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© Bett Gallery Hobart
Tasmania
No image on this site may be reproduced in any way without prior permission from the artist. Please contact Bett Gallery Hobart on +61 3 6231 6511.
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David Stephenson Photography |
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Click thumbnails to view exhibitions |
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Vaults 2006 - 2007 9 November to 4 December 2007 |
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Marking Time |
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Skeletons |
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Dome Photographs |
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Visions of Heaven:
The Dome Click thumbnail for more information |
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email or phone us on
+61 3 6231 6511 to confirm current availability of editions |
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David Stephenson - Curriculum Vitae (November 2007) |
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| Born 1955 in Washington, D.C. USA | |
| to Australia 1982, American and Australian citizenship | |
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Academic Qualifications |
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| 2001 | Doctor of Philosophy, University of Tasmania |
| 1982 | Master of Fine Art, University of New Mexico |
| 1980 | Master of Art, University of New Mexico |
| 1979 |
Bachelor of Fine Art with Honors, University of
Colorado Bachelor of Art with Honors (Art History), University of Colorado |
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Academic Appointments |
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| 2004- | Head of Research, School of Art, University of Tasmania |
| 1984-2004 | Head of Photography, School of Art, University of Tasmania |
| 1982-83 | Tutor, School of Art, University of Tasmania |
| 1979-81 | Teaching Assistant, Art Department, University of New Mexico |
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Grants and Commissions |
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| 2007-08 | Australia Council Visual Arts Fellowship |
| 2002 |
IRGS Grant (with Bill Hart) |
| 2001 | Australia Council Visual Art/Craft Fund Project Grant |
| 2000 | Australian Research Council Grant |
| 1996 | Australia Council Visual Art/Craft Fund Project Grant |
| 1995 | Australian Research Council Grant (with A MacDonald, R. Arnold) |
| 1993 | Arts Tasmania Project Grant (with Anne MacDonald) |
| 1992 | Australia Council Visual Arts/Crafts Board Overseas Studio Grant |
| 1991 | University of Tasmania Antarctic Commission |
| 1990 | Tasmanian Arts Advisory Board Art in Public Places Commission |
| 1989 | Tasmanian Arts Advisory Board Art in Public Places Commission |
| 1988 | University Research Grant |
| 1985 | University Research Grant |
| 1984 | New Parliament House Photography Commission |
| 1983 |
CSR Photography Project Commission Tasmanian Arts Advisory Board Grant |
| 1980 | National Endowment for the Arts Fellowship |
| 1979 | Ford Foundation Grant, through the University of New Mexico |
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Individual Exhibitions |
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| 2007 |
Vaults,
Julie Saul,
New York |
| 2006 |
Symétries sublimes, photographies de David Stephenson, Centre Culturel Calouste Gulbenkian, Paris, curated by Jorge Calado, with full colour 140 page catalogue |
| 2005 | Drawing Time, Boutwell Draper Gallery, Sydney |
| 2004 | |
| 2003 |
David Stephenson: The Dome Project, Candace Perich
Gallery, Katonah, NY Skeletons, Bett Gallery Hobart |
| 2000 |
Heaven, Julie Saul Gallery, New York Cupolas, Australian Centre for Photography, Sydney Dome, CAST Gallery, Hobart Virtual Dome, Robert Lindsay Gallery, Melbourne Starlight: David Stephenson Photographs, Cleveland Museum of Art, USA Space + Light: David Stephenson Photographs, 1982-1996, Tasmanian Museum and Art Gallery, Hobart Dome Photographs, 1993-2000, Bett Gallery Hobart |
| 1999 |
Stars, Robert Lindsay Gallery, Melbourne Domes, Dolphin, Kansas City |
| 1998 |
Sublime Space: David Stephenson Photographs 1989-98,
National Gallery of Victoria, Melbourne Anatomies, Robert Lindsay Gallery, Melbourne |
| 1997 |
Domes, Julie Saul Gallery, New York Domes, Dick Bett Gallery, Hobart |
| 1996 | Transfigurations, Robert Lindsay Gallery, Melbourne |
| 1995 | Transfigurations, Paisley Museum and Art Gallery, Scotland for Fotofeis International Festival of Photography in Scotland |
| 1994 |
Winter, James Danziger Gallery, New York Dark Nature, Dick Bett Gallery, Hobart (collaboration with Anne MacDonald) The Ice, Australian Centre for Contemporary Art, Melbourne |
| 1993 |
Dissolution, Melbourne Contemporary Art Gallery,
Melbourne The Ice, Art Gallery of New South Wales, Sydney |
| 1992 |
Vast, Dick Bett Gallery, Hobart Vast, Australian Centre for Photography, Sydney |
| 1991 |
Vast, Contemporary Art Centre of South Australia Vast, Melbourne Contemporary Art Gallery |
| 1990 |
Untitled 1989-90, Melbourne Contemporary Art
Gallery, Melbourne Untitled 1989-90, Australian Centre for Photography, Sydney |
| 1989 |
David Stephenson, Selected Photographs 1979-89,
Salamanca Place Gallery, Hobart David Stephenson, Gallerie Cimitiere, Launceston |
| 1988 | David Stephenson, Salamanca Place Gallery, Hobart |
| 1987 |
Mountain/Sea, Chameleon Gallery, Hobart David Stephenson, Roslyn Oxley9 Gallery, Sydney |
| 1985 |
David Stephenson, Ivan Dougherty Gallery, Sydney David Stephenson, The Friends of Photography, Carmel |
| 1984 | David Stephenson, The Developed Image, Adelaide |
| 1983 |
The Divided Landscape, Robert Freidus Gallery, New
York David Stephenson, The Developed Image, Adelaide Extended Landscape, Tasmanian School of Art Gallery, Hobart |
| 1982 | David Stephenson, Australian Centre for Photography, Sydney |
| 1981 |
David M Stephenson, Camerawork Gallery, San
Francisco |
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Group Exhibitions |
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| 2007 |
Ingenuidades: Fotografia e Engenharia 1846-2006, curated by Jorge Calado
Galeria de Exposições Temporårias da Fundação Calouste Gulbenkian, Lisbon;
Centre for Fine Arts, Brussels (BOZAR) |
| 2006 |
From an Island South (Asialink/Devonport Regional Gallery touring exhibition
curated by Jane Stewart) touring venues in Asia. |
| 2005 |
Studies in Meditation, Candace Perich Gallery, Katonah, New York. |
| 2004 |
Josephine
Ulrick & Win Schubert Foundation for the Arts Photography Award |
| 2003 |
Sky Lounge – Future Projections, National Museum of
Australia, Canberra First Impressions: Contemporary Australian Photograms, National Gallery of Victoria, Melbourne Future Perfect, Bett Gallery Hobart and assorted venues Second Sight: Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne. American Beauty, Art Gallery of New South Wales, Sydney. |
| 2002 |
Gold
Coast Ulrick Schubert Photographic Art Award
(winner) |
| 2001 |
Striking: Contemporary Australian Photography from the Monash Gallery of Art
Collection, Monash
Gallery of Art, Melbourne. |
| 1999 |
Mount Wellington – Peak and Pinnacle, Allport
Library and Museum of Fine Arts, State Library of Tasmania, Hobart An American Century of Photography: From Dry-Plate to Digital, Phillips Collection, Washington, D.C. and national tour Artificial Nature: a survey of vintage and contemporary photograms, Julie Saul Gallery, New York Striking: Contemporary Australian Photography from the Monash Gallery of Art Collection, Gold Treasury Museum, Melbourne, Casula Powerhouse Gallery, Sydney Earth Sky, Jackson Fine Art, Atlanta Tempus Fugit/Time Flies, Nelson-Atkins Museum of Art, Kansas City |
| 1998 |
Waterproof, Festival of 100 days/EXPO '98, Belen Art
Centre, Lisbon Click, Robert Lindsay Gallery, Melbourne Parliament House Photography Project: David Stephenson and Debra Phillips, Parliament House, Canberra Constellations, University of Missouri-Kansas City Gallery of Art, Kansas City Drawings from Light 2: The Contemporary Imagination, Waverley City Gallery, Melbourne Ground Control, Lombard-Freid Contemporary Art, New York |
| 1997 |
Oceans and Galaxies, Karen McCready Fine Art, New
York Vantage, Australian Centre for Photography, Sydney Site and Sensibility - selections from the Art Bank Collection, S. H. Irvin Gallery, Sydney What's New II, Waverley Gallery, Melbourne The Blake Prize, State Library of New South Wales, Sydney |
| 1996 |
Imagine Nature, Plimsoll Gallery, University of
Tasmania Centre for the Arts, Hobart Brushing the Dark: Recent Art and Tasmania, Tasmanian Museum and Art Gallery, Hobart, and national tour The Power to Move: Recent Australian Photography, Queensland Art Gallery, Brisbane Inheritance, Australian Centre for Photography, Sydney Contemporary Australian Photography from the collection of the National Gallery of Victoria, National Gallery of Victoria, Melbourne Out Takes: Obscure Works by Gallery Artists, Julie Saul Gallery, New York Gold Coast City Conrad Jupiters Art Prize (winner), Gold Coast City Art Gallery, Queensland City of Hobart Art Prize, Carnegie Gallery, Hobart |
| 1995 |
Likeness, Centre for Contemporary Photography,
Melbourne Figure/Ground, Dick Bett Gallery, Hobart The Derwent Collection: Australian Art of the 1980s and 1990s, Tasmanian Museum and Art Gallery, Hobart The Blundstone Contemporary Art Prize (Aquisitive Award) Queen Victoria Museum and Art Gallery, Launceston, and national tour |
| 1994 |
Tradition and the Unpredictable: The Allan Chasanoff
Photographic Collection, Museum of Fine Arts, Houston Pictograms: Aspects of Contemporary Photographic Practice, Monash University Gallery, Melbourne and national tour The Full Spectrum: Colour and Photography in Australia 1860s to 1990s, National Gallery of Victoria, Melbourne Landed: Landscape Art in Australia, 1960-90, Australian National Gallery, Canberra Antarctica: Secrets of the Frozen World, Tasmanian Museum and Art Gallery, Hobart, and Museum of Victoria, Melbourne An American Century of Photography: From Dry-Plate to Digital, Nelson-Atkins Museum of Art, Kansas City, and international tour Tableaux: Works from the Monash University Collection, Monash University Gallery, Melbourne |
| 1993 |
To the Surface-Contemporary Landscape, Centre for
the Arts, Hobart Artists in Antarctica-Visions of the Frozen World, Tasmanian Museum and Art Gallery, Hobart Reflex, Centre for Contemporary Photography, Melbourne, and national tour |
| 1992 |
A Show of Strength, Dick Bett Gallery, Hobart Location, Australian Centre for Contemporary Art, Melbourne, and Australasian tour Intimations of Mortality, Art Gallery of South Australia, Adelaide Contemporary Works, Tasmanian Museum and Art Gallery, Hobart |
| 1991 |
42° South, Chameleon Gallery, Hobart, and Australia/
NZ tour David Stephenson/Ray Arnold, Cradle Mountain Visitor Centre, Tasmania Agfa National Photography Exhibition, Albury Regional Art Centre, New South Wales |
| 1990 | Fragmentation and Fabrication: Recent Australian Photography, Art Gallery of South Australia, Adelaide |
| 1989 |
Night, Nacht, Noir, Chameleon Gallery, Hobart Tableaux Mourant, Fine Arts Gallery, University of Tasmania |
| 1988 |
Australian Photography: the 1980's, Australian
National Gallery, Canberra and national tour The CSR Photography Collection, Art Gallery of New South Wales, Sydney Landfall, Chameleon Gallery, Hobart A Place For Art, Centre for the Arts Gallery, Hobart |
| 1987 |
Photogenics: Works from the University Collection,
University of Tasmania Fine Arts Gallery, Hobart Australian Contemporary Photographers, National Gallery of Victoria, Melbourne On Collecting Photographs: Master Photographs from St. Louis Private Collections, University of Missouri, St. Louis The New Romantics, Macquarie Galleries, Sydney, and regional tour |
| 1986 |
New Views: Landscape Photographs From Two
Continents, University of Missouri, St, Louis CSR Photography Project, Queensland Art Gallery and regional tour Recent Australian Photography, Australian National Gallery, Canberra |
| 1985 |
Festival of Perth Exhibition, Editions Gallery,
Fremantle Approaching Landscape, Chameleon Gallery, Hobart and Penrith Regional Gallery, New South Wales |
| 1984 | Tenth Anniversary Exhibition, Australian Centre for Photography, Sydney |
| 1983 |
Australian Perspecta 1983, Art Gallery of New South
Wales, Sydney, and national tour Landscape/Cityscape, Susan Spiritus Galley, Newport Beach Not a Picture Show, Long Gallery, Hobart, and national tour Recent Acquisitions, San Francisco Museum of Modern Art, San Francisco |
| 1982 |
Recent Acquisitions, Corcoran Gallery of Art,
Washington, D.C. Year of the Tree, Art Gallery of New South Wales, Sydney Southwest Regional Photography, ASA Gallery, University of New Mexico, Albuquerque Northlight Southwest, Northlight Gallery, Arizona State University |
| 1981 |
New Photographs, Robert Freidus Gallery, New York Masterpieces from the Permanent Collection, San Francisco Museum of Modern Art, San Francisco Northlight Southwest, Northlight Gallery, Arizona State University, Tempe Contemporary Photoworks, Downtown Centre for the Arts, Albuquerque Five States Photography, ASA Gallery, University of New Mexico Exposure Time V, James Madison University, Harrisonburg, Virginia\ Exposure 1981, Cheltenham Art Centre, Pennsylvania Sixth Annual Magic Silver Show, Murray State University, Murray, Kentucky Prints and Photographs, The Print Club, Philadelphia |
| 1980 |
Western Landscape Photography, 1850-1980, Crocker
Art Museum, Sacramento, California Contemporary Photography, Skidmore College, Saratoga Springs, New York La Grange National V, CVAA Art Gallery, La Grange, Georgia Eccentricities, California Institute of the Arts, Valencia Conceptions Southwest, ASA Gallery, University of New Mexico, Albuquerque Northlight Southwest, Northlight Gallery, Arizona State University, Tempe Photospiva 80, Spiva Art Center, Joplin, Missouri University of New Mexico Travelling Exhibition, to galleries in New York, Maine, Virginia, and Texas Photo-Media, ASA Gallery, University of New Mexico, Albuquerque MA/MFA Exhibition, University of New Mexico Art Museum, Albuquerque |
| 1979 |
Photograph as Document, California Institute of the
Arts, Valencia Photoworks, Bellevue Art Museum, Washington Exposure: Ideas and Images in Contemporary Photography, Boulder Arts Centre, Colorado Colorado Photographers, Emmanuel Gallery, Auraria Campus, Denver Pictures, Diablo Valley College Gallery, California Four Corners Exhibition, Northlight Gallery, Arizona State University, Tempe Boulder Arts 1979, Boulder Arts Centre, Colorado Albuquerque Contemporary Arts, Downtown Centre for the Arts and Meridian Gallery, Albuquerque, New Mexico |
| 1978 | Works on Paper, Dallas Museum of Fine Arts, Texas, and seven gallery regional tour |
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Collections |
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Ackland Art Museum, University of North Carolina at Chapel Hill |
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| Arizona State University, Tempe | |
| Art Bank, Sydney | |
| Art Gallery of New South Wales, Sydney | |
| Art Gallery of South Australia, Adelaide | |
| Bellevue Art Museum, Bellevue, Washington | |
| Bibliotheque Nationale, Paris | |
| Corcoran Gallery of Art, Washington, D.C. | |
| Crocker Art Museum, Sacramento | |
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Frances Lehman Loeb Art Center, Vassar College, New York |
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| Gold Coast City Art Gallery, Queensland | |
| International Museum of Photography at George Eastman House, Rochester | |
| La Grange College, La Grange, Georgia | |
| Library of Congress, Washington, D.C. | |
| Metropolitan Museum of Art, New York | |
| Monash Gallery of Art, Melbourne | |
| Monash University, Melbourne | |
| Museum of Fine Arts, Houston | |
| Museum of Modern Art, New York | |
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National Collection of Photography, Centro Português de Fotografia, Oporto |
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| National Gallery of Australia, Canberra | |
| National Gallery of Victoria, Melbourne | |
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Nelson-Atkins Museum of Art, Kansas City |
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| Parliament House, Canberra | |
| Queensland Art Gallery, Brisbane | |
| Queen Victoria Museum and Art Gallery, Launceston | |
| San Francisco Museum of Modern Art, San Francisco | |
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Sheldon Memorial Art Gallery, University of Nebraska |
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| Tasmanian Museum and Art Gallery, Hobart | |
| University of New Mexico Art Museum, Albuquerque | |
| University of New South Wales, College of Fine Arts, Sydney | |
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University of Sydney |
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| University of Tasmania, Hobart | |
| Victorian Department of Education, Melbourne | |
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Wellesley College Museum of Art, Massachusetts |
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Corporate Collections |
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| Bank of America | |
| Citibank | |
| Deutsche Bank | |
| Goldman Sachs & Co. | |
| Mellon Financial Corp. | |
| Pfizer, Inc. | |
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Books and Catalogues |
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John Stringer: Cross Currents: Focus on Contemporary Australian Art, Museum of Contemporary Art, Sydney, 2007 |
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| David Stephenson: Visions célestes: Les plus belles coupoles d'Europe, Éditions Citadelles & Mazenod, Paris, 2007. | |
| Jorge Calado: Ingenuidades: Fotografia e Engenharia 1846-2006, Fundação Calouste Gulbenkian, Lisbon, 2006. | |
| Jorge Calado: David Stephenson: Sublime Symmetries, Calouste Gulbenkian Foundation, Lisbon, 2006. | |
| David Stephenson: Visions of Heaven: The Dome in European Architecture, Princeton Architectural Press, New York, 2005. | |
| Isobel Crombie and Susan van Wyk: Second Sight: Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2003. | |
| David Stephenson (with essay by Greg French): Skeletons, Space + Light Editions, Hobart, 2003 | |
| Charles Green and Jason Smith: Fieldwork: Australian Art 1968-2002, National Gallery of Victoria, Melbourne, 2002 | |
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Jan Schall, editor: Tempus Fugit: Time Flies, Nelson-Atkins Museum of Art, Kansas City, and University of Washington, Seattle, 2001. |
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| David Stephenson (with essay by Keith F. Davis): Stars, Julie Saul Gallery, New York, Robert Lindsay Gallery, Melbourne, Space + Light Editions, Hobart, 1999 | |
| Blair French, editor: Photo files: an Australian photography reader, Power Publications, Power Institute, University of Sydney, Sydney, 1999 | |
| Susan Van Wyk: Sublime Space: David Stephenson Photographs, 1989-98, National Gallery of Victoria, Melbourne, 1998 | |
| Keith F. Davis: An American Century of Photography: From Dry Plate to Digital (2nd Edition, Revised and Enlarged), Abrams, New York, 1998 | |
| Jorge Calado: A Prova de Agua/Waterproof, Edition Stemmle, Zurich, 1998 | |
| David Stephenson : "Transfigurations", 5 colour illustrations pp. 98-103, in Pedersen, B M, editor: Fine Art Photography 2, Graphis Inc, New York, 1997 | |
| Victoria Hammond, editor: Brushing the Dark- Recent Art and Tasmania, Contemporary Art Services Tasmania, Hobart, 1996 | |
| Peter Hay, editor: Imagine Nature, School of Art, University of Tasmania, 1996 | |
| Anne Kirker: The Power to Move, Queensland Art Gallery, Brisbane, 1996 | |
| David Stephenson and Victoria Hammond: Cupolas, Julie Saul Gallery, New York, Robert Lindsay Gallery, Melbourne, and Dick Bett Gallery, Hobart, 1996 | |
| Alasdair Foster, Ken Gill, and Euan McArthur, editors: Fotofeis '95- International Festival of Photography in Scotland, Fotofeis Ltd, Edinburgh, 1995 | |
| Edward Colless: The Error of My Ways, Institute of Modern Art, Brisbane, 1995 | |
| Stuart Koop and David Stephenson: The Ice, Australian Centre for Contemporary Art, Melbourne, 1994 | |
| Museum of Fine Arts: The Allan Chasanoff Photographic Collection: Tradition and the Unpredictable, Houston, 1994 | |
| Keith F. Davis: An American Century of Photography: From Dry-Plate to Digital, Hallmark, Kansas City, 1994 | |
| David Stephenson: "Marks in the Landscape: Notes 1979-1991", Our Common Ground- A Celebration of Art, Place & Environment, Australian Institute of Landscape Architects & The Centre for Environmental Studies, Hobart, 1994 | |
| Ray Arnold: To the Surface-Contemporary Landscape, Plimsol Gallery, Centre for the Arts, Hobart, 1993 | |
| Juliana Engberg: Location, Australian Centre for Contemporary Art, Melbourne, 1992 | |
| John Mcqueenie: 42° South, Chameleon, Hobart 1991 | |
| Fred Levine: "And we fill the void with our presence- An introduction to the photographs of David Stephenson", Vast: Photographs from Europe and Antarctica 1990-91, by David Stephenson, Contemporary Art Centre of South Australia, Adelaide, 1991 | |
| National Association for Visual Arts: Who's Who of Australian Artists, Thorpe, Melbourne, 1991 | |
| Max Germaine: Artists and Galleries of Australia, Craftsman House, Sydney, 1990 | |
| Sue Backhouse: Tasmanian Artists of the Twentieth Century, Pandani Press, Hobart, 1988 | |
| Jim Logan: Night, Nacht, Noir, Chameleon Contemporary Art Space, Hobart, 1989 | |
| Anne MacDonald: Tableaux Mourant, University of Tasmania, Hobart, 1989 | |
| Helen Ennis: Australian Photography: The 1980's, Australian National Gallery, Canberra, and Melbourne Oxford University Press, Oxford, Auckland, New York, 1988 | |
| Sandra Byron: The CSR Photography Project Collection, Art Gallery of New South Wales, Sydney, 1988 | |
| Jonathon Holmes: Photogenics: Works From The University Collection, University of Tasmania, Hobart, 1987 | |
| David Stephenson: Mountain/Sea, Chameleon, Hobart, 1987 | |
| Graeme Sturgeon: The New Romantics, Macquarie Galleries, Sydney, 1987 | |
| Tom Patton: New Views: Landscape Photographs From Two Continents University of Missouri, St. Louis, 1986 | |
| Christine Godden: CSR Photography Project: Selected Works, CSR, Ltd. Sydney, 1986 | |
| Jan McDonald: Australian Artists' Index, Arts Libraries Society, Sydney, 1986 | |
| David Stephenson: New Landscapes: Photographs From Two Continents University of Tasmania, Hobart, 1985 | |
| Ray Arnold: Approaching Landscape, Chameleon, Hobart 1985 | |
| Glen Puster and Gayle Pollard: Not a Picture Show, Hobart, 1983 | |
| Bernice Murphy: Australian Perspecta 1983, Art Gallery of New South Wales, Sydney | |
| Tasmanian School of Art: Extended Landscape, Hobart, 1983 | |
| Harvey Himmelfarb and Roger D. Clisby: Large Spaces in Small Places, A Survey of Western Landscape Photography: 1850-1980, Crocker Art Museum, Sacramento, 1980 | |
| Boulder Arts Center: Exposure: Ideas and Images in Contemporary Photography, Boulder, Colorado, 1979 | |
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Articles and Reviews |
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| Margarett Loke: “David Stephenson: Heaven”, The New York Times, February 11, 2000 | |
| Stuart Koop: “David Stephenson”, Art/Text, No. 64, Sydney, February 1999 | |
| Peter Timms: “Finding that uncool beauty in nature”, The Age, Melbourne, 5 May 1999 | |
| Elisabeth Kirsch: “David Stephenson: Domes”, Kansas City Star, July 29, 1999 | |
| Anna Clabburn: “Male artists meet the heroic challenge”, The Age, Melbourne, 16 September 1998 | |
| Courtney Kidd: "The Unframed Eye: Perspectives on Antarctica", Art and Australia, Volume 33, Number 4, Sydney, 1996 | |
| John MacDonald: "Peaks of inspiration", Sydney Morning Herald, 4 May 1996 | |
| Giles Auty: "Theories with holes", The Weekend Australian, 11-12 May 1996 | |
| Susan Falkiner: "Brushing the Dark", Art Monthly Australia, No. 90 June 1996 | |
| Barb Smith: "Fotofeis International Festival of Photography in Scotland", Art Monthly Australia, No. 90 June 1996 | |
| Freda Freiberg: "Photography"(review of Transfigurations at Robert Lindsay Gallery), The Age, Melbourne, 20 September 1996 | |
| Michael Read: "Phenomena", in See, Issue 1:4, The Friends of Photography, San Francisco, 1995 | |
| A. D. Colman: "Photography", The Observer, New York, February 1994 | |
| Sean Kelly: "Dark Nature", Contemporary Art Tasmania Issue No. 3, Hobart, Autumn, 1994 | |
| Jonathon Holmes: "The Green and the Wild: Dark Nature, Anne MacDonald and David Stephenson", Artlink Vol. 14, No. 2, Winter, 1994 | |
| Robert Rooney: "Absence makes an odd appearance" The Weekend Australian, August 6-7, 1994 | |
| Adrian Colman: "Time and the Photographer", Research News No. 6, University of Tasmania, Hobart, 1993 | |
| Elwyn Lynn: "Exposure to contrast", The Weekend Australian, July 31-August 1, 1993 | |
| Elwyn Lynn: "Photos to go places", The Weekend Australian, August 7-8, 1993 | |
| Greg Neville: "Conditioned Reflex", The Age, Melbourne, December 15, 1993 | |
| "Breaking Rules, Okay", Australian Photography, Sydney, December 1993 | |
| Greg Neville: "An art in search of identity", The Age, Melbourne, December 31, 1993 | |
| Robert Rooney: "Focus on Asian Relations", The Weekend Australian, December 5-6, 1992 | |
| Sean Kelly: "42 Degrees South", Art & Text, Number 39, May 1991, Melbourne | |
| Greg Neville: "Stephenson has nature's power of astonishment", The Age, Melbourne, 22 November 1991 | |
| Edward Colless: "David Stephenson", Photofile, Number 34, Australian Centre for Photography, Sydney, December 1991 | |
| Stephanie Radok: "Anti-aesthetics", Artlink, Vol 11 No 4, Summer 1991/92, Adelaide, 1991 | |
| Beatrice Faust: "Focus is on the dignity of labor", The Age, Melbourne, 2/3/90 | |
| Stuart Koop: "David Stephenson at Melbourne Contemporary Art Gallery", Agenda, Ewing and George Paton Gallery, Melbourne University, Melbourne, 1990 | |
| Photographs reproduced in Island, Issue 45, Spring 1990, Hobart | |
| David McDowell: "Playing Dead and Other Affectations", Photofile, Summer 1989-90 | |
| Susan Leggett: "Monumental landscapes related to man", The Mercury, Hobart. 9/9/89 | |
| Edward Colless: "Hobart Commentary", Art and Australia, September 1989 | |
| Beatrice Faust: "Glamour, mystery, and magic", The Age, 24/6/87, Melbourne | |
| Heather Curnow: "Mountain/Sea", Photofile, Sydney, Spring 1987 | |
| Heather Curnow: "Talented interpreter captures essence of Tassie landscape", The Mercury, 6/8/87, Hobart | |
| John McDonald: "Romantics under the umbrella", Sydney Morning Herald, 26/9/87 | |
| Elwyn Lynn: "Rescued from their ersatz agony", The Weekend Australian, 26-27/9/87 | |
| Mark Hinderacker: "Panoramas..", Sydney Morning Herald, April 1,1985 | |
| Jonathon Holmes: "Resuming our journey into the landscape...", Art and Australia, Volume 22, Number 4, Sydney, 1985 | |
| Geoffrey Lea: "Baring nature's soul", The Mercury, 20/7/85, Hobart | |
| Brian Allison: "David Stephenson", Photofile, Australian Centre for Photography, Sydney, Autumn 1984 | |
| Jonathon Holmes: "Provincialism and Art", Island 14, Hobart, 1983 | |
| Marion Hardman: "Not a Picture Show (Calling the Shots)", supplement to Island 16, Hobart, 1983 | |
| Jonathon Holmes: "Not a Picture Show", Photofile Spring 1983 Australian Centre for Photography, Sydney, 1983 | |
| Annette Van den Bosch: "Anzart-in-Hobart", Art Network Winter 1983, Melbourne, 1983 | |
| Jonathon Holmes: "Contemporary Visual Arts in Tasmania", Australian Art Review, Sydney, 1983 | |
| Jonathon Holmes: "Contemporary Visual Arts in Tasmania", Studio International, Volume 196, Number 1002, London, October 1983 | |
| Ben Lifson: "The Conscience of Collections", The Village Voice, July 22-28, New York, 1981 | |
| Visual Studies Workshop: Afterimage, Volume 8, Number 5, Rochester, New York,1980 | |
| Ned Rifkin: "Southwest 1978- Works on Paper", Artweek, Number 18, San Francisco, 1978 | |
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Curatorial |
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| 1985 | New Landscapes: Photographs from Two Continents, a survey exhibition of recent landscape photography in Australia and America; Tasmanian School of Art Gallery, The Developed Image, Adelaide, The Australian Centre for Photography, Sydney, and the University of Missouri- St. Louis, USA. Full color catalogue. |
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