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© Bett Gallery Hobart
Tasmania
No image on this site
may be reproduced in any way without prior permission from the artist.
Please contact Bett Gallery Hobart on +61 3 6231 6511.
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David
Stephenson
Photography
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Click thumbnails to view exhibitions |
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Vaults 2006 - 2007
9 November to 4 December 2007 |
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Marking Time
16
March to 8 April 2007
Gallery Carnegie |
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Skeletons
12 to 25 March 2003 |
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Dome Photographs
12 October to
7 November 2001 |
|
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Visions of Heaven:
The Dome
in European Architecture
monograph
available from
Bett Gallery Hobart
Click
thumbnail for
more information |
Please
email or phone us on
+61 3 6231 6511
to confirm current availability of editions |
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David Stephenson -
Curriculum Vitae (November 2007) |
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Born 1955 in Washington, D.C. USA |
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to Australia 1982, American and Australian
citizenship |
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Academic Qualifications |
|
2001 |
Doctor of Philosophy, University of Tasmania |
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1982 |
Master of Fine Art, University of New Mexico |
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1980 |
Master of Art, University of New Mexico |
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1979 |
Bachelor of Fine Art with Honors, University of
Colorado
Bachelor of Art with Honors (Art History),
University of Colorado |
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Academic Appointments |
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2004- |
Head of Research, School of
Art, University of Tasmania |
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1984-2004 |
Head of Photography, School of Art, University of
Tasmania |
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1982-83 |
Tutor, School of Art, University of Tasmania |
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1979-81 |
Teaching Assistant, Art Department, University of
New Mexico |
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Grants and Commissions |
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2007-08 |
Australia Council Visual
Arts Fellowship |
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2002 |
IRGS
Grant (with Bill Hart) |
|
2001 |
Australia Council Visual Art/Craft Fund Project
Grant |
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2000 |
Australian Research Council Grant |
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1996 |
Australia Council Visual Art/Craft Fund Project
Grant |
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1995 |
Australian Research Council Grant (with A MacDonald,
R. Arnold) |
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1993 |
Arts Tasmania Project Grant (with Anne MacDonald) |
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1992 |
Australia Council Visual Arts/Crafts Board Overseas
Studio Grant |
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1991 |
University of Tasmania Antarctic Commission |
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1990 |
Tasmanian Arts Advisory Board Art in Public Places
Commission |
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1989 |
Tasmanian Arts Advisory Board Art in Public Places
Commission |
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1988 |
University Research Grant |
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1985 |
University Research Grant |
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1984 |
New Parliament House Photography Commission |
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1983 |
CSR Photography Project Commission
Tasmanian Arts Advisory Board Grant |
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1980 |
National Endowment for the Arts Fellowship |
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1979 |
Ford Foundation Grant, through the University of New
Mexico |
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Individual Exhibitions |
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2007 |
Vaults,
Julie Saul,
New York
Vaults 2006-07, Boutwell Draper, Sydney
Selected Photographs 1993-2003, John Buckley Gallery, Melbourne
Marking Time, Carnegie Gallery,
Hobart |
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2006 |
Symétries sublimes, photographies de David Stephenson,
Centre Culturel Calouste Gulbenkian,
Paris, curated by
Jorge Calado, with full colour 140 page catalogue |
|
2005 |
Drawing Time, Boutwell
Draper Gallery, Sydney |
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2004 |
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2003 |
David Stephenson: The Dome Project, Candace Perich
Gallery, Katonah, NY
Skeletons, Bett Gallery Hobart |
|
2000 |
Heaven, Julie Saul Gallery, New York
Cupolas, Australian Centre for Photography, Sydney
Dome, CAST Gallery, Hobart
Virtual Dome, Robert Lindsay Gallery, Melbourne
Starlight: David Stephenson Photographs, Cleveland
Museum of Art, USA
Space + Light: David Stephenson Photographs,
1982-1996, Tasmanian Museum and Art Gallery, Hobart
Dome Photographs, 1993-2000, Bett Gallery Hobart |
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1999 |
Stars, Robert Lindsay Gallery, Melbourne
Domes, Dolphin, Kansas City |
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1998 |
Sublime Space: David Stephenson Photographs 1989-98,
National Gallery of Victoria, Melbourne
Anatomies, Robert Lindsay Gallery, Melbourne |
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1997 |
Domes, Julie Saul Gallery, New York
Domes, Dick Bett Gallery, Hobart |
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1996 |
Transfigurations, Robert Lindsay Gallery, Melbourne |
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1995 |
Transfigurations, Paisley Museum and Art Gallery,
Scotland for Fotofeis International Festival of Photography in Scotland |
|
1994 |
Winter, James Danziger Gallery, New York
Dark Nature, Dick Bett Gallery, Hobart
(collaboration with Anne MacDonald)
The Ice, Australian Centre for Contemporary Art,
Melbourne |
|
1993 |
Dissolution, Melbourne Contemporary Art Gallery,
Melbourne
The Ice, Art Gallery of New South Wales, Sydney |
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1992 |
Vast, Dick Bett Gallery, Hobart
Vast, Australian Centre for Photography, Sydney |
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1991 |
Vast, Contemporary Art Centre of South Australia
Vast, Melbourne Contemporary Art Gallery |
|
1990 |
Untitled 1989-90, Melbourne Contemporary Art
Gallery, Melbourne
Untitled 1989-90, Australian Centre for Photography,
Sydney |
|
1989 |
David Stephenson, Selected Photographs 1979-89,
Salamanca Place Gallery, Hobart
David Stephenson, Gallerie Cimitiere, Launceston |
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1988 |
David Stephenson, Salamanca Place Gallery, Hobart |
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1987 |
Mountain/Sea, Chameleon Gallery, Hobart
David Stephenson, Roslyn Oxley9 Gallery, Sydney |
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1985 |
David Stephenson, Ivan Dougherty Gallery, Sydney
David Stephenson, The Friends of Photography, Carmel |
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1984 |
David Stephenson, The Developed Image, Adelaide |
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1983 |
The Divided Landscape, Robert Freidus Gallery, New
York
David Stephenson, The Developed Image, Adelaide
Extended Landscape, Tasmanian School of Art Gallery,
Hobart |
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1982 |
David Stephenson, Australian Centre for Photography,
Sydney |
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1981 |
David M Stephenson, Camerawork Gallery, San
Francisco
Trans Alaska Pipeline, ASA Gallery, University of
New Mexico, Albuquerque |
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Group Exhibitions |
|
2007 |
Ingenuidades: Fotografia e Engenharia 1846-2006, curated by Jorge Calado
Galeria de Exposições Temporårias da Fundação Calouste Gulbenkian, Lisbon;
Centre for Fine Arts, Brussels (BOZAR)
Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund,
National Gallery of Victoria, Melbourne
ABN AMRO Emerging Artist Award,
Sydney
Cross Currents: Focus on Contemporary Australian Art,
Museum of Contemporary Art, Sydney |
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2006 |
From an Island South (Asialink/Devonport Regional Gallery touring exhibition
curated by Jane Stewart) touring venues in Asia.
aniGma-2006 The 3d Novosibirsk International Festival of Digital Imaging,
Animation & Video-Art,
Novosibirsk State Art Museum,
Russia, curated by Andrey Martynov.
Different Dimension,
1st Novosibirsk International Festival of contemporary
photography,
Novosibirsk State Art Museum,
Russia, curated by Andrey Martynov.
A Precipitation in
Time, Devonport
Regional Gallery, Devonport,
curated by Troy Ruffels
Artbank: Celebrating
25 Years of Australia Art,
Redland Art Gallery,
Queensland, and national tour, curated by Antonia Syme et al. |
|
2005 |
Studies in Meditation, Candace Perich Gallery, Katonah, New York.
Looking
South, Plimsoll Galley, Centre for the Arts, Hobart.
The
Place Where Three Dreams Cross,
Plimsoll Galley, Centre for the Arts,
Hobart (national
tour).
Breaking
Ice,
Adam Art Gallery,
Victoria University of Wellington, New Zealand.
Idiosyncrasy: Painting and Photography, Qld Centre for Photography,
Brisbane.
Transformer,
Long Gallery, Hobart.
Points
of View: Australian Photography, 1985-95,
Art Gallery of New South Wales,
Sydney.
Olhares Estrangeiros,
Fotografias de Portugal, Colecçao da Caixa de Depositos,
Fidelidade Mundial Chiado 8, Lisbon.
|
|
2004 |
Josephine
Ulrick & Win Schubert Foundation for the Arts Photography Award
Gold
Coast City Art Gallery, Surfers Paradise.
I want
to take you higher, McKenzie Fine Art,
New York.
Australian Art Fair,
Royal Exhibition Building, Melbourne.
Tidal: City of
Devonport Art Prize
(Tasmanian Artist Award winner)
Devonport Regional Gallery, Devonport
The Nature Machine,
Queensland
Art Gallery, Brisbane |
|
2003 |
Sky Lounge – Future Projections, National Museum of
Australia, Canberra
First Impressions: Contemporary Australian
Photograms, National Gallery of Victoria, Melbourne
Future Perfect, Bett Gallery Hobart and
assorted venues
Second Sight: Australian Photography in the National Gallery of Victoria,
National Gallery of Victoria, Melbourne.
American Beauty,
Art Gallery of New South Wales, Sydney. |
|
2002 |
Gold
Coast Ulrick Schubert Photographic Art Award
(winner)
Gold
Coast
City
Art
Gallery,
Surfers Paradise.
Melbourne Art Fair,
Royal Exhibition Building, Melbourne
Fieldwork:
Australian Art 1968-2002,
National Gallery of Victoria, Melbourne.
In Sequence,
Dolphin Fine Art, Kansas City. |
|
2001 |
Striking: Contemporary Australian Photography from the Monash Gallery of Art
Collection, Monash
Gallery of Art, Melbourne.
Between
Phenomena-The Panorama and
Tasmania,
Plimsoll Gallery, Centre for
the Arts, Hobart.
Night Light:
Photographs of heavenly bodies, 1885-2000, Robert Klein
Gallery, Boston. |
|
1999 |
Mount Wellington – Peak and Pinnacle, Allport
Library and Museum of Fine Arts, State Library of Tasmania, Hobart
An American Century of Photography: From Dry-Plate
to Digital, Phillips Collection, Washington, D.C. and national tour
Artificial Nature: a survey of vintage and
contemporary photograms, Julie Saul Gallery, New York
Striking: Contemporary Australian Photography from
the Monash Gallery of Art Collection, Gold Treasury Museum, Melbourne, Casula
Powerhouse Gallery, Sydney
Earth Sky, Jackson Fine Art, Atlanta
Tempus Fugit/Time Flies, Nelson-Atkins Museum of
Art, Kansas City |
|
1998 |
Waterproof, Festival of 100 days/EXPO '98, Belen Art
Centre, Lisbon
Click, Robert Lindsay Gallery, Melbourne
Parliament House Photography Project: David
Stephenson and Debra Phillips, Parliament House, Canberra
Constellations, University of Missouri-Kansas City
Gallery of Art, Kansas City
Drawings from Light 2: The Contemporary Imagination,
Waverley City Gallery, Melbourne
Ground Control, Lombard-Freid Contemporary Art, New
York |
|
1997 |
Oceans and Galaxies, Karen McCready Fine Art, New
York
Vantage, Australian Centre for Photography, Sydney
Site and Sensibility - selections from the Art Bank
Collection, S. H. Irvin Gallery, Sydney
What's New II, Waverley Gallery, Melbourne
The Blake Prize, State Library of New South Wales,
Sydney |
|
1996 |
Imagine Nature, Plimsoll Gallery, University of
Tasmania Centre for the Arts, Hobart
Brushing the Dark: Recent Art and Tasmania,
Tasmanian Museum and Art Gallery, Hobart, and national tour
The Power to Move: Recent Australian Photography,
Queensland Art Gallery, Brisbane
Inheritance, Australian Centre for Photography,
Sydney
Contemporary Australian Photography from the
collection of the National Gallery of Victoria, National Gallery of Victoria,
Melbourne
Out Takes: Obscure Works by Gallery Artists, Julie
Saul Gallery, New York
Gold Coast City Conrad Jupiters Art Prize (winner),
Gold Coast City Art Gallery, Queensland
City of Hobart Art Prize, Carnegie Gallery, Hobart |
|
1995 |
Likeness, Centre for Contemporary Photography,
Melbourne
Figure/Ground, Dick Bett Gallery, Hobart
The Derwent Collection: Australian Art of the 1980s
and 1990s, Tasmanian Museum and Art Gallery, Hobart
The Blundstone Contemporary Art Prize (Aquisitive
Award) Queen Victoria Museum and Art Gallery, Launceston, and national tour |
|
1994 |
Tradition and the Unpredictable: The Allan Chasanoff
Photographic Collection, Museum of Fine Arts, Houston
Pictograms: Aspects of Contemporary Photographic
Practice, Monash University Gallery, Melbourne and national tour
The Full Spectrum: Colour and Photography in
Australia 1860s to 1990s, National Gallery of Victoria, Melbourne
Landed: Landscape Art in Australia, 1960-90,
Australian National Gallery, Canberra
Antarctica: Secrets of the Frozen World, Tasmanian
Museum and Art Gallery, Hobart, and Museum of Victoria, Melbourne
An American Century of Photography: From Dry-Plate
to Digital, Nelson-Atkins Museum of Art, Kansas City, and international tour
Tableaux: Works from the Monash University
Collection, Monash University Gallery, Melbourne |
|
1993 |
To the Surface-Contemporary Landscape, Centre for
the Arts, Hobart
Artists in Antarctica-Visions of the Frozen World,
Tasmanian Museum and Art Gallery, Hobart
Reflex, Centre for Contemporary Photography,
Melbourne, and national tour |
|
1992 |
A Show of Strength, Dick Bett Gallery, Hobart
Location, Australian Centre for Contemporary Art,
Melbourne, and Australasian tour
Intimations of Mortality, Art Gallery of South
Australia, Adelaide
Contemporary Works, Tasmanian Museum and Art
Gallery, Hobart |
|
1991 |
42° South, Chameleon Gallery, Hobart, and Australia/
NZ tour
David Stephenson/Ray Arnold, Cradle Mountain Visitor
Centre, Tasmania
Agfa National Photography Exhibition, Albury
Regional Art Centre, New South Wales |
|
1990 |
Fragmentation and Fabrication: Recent Australian
Photography, Art Gallery of South Australia, Adelaide |
|
1989 |
Night, Nacht, Noir, Chameleon Gallery, Hobart
Tableaux Mourant, Fine Arts Gallery, University of
Tasmania |
|
1988 |
Australian Photography: the 1980's, Australian
National Gallery, Canberra and national tour
The CSR Photography Collection, Art Gallery of New
South Wales, Sydney
Landfall, Chameleon Gallery, Hobart
A Place For Art, Centre for the Arts Gallery, Hobart |
|
1987 |
Photogenics: Works from the University Collection,
University of Tasmania Fine Arts Gallery, Hobart
Australian Contemporary Photographers, National
Gallery of Victoria, Melbourne
On Collecting Photographs: Master Photographs from
St. Louis Private Collections, University of Missouri, St. Louis
The New Romantics, Macquarie Galleries, Sydney, and
regional tour |
|
1986 |
New Views: Landscape Photographs From Two
Continents, University of Missouri, St, Louis
CSR Photography Project, Queensland Art Gallery and
regional tour
Recent Australian Photography, Australian National
Gallery, Canberra |
|
1985 |
Festival of Perth Exhibition, Editions Gallery,
Fremantle
Approaching Landscape, Chameleon Gallery, Hobart and
Penrith Regional Gallery, New South Wales |
|
1984 |
Tenth Anniversary Exhibition, Australian Centre for
Photography, Sydney |
|
1983 |
Australian Perspecta 1983, Art Gallery of New South
Wales, Sydney, and national tour
Landscape/Cityscape, Susan Spiritus Galley, Newport
Beach
Not a Picture Show, Long Gallery, Hobart, and
national tour
Recent Acquisitions, San Francisco Museum of Modern
Art, San Francisco |
|
1982 |
Recent Acquisitions, Corcoran Gallery of Art,
Washington, D.C.
Year of the Tree, Art Gallery of New South Wales,
Sydney
Southwest Regional Photography, ASA Gallery,
University of New Mexico, Albuquerque
Northlight Southwest, Northlight Gallery, Arizona
State University |
|
1981 |
New Photographs, Robert Freidus Gallery, New York
Masterpieces from the Permanent Collection, San
Francisco Museum of Modern Art, San Francisco
Northlight Southwest, Northlight Gallery, Arizona
State University, Tempe
Contemporary Photoworks, Downtown Centre for the
Arts, Albuquerque
Five States Photography, ASA Gallery, University of
New Mexico
Exposure Time V, James Madison University,
Harrisonburg, Virginia\
Exposure 1981, Cheltenham Art Centre, Pennsylvania
Sixth Annual Magic Silver Show, Murray State
University, Murray, Kentucky
Prints and Photographs, The Print Club, Philadelphia |
|
1980 |
Western Landscape Photography, 1850-1980, Crocker
Art Museum, Sacramento, California
Contemporary Photography, Skidmore College, Saratoga
Springs, New York
La Grange National V, CVAA Art Gallery, La Grange,
Georgia
Eccentricities, California Institute of the Arts,
Valencia
Conceptions Southwest, ASA Gallery, University of
New Mexico, Albuquerque
Northlight Southwest, Northlight Gallery, Arizona
State University, Tempe
Photospiva 80, Spiva Art Center, Joplin, Missouri
University of New Mexico Travelling Exhibition, to
galleries in New York, Maine, Virginia, and Texas
Photo-Media, ASA Gallery, University of New Mexico,
Albuquerque
MA/MFA Exhibition, University of New Mexico Art
Museum, Albuquerque |
|
1979 |
Photograph as Document, California Institute of the
Arts, Valencia
Photoworks, Bellevue Art Museum, Washington
Exposure: Ideas and Images in Contemporary
Photography, Boulder Arts Centre, Colorado
Colorado Photographers, Emmanuel Gallery, Auraria
Campus, Denver
Pictures, Diablo Valley College Gallery, California
Four Corners Exhibition, Northlight Gallery, Arizona
State University, Tempe
Boulder Arts 1979, Boulder Arts Centre, Colorado
Albuquerque Contemporary Arts, Downtown Centre for
the Arts and Meridian Gallery, Albuquerque, New Mexico |
|
1978 |
Works on Paper, Dallas Museum of Fine Arts, Texas,
and seven gallery regional tour |
|
Collections |
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Ackland
Art Museum,
University of North Carolina at Chapel Hill |
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Arizona State University, Tempe |
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Art Bank, Sydney |
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Art Gallery of New South Wales, Sydney |
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Art Gallery of South Australia, Adelaide |
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Bellevue Art Museum, Bellevue,
Washington |
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Bibliotheque Nationale, Paris |
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Corcoran Gallery of Art, Washington, D.C. |
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Crocker Art Museum, Sacramento |
|
Frances
Lehman
Loeb
Art
Center,
Vassar College, New York |
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Gold Coast City Art Gallery, Queensland |
|
International Museum of Photography at George
Eastman House, Rochester |
|
La Grange College, La Grange, Georgia |
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Library of Congress, Washington, D.C. |
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Metropolitan Museum of Art, New York |
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Monash Gallery of Art, Melbourne |
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Monash University, Melbourne |
|
Museum of Fine Arts, Houston |
|
Museum of Modern Art, New York |
|
National
Collection of Photography, Centro Português de Fotografia, Oporto |
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National Gallery of Australia, Canberra |
|
National Gallery of Victoria, Melbourne |
|
Nelson-Atkins Museum of Art,
Kansas City |
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Parliament House, Canberra |
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Queensland Art Gallery, Brisbane |
|
Queen Victoria Museum and Art Gallery, Launceston |
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San Francisco Museum of Modern Art, San Francisco |
|
Sheldon
Memorial
Art
Gallery,
University of Nebraska |
|
Tasmanian Museum and Art Gallery,
Hobart |
|
University of New Mexico Art Museum, Albuquerque |
|
University of New South Wales, College of Fine Arts,
Sydney |
|
University of
Sydney |
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University of Tasmania, Hobart |
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Victorian Department of Education, Melbourne |
|
Wellesley
College
Museum
of Art, Massachusetts |
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Corporate Collections |
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Bank of America |
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Citibank |
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Deutsche Bank |
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Goldman Sachs & Co. |
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Mellon Financial Corp. |
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Pfizer, Inc. |
|
Books and Catalogues |
|
John
Stringer: Cross Currents: Focus on Contemporary Australian Art,
Museum of
Contemporary
Art, Sydney, 2007 |
|
David Stephenson: Visions
célestes: Les plus belles coupoles d'Europe, Éditions Citadelles & Mazenod,
Paris, 2007. |
|
Jorge Calado: Ingenuidades:
Fotografia e Engenharia 1846-2006, Fundação Calouste Gulbenkian,
Lisbon,
2006. |
|
Jorge Calado: David
Stephenson: Sublime Symmetries, Calouste
Gulbenkian Foundation,
Lisbon, 2006. |
|
David Stephenson: Visions
of Heaven: The Dome in European Architecture, Princeton Architectural Press,
New York, 2005. |
|
Isobel Crombie and Susan van
Wyk: Second Sight: Australian Photography in the
National Gallery of Victoria, National
Gallery of Victoria, Melbourne, 2003. |
|
David Stephenson (with essay by Greg French):
Skeletons, Space + Light Editions, Hobart, 2003 |
|
Charles Green and Jason Smith: Fieldwork:
Australian Art 1968-2002, National Gallery of Victoria, Melbourne, 2002 |
|
Jan
Schall, editor: Tempus Fugit: Time Flies, Nelson-Atkins Museum of Art,
Kansas City, and University of
Washington,
Seattle, 2001. |
|
David Stephenson (with essay by Keith F. Davis):
Stars, Julie Saul Gallery, New York, Robert Lindsay Gallery, Melbourne,
Space + Light Editions, Hobart, 1999 |
|
Blair French, editor: Photo files: an Australian
photography reader, Power Publications, Power Institute, University of
Sydney, Sydney, 1999 |
|
Susan Van Wyk: Sublime Space: David Stephenson
Photographs, 1989-98, National Gallery of Victoria, Melbourne, 1998 |
|
Keith F. Davis: An American Century of
Photography: From Dry Plate to Digital (2nd Edition, Revised and Enlarged),
Abrams, New York, 1998 |
|
Jorge Calado: A Prova de Agua/Waterproof,
Edition Stemmle, Zurich, 1998 |
|
David Stephenson : "Transfigurations", 5 colour
illustrations pp. 98-103, in Pedersen, B M, editor: Fine Art Photography 2,
Graphis Inc, New York, 1997 |
|
Victoria Hammond, editor: Brushing the Dark-
Recent Art and Tasmania, Contemporary Art Services Tasmania, Hobart, 1996 |
|
Peter Hay, editor: Imagine Nature, School of
Art, University of Tasmania, 1996 |
|
Anne Kirker: The Power to Move, Queensland
Art Gallery, Brisbane, 1996 |
|
David Stephenson and Victoria Hammond: Cupolas,
Julie Saul Gallery, New York, Robert Lindsay Gallery, Melbourne, and Dick
Bett Gallery, Hobart, 1996 |
|
Alasdair Foster, Ken Gill, and Euan McArthur,
editors: Fotofeis '95- International Festival of Photography in Scotland,
Fotofeis Ltd, Edinburgh, 1995 |
|
Edward Colless: The Error of My Ways,
Institute of Modern Art, Brisbane, 1995 |
|
Stuart Koop and David Stephenson: The Ice,
Australian Centre for Contemporary Art, Melbourne, 1994 |
|
Museum of Fine Arts: The Allan Chasanoff
Photographic Collection: Tradition and the Unpredictable, Houston, 1994 |
|
Keith F. Davis: An American Century of
Photography: From Dry-Plate to Digital, Hallmark, Kansas City, 1994 |
|
David Stephenson: "Marks in the Landscape: Notes
1979-1991", Our Common Ground- A Celebration of Art, Place & Environment,
Australian Institute of Landscape Architects & The Centre for Environmental
Studies, Hobart, 1994 |
|
Ray Arnold: To the Surface-Contemporary Landscape,
Plimsol Gallery, Centre for the Arts, Hobart, 1993 |
|
Juliana Engberg: Location, Australian Centre
for Contemporary Art, Melbourne, 1992 |
|
John Mcqueenie: 42° South, Chameleon, Hobart
1991 |
|
Fred Levine: "And we fill the void with our
presence- An introduction to the photographs of David Stephenson", Vast:
Photographs from Europe and Antarctica 1990-91, by David Stephenson,
Contemporary Art Centre of South Australia, Adelaide, 1991 |
|
National Association for Visual Arts: Who's Who
of Australian Artists, Thorpe, Melbourne, 1991 |
|
Max Germaine: Artists and Galleries of Australia,
Craftsman House, Sydney, 1990 |
|
Sue Backhouse: Tasmanian Artists of the Twentieth
Century, Pandani Press, Hobart, 1988 |
|
Jim Logan: Night, Nacht, Noir, Chameleon
Contemporary Art Space, Hobart, 1989 |
|
Anne MacDonald: Tableaux Mourant, University
of Tasmania, Hobart, 1989 |
|
Helen Ennis: Australian Photography: The 1980's,
Australian National Gallery, Canberra, and Melbourne Oxford University Press,
Oxford, Auckland, New York, 1988 |
|
Sandra Byron: The CSR Photography Project
Collection, Art Gallery of New South Wales, Sydney, 1988 |
|
Jonathon Holmes: Photogenics: Works From The
University Collection, University of Tasmania, Hobart, 1987 |
|
David Stephenson: Mountain/Sea, Chameleon,
Hobart, 1987 |
|
Graeme Sturgeon: The New Romantics, Macquarie
Galleries, Sydney, 1987 |
|
Tom Patton: New Views: Landscape Photographs From
Two Continents University of Missouri, St. Louis, 1986 |
|
Christine Godden: CSR Photography Project:
Selected Works, CSR, Ltd. Sydney, 1986 |
|
Jan McDonald: Australian Artists' Index, Arts
Libraries Society, Sydney, 1986 |
|
David Stephenson: New Landscapes: Photographs
From Two Continents University of Tasmania, Hobart, 1985 |
|
Ray Arnold: Approaching Landscape, Chameleon,
Hobart 1985 |
|
Glen Puster and Gayle Pollard: Not a Picture Show,
Hobart, 1983 |
|
Bernice Murphy: Australian Perspecta 1983,
Art Gallery of New South Wales, Sydney |
|
Tasmanian School of Art: Extended Landscape,
Hobart, 1983 |
|
Harvey Himmelfarb and Roger D. Clisby: Large
Spaces in Small Places, A Survey of Western Landscape Photography: 1850-1980,
Crocker Art Museum, Sacramento, 1980 |
|
Boulder Arts Center: Exposure: Ideas and Images
in Contemporary Photography, Boulder, Colorado, 1979 |
|
Articles and Reviews |
|
Margarett Loke: “David Stephenson:
Heaven”, The New York Times, February 11, 2000 |
|
Stuart Koop: “David Stephenson”, Art/Text,
No. 64, Sydney, February 1999 |
|
Peter Timms: “Finding that uncool beauty in nature”,
The Age, Melbourne, 5 May 1999 |
|
Elisabeth Kirsch: “David Stephenson: Domes”,
Kansas City Star, July 29, 1999 |
|
Anna Clabburn: “Male artists meet the heroic
challenge”, The Age, Melbourne, 16 September 1998 |
|
Courtney Kidd: "The Unframed Eye: Perspectives on
Antarctica", Art and Australia, Volume 33, Number 4, Sydney, 1996 |
|
John MacDonald: "Peaks of inspiration", Sydney
Morning Herald, 4 May 1996 |
|
Giles Auty: "Theories with holes", The Weekend
Australian, 11-12 May 1996 |
|
Susan Falkiner: "Brushing the Dark", Art Monthly
Australia, No. 90 June 1996 |
|
Barb Smith: "Fotofeis International Festival of
Photography in Scotland", Art Monthly Australia, No. 90 June 1996 |
|
Freda Freiberg: "Photography"(review of
Transfigurations at Robert Lindsay Gallery), The Age, Melbourne, 20
September 1996 |
|
Michael Read: "Phenomena", in See, Issue 1:4,
The Friends of Photography, San Francisco, 1995 |
|
A. D. Colman: "Photography", The Observer,
New York, February 1994 |
|
Sean Kelly: "Dark Nature", Contemporary Art
Tasmania Issue No. 3, Hobart, Autumn, 1994 |
|
Jonathon Holmes: "The Green and the Wild: Dark
Nature, Anne MacDonald and David Stephenson", Artlink Vol. 14, No. 2,
Winter, 1994 |
|
Robert Rooney: "Absence makes an odd appearance"
The Weekend Australian, August 6-7, 1994 |
|
Adrian Colman: "Time and the Photographer",
Research News No. 6, University of Tasmania, Hobart, 1993 |
|
Elwyn Lynn: "Exposure to contrast", The Weekend
Australian, July 31-August 1, 1993 |
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Elwyn Lynn: "Photos to go places", The Weekend
Australian, August 7-8, 1993 |
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Greg Neville: "Conditioned Reflex", The Age,
Melbourne, December 15, 1993 |
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"Breaking Rules, Okay", Australian Photography,
Sydney, December 1993 |
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Greg Neville: "An art in search of identity", The
Age, Melbourne, December 31, 1993 |
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Robert Rooney: "Focus on Asian Relations", The
Weekend Australian, December 5-6, 1992 |
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Sean Kelly: "42 Degrees South", Art & Text,
Number 39, May 1991, Melbourne |
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Greg Neville: "Stephenson has nature's power of
astonishment", The Age, Melbourne, 22 November 1991 |
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Edward Colless: "David Stephenson", Photofile,
Number 34, Australian Centre for Photography, Sydney, December 1991 |
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Stephanie Radok: "Anti-aesthetics", Artlink,
Vol 11 No 4, Summer 1991/92, Adelaide, 1991 |
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Beatrice Faust: "Focus is on the dignity of labor",
The Age, Melbourne, 2/3/90 |
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Stuart Koop: "David Stephenson at Melbourne
Contemporary Art Gallery", Agenda, Ewing and George Paton Gallery,
Melbourne University, Melbourne, 1990 |
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Photographs reproduced in Island, Issue 45,
Spring 1990, Hobart |
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David McDowell: "Playing Dead and Other
Affectations", Photofile, Summer 1989-90 |
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Susan Leggett: "Monumental landscapes related to
man", The Mercury, Hobart. 9/9/89 |
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Edward Colless: "Hobart Commentary", Art and
Australia, September 1989 |
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Beatrice Faust: "Glamour, mystery, and magic",
The Age, 24/6/87, Melbourne |
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Heather Curnow: "Mountain/Sea", Photofile,
Sydney, Spring 1987 |
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Heather Curnow: "Talented interpreter captures
essence of Tassie landscape", The Mercury, 6/8/87, Hobart |
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John McDonald: "Romantics under the umbrella",
Sydney Morning Herald, 26/9/87 |
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Elwyn Lynn: "Rescued from their ersatz agony",
The Weekend Australian, 26-27/9/87 |
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Mark Hinderacker: "Panoramas..", Sydney Morning
Herald, April 1,1985 |
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Jonathon Holmes: "Resuming our journey into the
landscape...", Art and Australia, Volume 22, Number 4, Sydney, 1985 |
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Geoffrey Lea: "Baring nature's soul", The Mercury,
20/7/85, Hobart |
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Brian Allison: "David Stephenson", Photofile,
Australian Centre for Photography, Sydney, Autumn 1984 |
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Jonathon Holmes: "Provincialism and Art", Island
14, Hobart, 1983 |
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Marion Hardman: "Not a Picture Show (Calling the
Shots)", supplement to Island 16, Hobart, 1983 |
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Jonathon Holmes: "Not a Picture Show", Photofile
Spring 1983 Australian Centre for Photography, Sydney, 1983 |
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Annette Van den Bosch: "Anzart-in-Hobart", Art
Network Winter 1983, Melbourne, 1983 |
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Jonathon Holmes: "Contemporary Visual Arts in
Tasmania", Australian Art Review, Sydney, 1983 |
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Jonathon Holmes: "Contemporary Visual Arts in
Tasmania", Studio International, Volume 196, Number 1002, London, October
1983 |
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Ben Lifson: "The Conscience of Collections", The
Village Voice, July 22-28, New York, 1981 |
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Visual Studies Workshop: Afterimage, Volume
8, Number 5, Rochester, New York,1980 |
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Ned Rifkin: "Southwest 1978- Works on Paper",
Artweek, Number 18, San Francisco, 1978 |
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Curatorial |
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1985 |
New Landscapes:
Photographs from Two Continents, a survey exhibition of recent landscape
photography in Australia and America; Tasmanian School of Art Gallery, The
Developed Image, Adelaide, The Australian Centre for Photography, Sydney, and
the University of Missouri- St. Louis, USA. Full color catalogue. |
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