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Robert O'Connor's
paintings question ideas of authorship and originality in art with
direct references to image reproduction.
O'Connor
says: "Armed with the postmodern trends of appropriation, pastiche and
ironic estrangement, the works question ideas of originality
and authorship while remaining engaged with painting traditions.
"Much
as a magpie collects shinny things or a catfish eats shit, I collect
images. Well, perhaps I don't collect them as much as they are
thrown at me, along with opinions, everyday and mostly unsolicited.
"What
I do is organise images in a way that I think makes sense, which in
reality results in a mess of borrowed imagery that makes no immediate
sense whatsoever. These collected images are arranged based on
compositions of old masters, removing me from any true claim of
authorship."
These works
self-consciously ponder the future of painting by retrenching its past.
Enquiries
welcomed. |