitions, San Francisco Museum of Modern Art, San Francisco | |
| 1982 |
Recent Acquisitions, Corcoran Gallery of Art,
Washington, D.C. |
| Year of the Tree, Art Gallery of New South Wales, Sydney | |
| Southwest Regional Photography, ASA Gallery, University of New Mexico, Albuquerque | |
| Northlight Southwest, Northlight Gallery, Arizona State University | |
| 1981 |
New Photographs, Robert Freidus Gallery, New York |
| Masterpieces from the Permanent Collection, San Francisco Museum of Modern Art, San Francisco | |
| Northlight Southwest, Northlight Gallery, Arizona State University, Tempe | |
| Contemporary Photoworks, Downtown Centre for the Arts, Albuquerque | |
| Five States Photography, ASA Gallery, University of New Mexico | |
| Exposure Time V, James Madison University, Harrisonburg, Virginia | |
| Exposure 1981, Cheltenham Art Centre, Pennsylvania | |
| Sixth Annual Magic Silver Show, Murray State University, Murray, Kentucky | |
| Prints and Photographs, The Print Club, Philadelphia | |
| 1980 |
Western Landscape Photography, 1850-1980, Crocker
Art Museum, Sacramento, California |
| Contemporary Photography, Skidmore College, Saratoga Springs, New York | |
| La Grange National V, CVAA Art Gallery, La Grange, Georgia | |
| Eccentricities, California Institute of the Arts, Valencia | |
| Conceptions Southwest, ASA Gallery, University of New Mexico, Albuquerque | |
| Northlight Southwest, Northlight Gallery, Arizona State University, Tempe | |
| Photospiva 80, Spiva Art Center, Joplin, Missouri | |
| University of New Mexico Travelling Exhibition, to galleries in New York, Maine, Virginia, and Texas | |
| Photo-Media, ASA Gallery, University of New Mexico, Albuquerque | |
| MA/MFA Exhibition, University of New Mexico Art Museum, Albuquerque | |
| 1979 |
Photograph as Document, California Institute of the
Arts, Valencia |
| Photoworks, Bellevue Art Museum, Washington | |
| Exposure: Ideas and Images in Contemporary Photography, Boulder Arts Centre, Colorado | |
| Colorado Photographers, Emmanuel Gallery, Auraria Campus, Denver | |
| Pictures, Diablo Valley College Gallery, California | |
| Four Corners Exhibition, Northlight Gallery, Arizona State University, Tempe | |
| Boulder Arts 1979, Boulder Arts Centre, Colorado | |
| Albuquerque Contemporary Arts, Downtown Centre for the Arts and Meridian Gallery, Albuquerque, New Mexico | |
| 1978 | Works on Paper, Dallas Museum of Fine Arts, Texas, and seven gallery regional tour |
| Institutional Collections | |
|
Ackland Art Museum, University of North Carolina at Chapel Hill |
|
| Arizona State University, Tempe | |
| Art Bank, Sydney | |
| Art Gallery of New South Wales, Sydney | |
| Art Gallery of South Australia, Adelaide | |
| Bellevue Art Museum, Bellevue, Washington | |
| Bibliotheque Nationale, Paris | |
| Corcoran Gallery of Art, Washington, D.C. | |
| Crocker Art Museum, Sacramento | |
|
Frances Lehman Loeb Art Center, Vassar College, New York |
|
| Gold Coast City Art Gallery, Queensland | |
| International Museum of Photography at George Eastman House, Rochester | |
| La Grange College, La Grange, Georgia | |
| Library of Congress, Washington, D.C. | |
| Metropolitan Museum of Art, New York | |
| Monash Gallery of Art, Melbourne | |
| Monash University, Melbourne | |
| Museum of Contemporary Art, Sydney | |
| Museum of Fine Arts, Houston | |
| Museum of Modern Art, New York | |
|
National Collection of Photography, Centro Português de Fotografia, Oporto |
|
| National Gallery of Australia, Canberra | |
| National Gallery of Victoria, Melbourne | |
|
Nelson-Atkins Museum of Art, Kansas City |
|
| Parliament House, Canberra | |
| Queensland Art Gallery, Brisbane | |
| Queen Victoria Museum and Art Gallery, Launceston | |
| San Francisco Museum of Modern Art, San Francisco | |
|
Sheldon Memorial Art Gallery, University of Nebraska |
|
| Tasmanian Museum and Art Gallery, Hobart | |
| University of New Mexico Art Museum, Albuquerque | |
| University of New South Wales, College of Fine Arts, Sydney | |
|
University of Sydney |
|
| University of Tasmania, Hobart | |
| Victorian Department of Education, Melbourne | |
|
Wellesley College Museum of Art, Massachusetts |
|
|
Corporate Collections |
|
| Bank of America | |
| Caixa de Depositos, Lisbon | |
| Citibank | |
| Cleveland Clinic | |
| Deutsche Bank | |
| Goldman Sachs & Co. | |
| Kerry Stokes Collection | |
| Mellon Financial Corp. | |
| Pfizer, Inc. | |
| Wesfarmers Collection | |
| Books and Catalogues | |
| Isabel Hesketh: “David Stephenson”, in Rachel Kent: In the Balance: Art for a Changing World, Museum of Contemporary Art, Sydney, 2010 |
|
| Anne Marsh: Look: Contemporary Australian Photography since 1980, Macmillan, Melbourne, 2010 | |
| David Stephenson: Heavenly Vaults: From Romanesque to Gothic in European Architecture, Princeton Architectural Press, New York, 2009. | |
| Daniel Palmer: “David Stephenson”, chapter in Blair French and Daniel Palmer: Twelve Australian Photo-Artists, Piper Press, Sydney, 2009 | |
| Alison Kubler: Neo-Goth: Back in Black, University of Queensland Museum of Art, Brisbane, Australia, 2008 | |
| Angela Faris-Belt: The Elements of Photography, Focal Press (Elsevier), Burlington, MA and Oxford, UK, 2008 | |
| Helen Ennis: Photography and Australia, Reaktion Books, London, 2007 | |
| Daniel Palmer: “David Stephenson”, chapter in John Stringer: Cross Currents: Focus on Contemporary Australian Art, Museum of Contemporary Art, Sydney, 2007 | |
| David Stephenson: Visions célestes: Les plus belles coupoles d'Europe, Éditions Citadelles & Mazenod, Paris, 2007. | |
| Lynne Andrews: Antarctic Eye: the Visual Journey, Studio One, Tasmania, 2007. |
|
| Catriona Moore: “Not just a pretty picture: art as ecological communication”, in Gavin Birch, editor: Water Wind Art and Debate. How environmental concerns impact on disciplinary research, Sydney University Press, Sydney, 2007, http://ses.library.usyd.edu.au/handle/2123/2106. | |
| Jorge Calado: Ingenuidades: Fotografia e Engenharia 1846-2006, Fundação Calouste Gulbenkian, Lisbon, 2006. | |
| Jorge Calado: David Stephenson: Sublime Symmetries, Calouste Gulbenkian Foundation, Lisbon, 2006. | |
| David Stephenson: Visions of Heaven: The Dome in European Architecture, Princeton Architectural Press, New York, 2005. | |
| Isobel Crombie and Susan van Wyk: Second Sight: Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2003. | |
| David Stephenson (with essay by Greg French): Skeletons, Space + Light Editions, Hobart, 2003 | |
| Charles Green and Jason Smith: Fieldwork: Australian Art 1968-2002, National Gallery of Victoria, Melbourne, 2002 | |
|
Jan Schall, editor: Tempus Fugit: Time Flies, Nelson-Atkins Museum of Art, Kansas City, and University of Washington, Seattle, 2001. |
|
| David Stephenson (with essay by Keith F. Davis): Stars, Julie Saul Gallery, New York, Robert Lindsay Gallery, Melbourne, Space + Light Editions, Hobart, 1999 | |
| Blair French, editor: Photo files: an Australian photography reader, Power Publications, Power Institute, University of Sydney, Sydney, 1999 | |
| Susan Van Wyk: Sublime Space: David Stephenson Photographs, 1989-98, National Gallery of Victoria, Melbourne, 1998 | |
| Keith F. Davis: An American Century of Photography: From Dry Plate to Digital (2nd Edition, Revised and Enlarged), Abrams, New York, 1998 | |
| Jorge Calado: A Prova de Agua/Waterproof, Edition Stemmle, Zurich, 1998 | |
| David Stephenson : "Transfigurations", 5 colour illustrations pp. 98-103, in Pedersen, B M, editor: Fine Art Photography 2, Graphis Inc, New York, 1997 | |
| Victoria Hammond, editor: Brushing the Dark- Recent Art and Tasmania, Contemporary Art Services Tasmania, Hobart, 1996 | |
| Peter Hay, editor: Imagine Nature, School of Art, University of Tasmania, 1996 | |
| Anne Kirker: The Power to Move, Queensland Art Gallery, Brisbane, 1996 | |
| David Stephenson and Victoria Hammond: Cupolas, Julie Saul Gallery, New York, Robert Lindsay Gallery, Melbourne, and Dick Bett Gallery, Hobart, 1996 | |
| Alasdair Foster, Ken Gill, and Euan McArthur, editors: Fotofeis '95- International Festival of Photography in Scotland, Fotofeis Ltd, Edinburgh, 1995 | |
| Edward Colless: The Error of My Ways, Institute of Modern Art, Brisbane, 1995 | |
| Stuart Koop and David Stephenson: The Ice, Australian Centre for Contemporary Art, Melbourne, 1994 | |
| Museum of Fine Arts: The Allan Chasanoff Photographic Collection: Tradition and the Unpredictable, Houston, 1994 | |
| Keith F. Davis: An American Century of Photography: From Dry-Plate to Digital, Hallmark, Kansas City, 1994 | |
| David Stephenson: "Marks in the Landscape: Notes 1979-1991", Our Common Ground- A Celebration of Art, Place & Environment, Australian Institute of Landscape Architects & The Centre for Environmental Studies, Hobart, 1994 | |
| Ray Arnold: To the Surface-Contemporary Landscape, Plimsol Gallery, Centre for the Arts, Hobart, 1993 | |
| Juliana Engberg: Location, Australian Centre for Contemporary Art, Melbourne, 1992 | |
| John Mcqueenie: 42° South, Chameleon, Hobart 1991 | |
| Fred Levine: "And we fill the void with our presence- An introduction to the photographs of David Stephenson", Vast: Photographs from Europe and Antarctica 1990-91, by David Stephenson, Contemporary Art Centre of South Australia, Adelaide, 1991 | |
| National Association for Visual Arts: Who's Who of Australian Artists, Thorpe, Melbourne, 1991 | |
| Max Germaine: Artists and Galleries of Australia, Craftsman House, Sydney, 1990 | |
| Sue Backhouse: Tasmanian Artists of the Twentieth Century, Pandani Press, Hobart, 1988 | |
| Jim Logan: Night, Nacht, Noir, Chameleon Contemporary Art Space, Hobart, 1989 | |
| Anne MacDonald: Tableaux Mourant, University of Tasmania, Hobart, 1989 | |
| Helen Ennis: Australian Photography: The 1980's, Australian National Gallery, Canberra, and Melbourne Oxford University Press, Oxford, Auckland, New York, 1988 | |
| Sandra Byron: The CSR Photography Project Collection, Art Gallery of New South Wales, Sydney, 1988 | |
| Jonathon Holmes: Photogenics: Works From The University Collection, University of Tasmania, Hobart, 1987 | |
| David Stephenson: Mountain/Sea, Chameleon, Hobart, 1987 | |
| Graeme Sturgeon: The New Romantics, Macquarie Galleries, Sydney, 1987 | |
| Tom Patton: New Views: Landscape Photographs From Two Continents University of Missouri, St. Louis, 1986 | |
| Christine Godden: CSR Photography Project: Selected Works, CSR, Ltd. Sydney, 1986 | |
| Jan McDonald: Australian Artists' Index, Arts Libraries Society, Sydney, 1986 | |
| David Stephenson: New Landscapes: Photographs From Two Continents University of Tasmania, Hobart, 1985 | |
| Ray Arnold: Approaching Landscape, Chameleon, Hobart 1985 | |
| Glen Puster and Gayle Pollard: Not a Picture Show, Hobart, 1983 | |
| Bernice Murphy: Australian Perspecta 1983, Art Gallery of New South Wales, Sydney | |
| Tasmanian School of Art: Extended Landscape, Hobart, 1983 | |
| Harvey Himmelfarb and Roger D. Clisby: Large Spaces in Small Places, A Survey of Western Landscape Photography: 1850-1980, Crocker Art Museum, Sacramento, 1980 | |
| Boulder Arts Center: Exposure: Ideas and Images in Contemporary Photography, Boulder, Colorado, 1979 | |
| Articles and Reviews | |
| Robert Nelson: “Sublime infinity beyond the ceiling”, The Age, Melbourne, February 6, 2008. |
|
| Brian Sholis: “David Stephenson, Julie Saul Gallery, New York”, artforum.com/critics’ picks, September 14, 2007. | |
| Peter Timms: 'Love, Death and Wilderness Photography.' Island 97: 16-26, 2004. | |
| Margarett Loke: “David Stephenson: Heaven”, The New York Times, February 11, 2000 | |
| Stuart Koop: “David Stephenson”, Art/Text, No. 64, Sydney, February 1999 | |
| Peter Timms: “Finding that uncool beauty in nature”, The Age, Melbourne, 5 May 1999 | |
| Elisabeth Kirsch: “David Stephenson: Domes”, Kansas City Star, July 29, 1999 | |
| Anna Clabburn: “Male artists meet the heroic challenge”, The Age, Melbourne, 16 September 1998 | |
| Courtney Kidd: "The Unframed Eye: Perspectives on Antarctica", Art and Australia, Volume 33, Number 4, Sydney, 1996 | |
| John MacDonald: "Peaks of inspiration", Sydney Morning Herald, 4 May 1996 | |
| Giles Auty: "Theories with holes", The Weekend Australian, 11-12 May 1996 | |
| Susan Falkiner: "Brushing the Dark", Art Monthly Australia, No. 90 June 1996 | |
| Barb Smith: "Fotofeis International Festival of Photography in Scotland", Art Monthly Australia, No. 90 June 1996 | |
| Freda Freiberg: "Photography"(review of Transfigurations at Robert Lindsay Gallery), The Age, Melbourne, 20 September 1996 | |
| Michael Read: "Phenomena", in See, Issue 1:4, The Friends of Photography, San Francisco, 1995 | |
| A. D. Colman: "Photography", The Observer, New York, February 1994 | |
| Sean Kelly: "Dark Nature", Contemporary Art Tasmania Issue No. 3, Hobart, Autumn, 1994 | |
| Jonathon Holmes: "The Green and the Wild: Dark Nature, Anne MacDonald and David Stephenson", Artlink Vol. 14, No. 2, Winter, 1994 | |
| Robert Rooney: "Absence makes an odd appearance" The Weekend Australian, August 6-7, 1994 | |
| Adrian Colman: "Time and the Photographer", Research News No. 6, University of Tasmania, Hobart, 1993 | |
| Elwyn Lynn: "Exposure to contrast", The Weekend Australian, July 31-August 1, 1993 | |
| Elwyn Lynn: "Photos to go places", The Weekend Australian, August 7-8, 1993 | |
| Greg Neville: "Conditioned Reflex", The Age, Melbourne, December 15, 1993 | |
| "Breaking Rules, Okay", Australian Photography, Sydney, December 1993 | |
| Greg Neville: "An art in search of identity", The Age, Melbourne, December 31, 1993 | |
| Robert Rooney: "Focus on Asian Relations", The Weekend Australian, December 5-6, 1992 | |
| Sean Kelly: "42 Degrees South", Art & Text, Number 39, May 1991, Melbourne | |
| Greg Neville: "Stephenson has nature's power of astonishment", The Age, Melbourne, 22 November 1991 | |
| Edward Colless: "David Stephenson", Photofile, Number 34, Australian Centre for Photography, Sydney, December 1991 | |
| Stephanie Radok: "Anti-aesthetics", Artlink, Vol 11 No 4, Summer 1991/92, Adelaide, 1991 | |
| Beatrice Faust: "Focus is on the dignity of labor", The Age, Melbourne, 2/3/90 | |
| Stuart Koop: "David Stephenson at Melbourne Contemporary Art Gallery", Agenda, Ewing and George Paton Gallery, Melbourne University, Melbourne, 1990 | |
| Photographs reproduced in Island, Issue 45, Spring 1990, Hobart | |
| David McDowell: "Playing Dead and Other Affectations", Photofile, Summer 1989-90 | |
| Susan Leggett: "Monumental landscapes related to man", The Mercury, Hobart. 9/9/89 | |
| Edward Colless: "Hobart Commentary", Art and Australia, September 1989 | |
| Beatrice Faust: "Glamour, mystery, and magic", The Age, 24/6/87, Melbourne | |
| Heather Curnow: "Mountain/Sea", Photofile, Sydney, Spring 1987 | |
| Heather Curnow: "Talented interpreter captures essence of Tassie landscape", The Mercury, 6/8/87, Hobart | |
| John McDonald: "Romantics under the umbrella", Sydney Morning Herald, 26/9/87 | |
| Elwyn Lynn: "Rescued from their ersatz agony", The Weekend Australian, 26-27/9/87 | |
| Mark Hinderacker: "Panoramas..", Sydney Morning Herald, April 1,1985 | |
| Jonathon Holmes: "Resuming our journey into the landscape...", Art and Australia, Volume 22, Number 4, Sydney, 1985 | |
| Geoffrey Lea: "Baring nature's soul", The Mercury, 20/7/85, Hobart | |
| Brian Allison: "David Stephenson", Photofile, Australian Centre for Photography, Sydney, Autumn 1984 | |
| Jonathon Holmes: "Provincialism and Art", Island 14, Hobart, 1983 | |
| Marion Hardman: "Not a Picture Show (Calling the Shots)", supplement to Island 16, Hobart, 1983 | |
| Jonathon Holmes: "Not a Picture Show", Photofile Spring 1983 Australian Centre for Photography, Sydney, 1983 | |
| Annette Van den Bosch: "Anzart-in-Hobart", Art Network Winter 1983, Melbourne, 1983 | |
| Jonathon Holmes: "Contemporary Visual Arts in Tasmania", Australian Art Review, Sydney, 1983 | |
| Jonathon Holmes: "Contemporary Visual Arts in Tasmania", Studio International, Volume 196, Number 1002, London, October 1983 | |
| Ben Lifson: "The Conscience of Collections", The Village Voice, July 22-28, New York, 1981 | |
| Visual Studies Workshop: Afterimage, Volume 8, Number 5, Rochester, New York,1980 | |
| Ned Rifkin: "Southwest 1978- Works on Paper", Artweek, Number 18, San Francisco, 1978 | |
| Curatorial | |
| 1985 | New Landscapes: Photographs from Two Continents, a survey exhibition of recent landscape photography in Australia and America; Tasmanian School of Art Gallery, The Developed Image, Adelaide, The Australian Centre for Photography, Sydney, and the University of Missouri- St. Louis, USA. Full color catalogue. |
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