AUSTRALIAN COMMERCIAL GALLERIES ASSOCIATION
© Bett Gallery Hobart
Tasmania
No image on this site may be reproduced in any way without prior permission from the artist. Please contact Bett Gallery Hobart on +61 3 6231 6511.
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Michael Schlitz Limited edition relief woodblock prints |
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Click thumbnails to view exhibition and additional works |
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A group
exhibition hung in the Victorian manner of
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The Nature of Things 9 June to 4 July 2006 Silvershot Gallery, Melbourne 24 April to 6 May 2006 |
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New drypoint
etchings & |
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Michael Schlitz - Curriculum Vitae (April 2006) |
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Biographical Notes |
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1967 |
Born, 11 June 1967 |
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2003-2004 |
Technician & Lecturer Printmaking RMIT, Melbourne, VIC |
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2000-2002 |
Lecturer in Drawing and Printmaking, ANU, Canberra, ACT |
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1997-1998 |
Lecturer in Drawing & Printmaking University of Tasmania, Hobart, TAS |
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1993-1995 |
Tutor in Printmaking & Drawing SQIT, Toowoomba, QLD |
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Education |
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2000 |
MFA, Tasmanian School of Art, University of Tasmania, Hobart, TAS |
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1996 |
BFA Hons, Tasmanian School of Art, University of Tasmania, Hobart, TAS |
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1991 |
BCA, University of Southern Queensland, Toowoomba, QLD |
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Solo Exhibitions |
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2006 |
The Nature of Things, Bett Gallery Hobart, TAS |
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The Nature of Things, Bett Gallery Hobart at Silvershot. Melbourne, VIC |
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The Nature of Things, Grahame Galleries, Brisbane, QLD |
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2005 |
Michael Schlitz, Grahame Galleries, Brisbane, QLD |
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2003 |
Collaborative Woodblock Prints, Michael Schlitz (AUS) & Hiroki Satake (JAP) |
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Bett Gallery Hobart, North Hobart, TAS |
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2001 |
Recent Experiments, Canberra Contemporary Art Space, Manuka, ACT |
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Engravings inspired by Duparc's 'Interview with the Savages : Bay of Sea Dogs' 1824 |
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Bett Gallery Hobart, North Hobart, TAS |
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2000 |
Language of the Mute, Plimsoll Gallery, University of Tasmania, Hobart, TAS |
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1998 |
House, University Fine Art Gallery, Sandy Bay, Hobart, TAS |
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1997 |
Intervention 4, Tasmanian Museum & Art Gallery, Hobart, TAS |
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1996 |
Boat Signs, Grahame Galleries, Brisbane, QLD |
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1994 |
Waterline, Ipswich Regional Art Gallery, Ipswich, QLD |
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Selected Group Exhibitions |
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2005 |
Isolation/Solitude, Salamanca Long Gallery, Hobart, TAS |
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2004 |
HANGA, Devonport Regional Art Gallery, Devonport, TAS |
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2002 |
TICK TOCK, Royal Botanical Gardens, Melbourne, VIC |
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2001 |
Poets & Painters, Bett Gallery Hobart, North Hobart, TAS |
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Between Phenomena, Plimsoll Gallery, University of Tasmania, Hobart, TAS |
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Somewhere Between Then & Now, CAST Contemporary Art Space, Hobart, TAS |
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2000 |
Ingress, RMIT Gallery, Melbourne, VIC |
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Small Works, Bett Gallery Hobart, North Hobart, TAS |
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Six Equals Nine, CAST Contemporary Art Space, Hobart, TAS |
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1997 |
Excursive Sight, Plimsoll Gallery, University of Tasmania, Hobart, TAS |
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1994 |
Um, Doggett Street Gallery, New Farm, Brisbane, QLD |
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1993 |
Paper Work, Toowoomba Regional Art Gallery, Toowoomba, QLD |
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1992 |
Four Australian Printmakers, Grahame Galleries, Brisbane, QLD |
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1991 |
The Brisbane Line, Queensland Art Gallery, Brisbane, QLD |
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Awards & Projects |
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2004 |
Australia Council. Established Artist, New Work Grant |
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2001 |
Asialink, Grant to study woodcut printmaking in Japan |
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2000 |
Australia Council, Emerging Artist, New Work Grant |
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1999 |
Arts Tasmania, Works for Public Buildings Grant |
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1998 |
Arts Tasmania, Heritage Grant to work at Highfield House, Stanley, TAS |
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Arts Tasmania, Writing Voyages and Encounters Grant to study early Australian Explorers |
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Bibliography |
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Grishan, Sasha, Australian Printmaking in the 1990’s, Craftsman’s House Melbourne, 1996. |
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Wastell, Richard, Navigating Space, Imprint, Vol 4, No.3, 1997 |
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Knights, Mary, Historical Incisions, Art Monthly, Vol 33, No.2 1997 |
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Back to Printmaking & Works of Art on Paper or Sculpture |
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