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Barbie
Kjar - Curriculum Vitae (August 2010) |
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1957
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Born, Burnie, Tasmania
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| Education |
| 2002 |
Master of Fine Arts, RMIT,
Melbourne |
| 1987 |
Bachelor of Fine Arts,
University of Tasmania, Hobart |
|
1975 |
Bachelor of Education,
University of Tasmania, Hobart
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|
Solo Exhibitions |
| 2010 |
Transfigure, Art Vault, Mildura, VIC |
| 2009 |
Hula-Hula, Australian Galleries, Melbourne, VIC |
| 2008 |
Way of the Arrow, Australian Galleries, Sydney, NSW |
| 2007 |
On the Skin, Helen Maxwell Gallery, Canberra |
| Trajectory, Bett Gallery Hobart, Tasmania |
| 2006 |
Tatuar, Australian Works on Paper Gallery, Sydney, NSW |
| 2005 |
Milagros/miracles,
Christine Abrahams Gallery, Melbourne |
| Night Dance,
Bett Gallery Hobart, Tasmania |
| 2003 |
Iluminar, Bett Gallery Hobart,
Tasmania |
| Semblanza, Australian Galleries, Sydney, NSW |
| 2002 |
Masters Graduation Exhibition, R
M I T Gallery, Melbourne |
| Cometa, Documenta, Barcelona,
Spain, June |
| Elemente aire, Artefacto
Gallery, Barcelona, Spain, July |
| 2001 |
Atmosfera, Christine Abrahams
Gallery, Melbourne |
| Entre cielo y tierra, Helen
Maxwell Gallery, Canberra |
| 2000 |
La Mirada - The Gaze, Australian
Galleries, Works on Paper, Sydney |
| Mirar, Dick Bett Gallery, Hobart |
| 1999 |
Fishnets, Dick Bett Gallery,
Hobart |
| 1998 |
Accessories, Christine Abrahams
Galleries, Melbourne |
| 1997 |
Australian Galleries, Sydney |
| 1996 |
Australian Galleries, Sydney |
| Christine Abrahams Gallery,
Melbourne |
| Grahame Galleries, Brisbane |
| AGOG, Canberra |
| Dick Bett Gallery, Hobart |
| 1995 |
Devonport Gallery and Arts
Centre, Devonport |
| 1994 |
Nautical Journeys, Australian
Girls Own Gallery, Canberra |
| New prints, Christine Abrahams
Gallery, Melbourne |
| Water Suite, Dick Bett Gallery,
Hobart hjum |
| 1993 |
Gallery Two, Launceston,
Tasmania |
| 1992 |
Grahame Galleries, Brisbane |
| Every turn and shift of shape, Dick Bett Gallery, Hobart |
| 1990 |
Gallery Cimitere, Launceston,
Tasmania |
| Salamanca Place Gallery (Dick Bett), Hobart |
| 1989 |
Salamanca Place Gallery (Dick Bett), Hobart |
| 1986 |
Salamanca Place Gallery (Dick Bett), Hobart |
| Salamanca Place Gallery (Dick Bett), Hobart |
|
Group Exhibitions |
| 2010 |
Essence: selected prints and drawings from the collection. Curated by Sue Backhouse, Tasmanian Museum and Art Gallery, Hobart, TAS |
| Ithica, Group exhibition with Garry Shead, Judy Watson, Belinda Fox, Adam Rish, Gary Shinfield, Christopher Croft and Mikael Kihlman. Skopelos Foundation, Skopelos, GREECE |
| Figure Ground, Celia Lendis Gallery, Gloucestershire, UK |
| 2009 |
A Sculpture by…, Australian Galleries, Sydney, NSW |
| Stories of our Making: contemporary prints from Australia, Tweed River Gallery, NSW & University of the West of England, Bristol, UK |
| Hutchins Art Prize, Hobart, TAS |
| Conversations, Bett Gallery Hobart, TAS |
| Hobart City Art Prize, Hobart, TAS |
| Mapping the Island. Curated by Penny Carey Wells & Diane Perndt, Hobart, TAS |
| 2008 |
Wish you were here, Tweed River Art Gallery, NSW |
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Argentina, Sheffer Gallery, NSW |
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Summer Stock Show, Australian Galleries, Melbourne, VIC |
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Conversations, Bett Gallery Hobart, Hobart, TAS |
| 2007 |
Interpretations of Alice in Wonderland, Allport Musem, State Library of Tasmania, Hobart |
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Centrifugal Seven, Alberta University, Alberta, Canada |
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CPM National Print Awards, Tweed River Gallery, NSW |
| 2006 |
Centrifugal Seven, Fusion of Cultural Ideas in Print, Court Gallery, Kunitachi, Tokyo, Japan Fremantle |
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Fremantle Print Prize Exhibition, Fremantle |
| 2005 |
Rhapsody 21st
century,
Selected Tasmanian artists, University of Tasmania Gallery, Inveresk curated
by Malcolm Bywaters |
| Hutchins Art Prize exhibition, Hobart, TAS |
| Tasmania to Siberia - Connection through Art, IVth Novosibirsk International Biennial of Contemporary Graphic Art, Novosibirsk State Art Museum, Siberia |
| Tower of Babel,
Carnegie Gallery, Hobart |
| 2004 |
Australian Printmaking exhibition curated by Diana Gold, New York Etchers Society Gallery, New York and
Gallery101, Melbourne |
| The tower
exhibition,
Milan Milojevic, Jennifer Marshall, Jacqui Parry, Barbie Kjar at Gallery
101, Melbourne |
| 2003 |
Future Perfect exhibition, Bett
Gallery Hobart, Tasmania |
| Love Letter to China exhibition,
curated by Peter Hill, Dougherty Gallery, Sydney |
| World Calligraphy Biennale of Jeollabuk-do, invited artist, South Korea |
| Tasmanian Printmaking exhibition curated by Diane Soumalis, Port Jackson Press, Melbourne |
| Mornington Peninsular, Works on Paper exhibition, Victoria |
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Fremantle Print Prize exhibition, Fremantle |
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Hutchins Art Prize exhibition, Hobart, TAS |
| 2002 |
The body in question (GW Bot, M
Ulrich, Barbie Kjar), Gadfly Gallery, Perth, WA |
| Miniare, Internationale Print
Triennial, Montreal, Canada, October |
| 2001 |
Australian Galleries, Works on
Paper, Sydney |
| Poets & Painters 2001 (collaboration with Amanda Lohrey), Dick Bett Gallery, Hobart |
| Fremantle Print Prize,
exhibition finalist, Frematle, W.A. |
| The Hutchins School 2001 Works
on Paper Prize, exhibition finalist, Hobart, TAS |
| 2000 |
Fifth Mondial Triennal of Small
Sized Prints, Chamalieres, France |
| Six Australian Artists, The Lane
Gallery, Auckland, New Zealand |
| 1999 |
Fremantle Print Prize, Fremantle
Arts Centre, WA, Highly Commended |
| The chair exhibition &
auction, Freedom Furniture & Australian Galleries, Sydney |
| The Hutchins School 1999 Works
on Paper Prize, exhibition finalist, Hobart, TAS |
| Conrad Jupiters Gold Coast
Art Exhibition, Queensland |
| 1998 |
Borges bestiary, with Milan
Milojevic & Jennifer Marshall, Grahame Galleries and editions,
Brisbane, Qld |
| Decalogue - A Catalogue of Ten
years of Australian Printmaking, co-curator Ruth Johnstone & Di Waite,
Metropolitan Museum of Seoul, Korea |
| Bold bags and old baggage,
curated by Sue Moss, Caz Rodwell & Marjorie Luck, Schoolhouse Gallery,
Hobart, Tasmania |
| Fremantle Print Prize,
exhibition finalist, Freematle, W.A. |
| Thirteen Artists, Australian
Galleries, Works on Paper Gallery, Sydney |
| 1997 |
Tripping the light, curated by
Robyn Daw, University of Tasmania at Launceston |
| Fremantle Print Prize,
exhibition finalist, Freemtle, W.A. |
| Alice Prize, exhibition
finalist, Araluen Centre, Alice Springs, N.T. |
| Hobart City Art Prize,
exhibition finalist, Carnegie Gallery, Hobart, TAS |
| The Hutchins School 1997 Art
Prize, exhibition finalist, The Long Gallery, Hobart, TAS |
| 1996 |
Poets & Painters Exhibition,
with Sue Moss, Salamanca Writers Festival, Hobart |
| Pulp, Curator Michael Edwards,
Burnie Regional Art Gallery, Burnie, Tasmania |
| Alice Prize Exhibition, Alice
Springs, Northern Territory |
| National Print Exhibition,
University of Western Sydney, Sydney, N.S.W |
| ACAF5, Exhibition Building,
Melbourne, Victoria |
| 1995 |
Dualism, tapestry collaboration
with Sarah Lindsay, touring regional galleries in Tasmania, Victoria and
Western Australia |
| Alice Prize Exhibition, Alice
Springs, Northern Territory |
| Hobart City Art Prize
Exhibition, Hobart |
| Chameleon: A decade, curated by
Victoria Hammond, Long Gallery, Hobart |
| Art, Gender, Identity, works by
women artists from the permanent collection, Devonport Gallery and Arts
Centre, Tasmania |
| Colonial Past-time to
Contemporary Profession, 150 years of Australian Women's Art from the Tasmanian
Museum and Art Gallery Collection, Hobart |
| Poets and Painters Exhibition,
collaboration with Margaret Scott, Dick Bett Gallery, Hobart |
| Figure and Ground, curated by
Ray Arnold, Dick Bett Gallery, Hobart |
| 1994 |
Island, Long Gallery, Hobart |
| Gold Coast Art Award, Surfers
Paradise, Queensland |
| Fremantle Print Prize,
Fremantle, Western Australia |
| Artists for Mt Wellington, Long
Gallery, Hobart |
| 1993 |
Barbie Kjar, Tim Maguire
& Tom Samek, Dick Bett Gallery, Hobart |
| Fremantle Print Prize,
Fremantle, Western Australia |
| Alice Prize, Alice Springs |
| Antartica Fax Exhibition,
Curated by Kevin Todd, Launceston |
| 1992 |
Gallery Two, Launceston,
Tasmania |
| New Acquisitions, Tasmanian
Museum & Art Gallery, Hobart |
| Entrepot Gallery, Centre for the
Arts, University of Tasmania, Hobart |
| 1991 |
Gallery Two, Launceston,
Tasmania |
| 1990 |
9th Biennial Print
Exhibition, Mornington Peninsula Arts Centre, Victoria |
| Contemporary Printmakers,
Gallery Cimitiere, Launceston, Tasmania |
| When the Boat Comes In, Entrepot
Gallery, University of Tasmania, Hobart |
| 1988 |
Landfall, Chameleon Contemporary
Art Space, Hobart |
| 1987 |
Hysterical Perspectives,
Chameleon Contemporary Art Space, Hobart |
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1984 |
Printmakers Exhibition,
Chameleon Contemporary Art Space, Hobart |
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Grants and Awards |
| 2010 |
Artist-in-Residence, with George Poonkhin-Khut, Bundanon, NSW |
| Artist-in-Residence, with Master Printer, Peter Lancaster, Art Vault, Mildura, VIC |
| Artist-in-Residence, Skopelos Foundation, Skopelos, GREECE |
| Recipient: Overseas Studio Grant (Rome), Visual Arts Board, Australia Council |
| 2006 |
Artsbridge Funding, Arts Tasmania, to attend opening of Centrifugal Seven in Tokyo |
| 2004 |
Tokyo studio,
Australia Council |
| 2003 |
Artsbridge Funding,Arts Tasmania for residency at Print Workshop in Havana,
Cuba |
| 2002 |
Arts Bridge Grant, Arts Tasmania |
| 2000 |
Arts Bridge Grant, Arts Tasmania |
| 1999 |
Conrad Jupiters Gold Coast Art
Award, Queensland, 1999 Winner |
| 1998 |
Project Grant, Arts Tasmania,
Hobart, TAS |
| 1995 |
Devonport Health Centre
Commission, Art for Public Buildings Scheme, TAS |
| Gladstone Art Prize for works on
paper, Gladstone, QLD |
| Project Grant, Tasmanian Arts
Advisory Board, Hobart, TAS |
| 1994 |
The Billboard Project, Trades
and Labour Council, TAS |
| 1993 |
Eskleigh Art Award, first prize,
Eskleigh, TAS |
| 1992 |
Trust Bank Art Award, Print
Prize, Launceston, TAS |
| 1991/92 |
Project Grant, Visual Arts and
Crafts Board, Australia Council, Sydney |
| Artist-In-Residence,
International Print Studio, Barcelona, Spain |
| 1988/89 |
Project Grant, Visual Arts and
Crafts Board, Australia Council, Sydney |
| 1987/88 |
Artist Development Grant,
Tasmanian Arts Advisory Board, Hobart |
| Artist-in-Residence, Kala Print
Workshop, Berkeley, California, USA |
Collections |
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Australia National Gallery, Canberra |
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Parliament House, Canberra |
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National Gallery of Victoria, Melbourne |
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Queensland University of Technology,
Brisbane, Queensland |
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University of Southern Queensland, Brisbane,
Queensland |
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Tasmanian Museum and Art Gallery, Hobart |
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Queen Victoria Museum and Art Gallery,
Launceston, Tasmania |
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Art Bank, Sydney |
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Gold Coast City Art Gallery, Queensland |
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Grafton Regional Gallery, Grafton, NSW |
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Devonport Art Gallery, Devonport, Tasmania |
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Fine Arts Committee, University of Tasmania,
Hobart |
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University of Tasmania Collection,
Launceston, Tasmania |
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Art in Public Buildings Scheme 1991, Arts
Tasmania, Hobart |
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The Tamar Collection, Launceston, Tasmania |
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Rosny College, Hobart |
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Private Collections in Australia, New
Zealand, USA, France and England |
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Bibliography |
| 2010 |
Imprint Magazine, Winter 2010 |
| Mildura Weekly – Arts Column p.22 |
| Sunraysia Daily, Arts Pages, Hannah Knight |
| 2008 |
Sunday Arts, Feature Artist, ABC TV |
| Centrifugal – ideas from different cultures in print, University of Alberta, Canada |
| 2007 |
Sasha Grishin, Canberra Times arts pages, April 7th |
| On the skin, National Gallery, Canberra |
| Transcript, National Print Synopsium, March |
| 2006 |
Sasha Grishin, Crafts International, Australian Printmaking profile - Barbie Kjar |
| 2005 |
Robert Nelson, The Age 25th February |
| Feature article, The
Arts Review page, Saturday 5 March |
| Interview with Julia
Copeland, Radio National, The Makers, Sunday 8 May |
| 2001 |
Geoffrey Makin, Sun Herald, Arts pages,
August, p. |
| Sasha Grishin, Canberra Times, Arts page,
October, p. |
| Di Klaosen, Imprint magazine, Winter 2001
& cover image |
| 2000 |
Courtney Kidd, Sydney Morning Herald,
Look this way, Tuesday 14 March, Arts P.13 |
| T J McNamara, New Zealand Herald, Monday 12
June, Arts section |
| ABCTV Tasmania, Snapshot Program, Monday 19
June |
| Lynne Landy, Australian Country Style,
November, p.106-108 |
| 1999 |
Fremantle Print Prize, catalog
illustration, Fremantle Arts Centre, WA |
| Anne Barbeliuk, Saturday Mercury, Artist
takes seat to aid charity auction, September 11, p.9 |
| Gold Coast City Art Prize, catalogue |
| Giles Auty, The Weekend Australia,
Everyone's a winner, November 27-28, Arts Review, p.23 |
| 1998 |
Michael Denholm, Periphery, No. 34,
Surveying Tasmania's Art, p.18-20 |
| Ruth Johnstone & Di Waite, Decalogue - A
Catalogue of Ten years of Australian Printmaking, Metropolitan Museum
of Seoul, Korea |
| 1997 |
Australian Literary Review Magazine,
cover illustration, May |
| Giles Aulty, The Weekend Australia,
exhibition review, 20-21 September |
| Siglo, Consumption, Spring/Summer,Issue 9,
p.13 |
| Fremantle Print Prize exhibition catalogue,
illustration |
| Sasha Grishin, Printmaking in the 1990's |
| 1996 |
Michael Denholm, Antipodes, A Changing
Scene-Australian Art since the 1960's, June |
| Dick Bett Gallery Newsletter, No.30, 1996
Poets & Painters Exhibition, March |
| Siglo, No.5, Poets & Painters
Exhibition, June |
| Island Magazine, No.67, 996 Poets &
Painters Exhibition, July |
| Diana Klaosen, Imprint, Winter 1996 |
| 1995 |
Review, The Mercury, October |
| Dualism, Devonport Art Gallery, TAS |
| 1994 |
CAST Magazine, Vol 4 |
| Dick Bett Gallery Newsletter, No.24 |
| Fremantle Print Prize, catalogue |
| Gold Coast City Art Prize, catalogue |
| Review, Canberra Times, 25 March |
| Review, The Age, ETC, 22 July |
| 1993 |
CAST Magazine, Vol 1 |
| Grahame Galleries & Editions, Prints,
Brisbane |
| 1992 |
Jules Carroll, ISIS, Newsletter for the
Office of the Status of Women, TAS |
| Review, The Mercury, 14 November |
| 1990 |
Review, The Mercury, May |
| Imprint, Vol 26, No.2, Postcards from a
Dream (curated project) |
| Preludes, No.7
(cover illustration), University of Tasmania, Hobart |
| 1989 |
Catalogue of Australian Printmakers,
Print Council of Australia, Melbourne |
| 1988 |
Review, The Mercury, 1 January |
| Feature article, The Sunday Tasmanian, 10
January |
| 1987 |
Review, The Mercury, 21 November |
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1986 |
Review, The Weekend Australian, March |
| Review, The Mercury, March |
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go to |
Barbie's page |