AUSTRALIAN COMMERCIAL GALLERIES ASSOCIATION
© Bett Gallery Hobart
Tasmania
No image on this site may be reproduced in any way without prior permission from the artist. Please contact Bett Gallery Hobart on +61 3 6231 6511.
Anne MacDonald - Curriculum Vitae (June 2008) |
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| Born 1960, Tasmania, Australia | |
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Qualifications |
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| 1981 |
Bachelor of Fine Art, School of Art, University of Tasmania, Hobart |
| 1983 | Master of Fine Art, School of Art, University of Tasmania, Hobart |
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Employment |
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| 1984 | Lecturer, School of Art, University of Tasmania, Hobart |
| 1986 | Assistant Director, Chameleon Contemporary Art Space, Hobart |
| 1988 | Lecturer, School of Art, University of Tasmania, Hobart |
| 1997 | Senior Lecturer, School of Art, University of Tasmania, Hobart |
| 2004 | Head of Photography, School of Art, University of Tasmania, Hobart |
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Awards and Grants |
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| 1985 | Visual Arts/Craft Board of the Australia Council Project Grant |
| 1987 | Arts Tasmania Project Grant |
| 1988 | Visual Arts/Craft Board of the Australia Council Project Grant |
| 1990 |
Visual Arts/Craft Board of the
Australia
Council Paris Residency Arts Tasmania Project Grant |
| 1992 |
Arts
Tasmania
Project Grant University of Tasmania Departmental Research Grant |
| 1993 | University of Tasmania Departmental Research Grant |
| 1994 | University of Tasmania Departmental Research Grant |
| 1995 | Australian Research Council Grant |
| 1996 |
Visual Arts/Craft Board of the
Australia
Council Project Grant Trust Bank Invitation Art Award City of Hobart Art Prize People's Choice Award |
| 1999 | Visual Arts/Craft Board of the Australia Council Project Grant |
| 2003 | Visual Arts / Craft Board of the Australia Council Barcelona Residency |
| 2007 | Visual Arts Board of the Australia Council for the Arts New Work Grant |
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Solo Exhibitions |
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| 1983 |
Towards a Personal Symbol, School of Art Gallery, Hobart |
| 1986 |
The
Romance,
George
Paton Gallery, Melbourne The Romance, Chameleon Contemporary Art Space, Hobart |
| 1987 |
The
Romance,
First
Draft Gallery, Sydney The Romance, Roz macAllan Gallery, Brisbane |
| 1988 |
Amour/Mort,
Roslyn
Oxley9 Gallery, Sydney Amour/Mort, Contemporary Art Centre of South Australia, Adelaide |
| 1991 | Above and Below the Grave, Roslyn Oxley9 Gallery, Sydney |
| 1992 | Heaven, Roslyn Oxley9 Gallery, Sydney |
| 1993 | Ophelia, Roslyn Oxley9 Gallery, Sydney |
| 1994 | Ophelia, Bett Gallery, Hobart |
| 2000 | Petals, Bett Gallery, Hobart |
| 2006 | Silk, Bett Gallery, Hobart |
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Selected Group Exhibitions |
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| 1985 |
Australian Perspecta 1985,
Art
Gallery of New South Wales, Sydney Three Tasmanian Photographers, Australian Centre for Photography, Sydney and Queen Victoria Museum and Art Gallery, Launceston |
| 1986 |
Recent
Australian Photography: from the Kodak Fund,
Australian National Gallery,
Canberra The Naked Image: The Nude in Recent Australian Photography, Adelaide Festival and Australian Centre for Contemporary Art, Melbourne |
| 1988 |
Australian Photography: the 1980's,
Australian National Gallery, Canberra Artisans: Collaborations/Installations, George Paton Gallery, Melbourne |
| 1989 |
Imaging Aids,
Australian Centre for Contemporary Art, Melbourne Moral Censorship and the Visual Arts in Australia, Australian Centre for Contemporary Art, Melbourne |
| 1990 | Fragmentation and Fabrication: Recent Australian Photography, Art Gallery of South Australia, Adelaide |
| 1991 |
Photodeath,
Australian National Gallery,
Canberra 42 Degrees South, Sarjeant Gallery, Wanganui, New Zealand, Chameleon Contemporary Art Space, Hobart and national tour Frames of Reference: Aspects of Feminism and Art, Art Space, Sydney |
| 1992 |
New
Art Six: Profiles in Contemporary Australian Art,
Museum of
Contemporary Art, Brisbane Rediscovery: Australian Artists in Europe 1982 – 1992, Australian Pavilion, Seville Expo, Spain and Australian Embassy, Paris, France |
| 1993 | Medium Density: Contemporary Australian Drawings and Photographs, Australian National Gallery, Canberra |
| 1994 | Moet and Chandon Touring Exhibition 1994, Art Gallery of Western Australia, Perth, Art Gallery of New South Wales, Sydney, National Gallery of Australia, Canberra, Queensland Art Gallery, Brisbane, National Gallery of Victoria, Melbourne |
| 1995 |
Moet
and Chandon Touring Exhibition 1995,
Art Gallery of New South Wales, Sydney, Queensland Art Gallery,
Brisbane, National Gallery of Victoria, Melbourne, Art Gallery of
Western Australia, Perth, Tasmanian Museum and Art Gallery, Hobart Colonial Pastime to Contemporary Profession: 150 Years of Australian Women's Art,Tasmanian Museum and Art Gallery, Hobart |
| 1996 |
Lovers,
The
Museum of Modern Art at Heide Moet and Chandon Touring Exhibition 1996, National Gallery of Victoria, Melbourne, Queensland Art Gallery, Brisbane, Art Gallery of South Australia, Adelaide, Art Gallery of New South Wales, Sydney Inheritance, Australian Centre for Photography, Sydney Death: Insights on Life, Lewers Bequest and Penrith Regional Art Gallery, Ballarat Fine Art Gallery, Queen Victoria Museum and Art Gallery, Launceston, Wollongong City Gallery, University of South Australia Art Museum, Adelaide, Brisbane City Hall Art Gallery, Wagga Wagga City Art Gallery, Campbelltown City Art Gallery Brushing the Dark: Recent Art and Tasmania, Tasmanian Museum and Art Gallery, Hobart, Perc Tucker Regional Gallery, Townsville, Ivan Dougherty Gallery, Sydney, Adelaide Festival Centre, Lawrence Wilson Gallery, Perth, Brisbane Civic Gallery and Arts Centre, Burnie Regional Gallery, Queen Victoria Museum and Art Gallery, Launceston Floressence, Ivan Dougherty Gallery, Sydney and national tour |
| 2001 | Girls on Film: women and photomedia, Art Gallery of Western Australia, Perth |
| 2002 | Memento Flori, Australian Centre for Photography, Sydney |
| 2003 |
The
dish ran away with the spoon: Exploring still life,
Academy of the Arts Gallery,
University of Tasmania, Launceston Future Projections, National Museum of Australia, Canberra Hothouse: the flower in contemporary art, Monash University Museum of Art, Melbourne |
| 2004 | Atelier: Australian Artists in Paris 1980 – 2000, Plimsoll Gallery, University of Tasmania, Hobart |
| 2005 |
Rhapsody 21C: Tasmanian Contemporary Art,
Academy
Gallery, Academy of the Arts, School of Visual and Performing Arts,
University of Tasmania, Launceston Josephine Ulrick & Win Schubert Photography Award, Gold Coast City Gallery, Gold Coast Arts Centre, Surfers Paradise The Hutchins Art Prize, Long Gallery, Hobart City of Perth Art Award, Perth Institute of Contemporary Art, Perth |
| 2006 |
a rose
is a rose is a rose, Latrobe Regional Gallery, Morwell |
| 2007 | A Body of Work, Atereal, Sydney Ten Days: Port Arthur Project, Port Arthur Historic Site, Tasmania Josephine Ulrick & Win Scubert Photography Award, Gold Coast City Art Gallery, Gold Coast Arts Centre, Surfers Paradise Prometheus Visual Arts Award, All Saints Anglican School, Surfers Paradise Raymond Arnold and Anne MacDonald: Etchings and Photographs, Gallery 482 & Michel Sourgnes, Brisbane Private View, Artereal, Sydney TXTile, Artereal, Sydney STOCKing, Artereal, Sydney |
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Books and Selected Catalogues |
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Ennis, Helen. Australian Photography: the 1980’s, National Gallery of Australia, Canberra, Australia, 1988, pp. 98. – 99. |
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| McIntyre, Arthur. Contemporary Australian Collage and its Origins, Craftsman House, Australia, 1990, pp. 122 . – 124. | |
| Drury, Neville. New Art Six: Profiles in Contemporary Australian Art, Craftsman House, Australia, 1992, pp. 92. – 95. | |
| Colless, Edward. Rediscovery: Australian Artists in Europe 1982 – 1992, University of Tasmania, Hobart, Australia, 1992 , pp. 26. 40. – 41. & 52 .- 53. | |
| Hammond, Victoria. Anne MacDonald: Ophelia, Bett Gallery, Hobart, Australia, 1994 | |
| Hammond, Victoria. Brushing the Dark: Recent Art and Tasmania, Contemporary Art ServicesTasmania, Hobart, 1996, pp. 17. – 19. & 40. – 41. | |
| Voigt, Anna. New Visions, New Perspectives: Voices of Contemporary Australian Women Artists, Craftsman House, Australia, 1996, pp. 168. – 175. | |
| MacDonald, Anne. & Hammond, Victoria. Petal, Space + Light Editions, Hobart, Australia, 2001 | |
| National Gallery of Australia, Developing the Collection: Acquisitions 1999 – 2001, Canberra, Australia, 2001, p. 18. | |
| Koop, Stuart. Value Added Goods: Essays on Contemporary Photography, Art and Ideas, Chapter by Broadfoot, Keith. & Butler, Rex.“A Fold in Time: Anne MacDonald and the Origin of Photography.” Centre for Contemporary Photography, Melbourne, Australia, 2002, pp. 34. – 36. | |
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Hammond, Victoria. Anne MacDonald: Silk, Bett Gallery and Space + Light Editions, Hobart, Australia, 2006 |
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Articles |
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Colles, Edward. “Anne MacDonald: Tableaux Mourant, Photography and the Seduction of Death.” Eyeline, Number 7, December, 1988, Brisbane, pp. 11. – 15. |
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| Hammond, Victoria. “Exquisite Corpse: Anne MacDonald’s Vanitas” Island, Number 68, Spring, 1996, Hobart, pp. 106. – 114. | |
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Collections |
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| 1984 |
National Gallery of Australia, Canberra |
| 1986 |
University of Tasmania, Hobart Museum of Contemporary Art, Brisbane |
| 1987 |
Art Bank,
Sydney Art Gallery of South Australia, Adelaide Griffith University, Brisbane |
| 1990 | Derwent Collection, Hobart |
| 1991 |
Tasmanian
Museum and Art Gallery, Hobart National Gallery of Australia, Canberra |
| 1992 |
University of Tasmania, Hobart |
| 1993 | Art Gallery of Western Australia, Perth |
| 1994 |
Arts
Tasmania, Hobart Derwent Collection, Hobart Art Bank, Sydney |
| 1996 | Trust Bank Collection, Hobart |
| 2000 |
National
Gallery of Australia, Canberra Art Bank, Sydney |
| 2006 | Gold Coast City Art Gallery, Surfers Paradise, Queensland |
go to | Anne's page | Photography & Digital Media |
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