|
David Keeling - Curriculum Vitae (July 2010) |
| Education |
| 1973-76 |
Bachelor Visual Art, Tasmania School of Art, Hobart
|
| 1981 |
Post graduate Diploma, Alexander Mackie, Sydney |
| 1999 |
Masters Fine Art, RMIT, Melbourne |
| 1992–2007 |
Board member and Chair of Artbank Advisory Board, Sydney |
| Other |
Board member and Chair Chameleon Contemporary Art Space, and CAST Tasmania |
| Board member of the Tasmanian Arts Advisory Board |
|
Selected Solo
exhibitions |
| 2010 |
Three sixty degrees, the landscapes of David Keeling, Deakin University Gallery, Melbourne |
| 1987-2009 |
22 solo exhibitions, Niagara Galleries, Melbourne and Bett Gallery, Hobart |
|
2004 |
David Keeling, Liverpool Street Gallery, Sydney |
|
2003 |
Love
Song, Carnegie Gallery, Hobart |
|
1998 |
Perfect World, Niagara at Mary Place, Sydney |
|
1991 |
David Keeling, University of Tasmania, Launceston
|
Selected Group exhibitions |
| 2010, 09, 08 |
Finalist The Wynne Prize, Art Gallery of NSW |
| 2010 |
On this island, meeting and parting, Hazelhurst Regional Gallery, Sydney and touring Bowen Gallery Wellington, New Zealand |
| Look out, curated by Michael Edwards, Jane Stewart, Tasmanian Museum and Art Gallery, Hobart |
| 2009 |
A Natural World, Glen Eira City Council, Melbourne
|
|
2007 |
Cuisine and Country, curated by Gavin Wilson, Orange Regional Gallery,
and touring |
|
2006-7 |
An Island south, Asia Link touring Asia, Australia |
|
2004 |
Imaging
the Apple,
Ballarat Fine Art Gallery, Victoria and touring |
|
2000 |
Art
and Land, Contemporary Australian Visions, curated by Kevin
Wilson, Noosa Regional Gallery, Queensland, touring Asia and Australia
|
| John
Leslie Prize, Art refers to landscape, Gippsland Art Gallery, Victoria |
|
1999 |
Pets, Prey and Predators,
curated by Victoria Hammond, Dubbo Regional Gallery, New South Wales, and
touring |
|
1997 |
Recent Acquisitions of Contemporary Australian Art, curated by John
McPhee, National Gallery of Victoria, Melbourne |
| 1996 |
Cabinet pictures, Jason and Rhodes Gallery, London |
|
1995 |
New
Territories, Jason and Rhodes Gallery, London
|
| Brushing the Dark,
curated by Victoria Hammond, Tasmania Museum and Art Gallery, Hobart, and
touring |
|
1993 |
Three Contemporary Australian Artists -Works on paper, Tasmanian Museum and Art Gallery, Hobart |
|
1992 |
Redescubriemiento, Rediscovery, Australian Artists in Europe 1982-1992,
curated by Jonathan Holmes, Seville Expo, Spain, Australian
|
| The
New Metaphysical,
curated by Felicity Fenner, Ivan Dougherty Gallery, Sydney |
|
1990 |
Witness, curated by Kevin Murray, Gertrude Street Gallery, Melbourne
and touring
|
| The
City and Beyond, curated by Elizabeth Cross, La Trobe University Gallery Melbourne and
touring |
|
1989 |
New
painting acquisitions, National Gallery of Australia, Canberra
|
| Genius Loci, Tasmanian painting, curated by Nick Waterlow, Plimsoll Gallery,
University of Tasmania, Hobart, and touring |
|
1988 |
Landfall , Chameleon Gallery, Hobart
|
| 50
Fine Artists, Bicentennial Exhibition Royal Melbourne Agriculture Society,
Melbourne |
| Diversions, Fine Arts Gallery University of Tasmania, Hobart |
| Niagara at Watters, Watters
Gallery, Sydney |
|
1987 |
Fabrications, curated
by Juliana Engberg, Chameleon Contemporary Art Space, Hobart; George Paton
Gallery, Melbourne; Praxis, Perth |
|
Grants/Prizes |
| 2006 |
Winner, Glover Prize, Evandale, Tasmania
|
|
2001 |
Overseas Development Grant, British School at Rome studio, VACB, Sydney |
|
1999 |
Winner,
Inaugural John Leslie Art Prize, Gippsland Art Gallery |
|
1993-5 |
Overseas Development Grant, London studio, VACB, Sydney |
|
1991 |
Professional Development Grant, VACB Sydney
|
| Winner,
Hobart City Art Prize |
|
1989 |
Community Projects Grant (Union Banner), VACB, Sydney |
|
1988 |
Overseas Development Grant Verdaccio, Italy, VACB Sydney
|
| Special
Projects Grant, Tasmanian Arts Advisory Board, Hobart |
|
1987 |
Special
Projects Grant, Tasmanian Arts Advisory Board, Hobart |
|
Collections
|
|
Allen,
Allen and Hemsley, Sydney |
|
Art
Gallery of South Australia, Adelaide |
|
Art in
Public Buildings, Hobart |
|
Artbank,
Sydney |
|
Bankers
Trust, Melbourne |
| Deakin University, Melbourne |
|
Devonport Regional Gallery, Tasmania |
|
Gippsland Regional Gallery, Victoria |
|
Macquarie Bank, Sydney |
|
Monash
University, Melbourne |
|
Myer
Collection, Melbourne |
|
National Gallery of Australia, Canberra |
|
National Gallery of Victoria, Melbourne |
|
Queen
Victoria Museum and Art Gallery, Launceston |
|
Tasmanian Museum and Art Gallery, Hobart |
| University of Tasmania, Hobart and Launceston |
| Western Mining Corporation, Melbourne |
|
The
Derwent Collection, Hobart |
| The
Tamar Collection, Launceston |
| The Esk Collection, Launceston |
|
University of Tasmania, Hobart and Launceston |
|
Western
Mining Corporation, Melbourne |
|
Private
collections, Australia and overseas |
| Publications |
Peter Timms, Three sixty degrees, the landscapes of David Keeling, (exh cat), Deakin University 2010
|
| David Hansen, David Keeling, Monograph, Quintus Publishing, Hobart 2007 |
| Sonia Payes, Untitled, portraits of Australian artists, Macmillan, 2003 |
| B Smith, T Smith, C Heathcote, Australian Painting, Oxford University Press 2001 |
| L Murray Cree, N Drury, Australian Painting Now, Craftsman House, 1994 |
| D Williams ,C Simpson Art Now (Contemporary Art Post 1970), McGraw Hill |
|
|
go to | David's page | Island Collection (members only) | Maatsuyker Collection (members only) |