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|
Julie Gough –
Curriculum Vitae |
|
| Biography | |
| 1965 | Born Melbourne Australia |
| 1984-86 | Bachelor of Arts Prehistory/Anthropology and English Literature, UWA, Perth, Australia |
| 1991-93 | Bachelor of Visual Arts, Curtin University, Western Australia |
| 1994 | Bachelor of Fine Arts Honours 1st Class, University of Tasmania |
| 1997-98 | MA Fine Arts, Goldsmith's College, University of London |
| 1999-01 | PhD Fine Arts, University of Tasmania: Transforming histories: The visual disclosure of contentious pasts. http://eprints.jcu.edu.au/1095/ |
| 2001-02 | Artist residencies: Eddystone Lighthouse Tasmania, Mahatma Gandhi Institute Moka Mauritius, Greene St New York, Cite Internationale des Artes Paris |
| 2002 | Lecturer, Aboriginal studies, Riawunna- University of Tasmania, Launceston |
| 2003-04 | Curator, Indigenous art, National Gallery of Victoria, Melbourne |
| 2005+ | Townsville and Tasmania. Half-time lecturer Creative Arts, James Cook University, Townsville |
| 2007-08 | Research leave to undertake various Fellowships |
| Solo Exhibitions | |
| 2011 | The Crossing, Kelly's Garden as Part of Ten Days on the Island Festival, TAS |
| The Missing, Bett Gallery, Hobart, TAS | |
| 2008 | Fugitive History, Bett Gallery, Hobart, TAS |
| Aftermath - Julie Gough, 24HR Art, Darwin, NT | |
| 2007 | The Ranger, South Australia School of Art Gallery, University of South Australia, SA |
| Interrupted – Renditions of unresolved accounts, Turner Galleries, Perth, WA | |
| Musselroe Bay, Gallery Gabrielle Pizzi, Melbourne, VIC | |
| 2005 | Intertidal, Gallery Gabrielle Pizzi, Melbourne, VIC |
| 2002-04 | Chase, installation, Ian Potter Centre: National Gallery of Victoria , VIC |
| 2002 | passages, Mahatma Gandhi Institute, Mauritius, February |
| 2001 | Heartland, Gallery Gabrielle Pizzi, Melbourne, VIC |
| Stand, Midlands Highway installation, TAS | |
| ice, earth, air, fire, water, ice, Midlands Highways Installation, TAS | |
| Tense Past, PhD Examination. Plimsoll Gallery, University of Tasmania, Hobart , TAS | |
| 1997 | Re-collection, Gallery Gabrielle Pizzi, Melbourne , VIC |
| 1996 | Dark Secrets/Home Truths, Gallery Gabrielle Pizzi, Melbourne, VIC |
| Selected Group Exhibitions | |
| 2009 | 5a Bienal VentoSul - o mundo todo aqui, vai mexer com voce, Bienal VentoSul, Curitiba |
| 2008 | Ephemeral Art at the Invisible Lodge, Friendly Beaches, Freycinet Tasmania, Feb. |
| 2007 | Power and Beauty: Indigenous Art Now, Heide Museum of Modern Art, 17 Nov 2007 – 10 March 2008, Victoria |
| Thresholds of Tolerance, ANU, School of Art Gallery, Canberra | |
| An Other Place, Long Gallery, Salamanca Arts Centre, Hobart | |
| Strait on Shore collaborative art project with King Island Community, 10 Days on the Island festival - Tasmania, Currie shop, King Island | |
| Urban Arboreal, City Hall Gallery, Town Hall, Melbourne | |
| Lessons in History: Volume 1, Grahame Gallery, Brisbane | |
| New Acquisitions, Devonport Regional Gallery, Tasmania | |
| Indigenous Responses to Colonialism: Another Story, Adelaide Festival Centre | |
| Font, Central TAFE Gallery, Perth, Western Australia | |
| The Greens auction, Helen Maxwell Gallery, Canberra | |
| 70% Urban, National Museum of Australia, Canberra | |
| 2006 | Biennale of Sydney, Pier 2/3, Walsh’s Bay, Sydney |
| TIDAL – City of Devonport Art Award, Devonport Regional Gallery | |
| From an island south, Devonport Regional Gallery and ASIALINK touring 2006-08 to Lahore, Kuala Lumpur, Bangkok, Devonport | |
| In the world: hand, head, heart, Tamworth Textile Biennale, Tamworth Regional Gallery, NSW. Touring nationally to end 2008 | |
| Senses of Place, Plimsoll Gallery, University of Tasmania, Hobart | |
| Single Currency, Victoria College of the Arts, Melbourne | |
| Ephemeral art at the Invisible Lodge, Friendly Beaches, Freycinet, Tasmania | |
| 2005 | Recent Acquisitions: City of Port Phillip, Linden – St Kilda Centre for Contemporary Arts, Victoria |
| Habitus-Habitat, 8 artists respond to Wallaman Falls, Great Walks of Queensland Art and Environment, Perc Tucker Regional Gallery, Townsville | |
| National Aboriginal and Torres Strait Islander Art Award (NATSIAA), Museum and Art Gallery of the Northern Territory, Darwin | |
| Cross Currents, Linden – St Kilda Centre for Contemporary Art, Victoria | |
| Ware and Tear, Hylands Gallery, Chewton, Victoria | |
| Isolation/Solitude, Salamanca Arts Centre, Hobart, Tasmania | |
| On Island, Devonport Regional Gallery, Tasmania | |
| 2004 | 120° of Separation, Linden – St Kilda Centre for Contemporary Art, Victoria |
| If only you knew, Melbourne City Hall, Victoria | |
| 2003 | <Abstractions> Drill Hall Gallery, ANU, Canberra. FUSIONS across the Arts – Centre for Cross Cultural Research ANU & ANU School of Art |
| 2003-04 | Outside Inside: Fragments of Place, Brigham Young University Museum of Art, Provo, Utah, USA. 9 October 2003 – 18 April 2004 http://www.artistsofutah.org/15bytes/04feb/page4.html |
| 2001 | Touching from a distance, Foyer, Hobart and Moores Building, Fremantle, West Australia |
| Hutchins Art Prize, Hobart, Tasmania | |
| ‘Captive’ and ‘Witness’, ESP Project, Queen Victoria Museum and Art Gallery, Launceston, Tasmania | |
| What’s Love got to do with it? Royal Melbourne Institute of Technology, Melbourne | |
| Home is where the heart is, Country Arts SA. Touring exhibition | |
| Driving Black Home, 2000 by Julie Gough and Natives on the River Ouse, 1838 by John Glover. Australian Collection Focus. Art Gallery of New South Wales | |
| Between Phenomena The Panorama and Tasmania, Plimsoll Gallery, University of Tasmania | |
| Response to the Island, Salamanca Arts Centre, Long Gallery, Hobart | |
| 2001-05 | Native Title Business, Museum and Gallery services QLD National touring exhibition |
| 2000 | Biennale of Contemporary Art, Festival of Pacific Arts, Noumea |
| heart on your sleeve, Plimsoll Gallery, University of Tasmania, Hobart | |
| Australian Painting Now, Access Gallery, Curtin University, West Australia | |
| Shifting Axis, Bett Gallery, Hobart | |
| 1999 | National Gallery of Victoria, Russell Square |
| Mapping our Countries, Djamu Gallery, Australian Museum, Sydney | |
| TRACE - Liverpool Biennial of Contemporary Art, England | |
| Whispers, Lies and Text, Central Coast Gallery, NSW | |
| NAIDOC Exhibition, Moonah Arts Centre, Tasmania | |
| Whispers, Lies and Text, Artspace, Adelaide Festival Centre | |
| Whispers, Lies and Text, University Gallery, Launceston | |
| People, Places, Pastimes, Global Arts Link, Ipswich, Queensland | |
| Butcher Cherel, Julie Dowling, Julie Gough, Artplace, Festival of Perth | |
| Luna Park and the Art of Mass Delirium, Museum of Modern Art at Heide, Victoria | |
| 1998 | Sculpture by the Sea, Eaglehawk Neck Bay, Tasman Peninsula, Tasmania |
| Whispers, Lies and Text, CAST, Hobart. University Gallery, Launceston | |
| The Kate Challis RAKA Award Exhibition, Ian Potter Museum of Art, University of Melbourne | |
| MA (Fine Arts) Exhibition, Goldsmiths College, University of London | |
| ‘Globalising Cultural Studies ?’, Pacific Asia Cultural Studies Conference Exhibition, Goldsmiths College, London | |
| Telling Tales, Ivan Dougherty Gallery, University of Sydney and Neue Galerie am Landes Museum Joanneum, Graz, Austria | |
| All this and Heaven too, Adelaide Biennial, Art Gallery of South Australia | |
| Permanent Collection Exhibition, Tasmanian Museum and Art Gallery, Hobart | |
| 1997 | Indigenous Cultures in an Interconnected World, Fulbright Symposium Exhibition, MAGNT, Darwin |
| NAIDOC Exhibition, Moonah Arts Centre, Hobart | |
| Extracts, Boomalli Aboriginal Artist’s Co-Operative, Sydney | |
| Unusual Treasures, La Trobe University Gallery at Mildura Arts Centre, Victoria | |
| 1997-99 | Black Humour, CCAS (Canberra Contemporary Artspace)- touring nationally |
| 1996 | Cologne Art Fair, Germany: ‘Forderprogram’ |
| Castlemaine Festival 1996, Gallery Gabrielle Pizzi | |
| ACAF5 (Australian Contemporary Art Fair #5) Melbourne, Gallery Gabrielle Pizzi | |
| Multiples and Memories, Schoolhouse Gallery, Rosny Historic Centre, Tasmania | |
| Through Their Eyes - NAIDOC Exhibition, St Kilda Town Hall, Victoria | |
| NAIDOC Exhibition, Moonah Arts Centre, Hobart | |
| Something to do with Ears, Conservatorium of Music, University of Tasmania | |
| Wijay Na ? (Which way now ?), Exhibition- 24 Hr Art, Darwin | |
| New Music Tasmania, installation ‘Disturbed Nature’ Tasmanian Museum and Art Gallery, Hobart | |
| Mutiny on the Docks, Tasmanian Museum and Art Gallery, Hobart | |
| Handbag, Festival Theatre Foyer, Adelaide | |
| 1995 | On a Mission, Boomalli Gallery, Sydney |
| Significant Distractions, Couch Culture Gallery, Hobart | |
| New Faces - New Directions, Gallery Gabrielle Pizzi, Melbourne | |
| Nuini - We have Survived, University of Tasmania Gallery, Launceston | |
| Perspecta 1995, Art Gallery of New South Wales | |
| 1994 | Art From Trash, Moonah Arts Centre, Tasmania |
| Presto, Honours Graduate Exhibition, Plimsoll Gallery, Hobart | |
| National Graduate Exhibition, P.I.C.A. West Australia | |
| 12 Days Stuck in a Hole, Fine Arts Gallery, UTAS, Tasmania | |
| 1994-96 | Superfictions - National Touring Exhibition |
| 1993 | Curtin University BFA Graduate Show, Bentley, West Australia |
| 1992 | A Matter of Degree Group Show, Craft Council Gallery, Perth |
| 1991 | End of First Year Exhibition Curtin University, West Australia |
| Selected awards/residencies | |
| 2009 | Winner, Redlands Westpac Art prize |
| 2007 | Manning Clark House/ Copyright Agency Limited Residential Fellowship 2008, Canberra |
| Visual Arts and Craft Board, Australia Council for the Arts, Visual Art Fellowship 2007-2008: Walking Homeland, An expansion of research and art practice on home and diaspora. |
|
| State Library of Victoria three month Creative Fellowship: Strait crossings – Nineteenth century Indigenous relocation between Victoria and Van Diemen’s Land and beyond. The production of an annotated bibliography and a wall projection project about cross Bass Strait relationships between Aboriginal people and sealers/whalers c.1795-1850 | |
| Artist in residence, South Australian School of Art Gallery, Adelaide and Helpmann Academy Foundation, September | |
| Artist in residence, Turner Galleries with Central Perth TAFE and Curtin University WA July-August http://www.turnergalleries.com.au/artists/julie_gough.php | |
| 2006 | Tasmaniana Library, State Library of Tasmania three week Fellowship: Picturing our past: a narrative response to representations of Indigenous Tasmania, December |
| Artist in residence, Regents Court Hotel, Potts Point, Sydney. May - June | |
| 2001 | Australia Council Greene St New York Residency, Feb-May 2002 |
| Commonwealth Arts and Craft Award, London. Residency Mauritius 9/01 – 2/02 | |
| Arts Tasmania Wilderness Residency at ‘Eddystone Lighthouse’ Aug 2001 & Aug 2002 | |
| 1999 | Arts Tasmania/Qantas Artsbridge Grant to install work at Liverpool Biennial, UK |
| 1996 | SAMSTAG Visual Arts Scholarship 1997/8: MVA Goldsmiths College, University of London |
| Arts Tasmania Development Grant. Attend/install work at Cologne Art Fair, Germany | |
| Awarded an installation space as one of 25 ‘Young, emerging artists’ by the Jurors of Art Cologne (as part of the Forder Program, 1996) | |
| 1995 | Arts Tasmania Development Grant to attend/install work at PERSPECTA 1995, Sydney |
| 1994 | First Class Honours. Awarded Australian Postgraduate Award Scholarship |
| 1993 | Curtin University Graduate Sculpture Prize. Curtin University Graduate Drawing Prize |
| 1991, 1993 | Member, Vice-Chancellor’s List, Curtin University (Academically highest 1% in University) |
|
Collections |
|
| Artbank, New South Wales, Sydney | |
| Art Gallery of South Australia, Adelaide | |
| Art Gallery of Western Australia, Perth | |
| City of Port Phillip, Victoria | |
| Devonport Regional Gallery, Tasmania | |
| Flinders University collection, South Australia | |
| Mildura Arts Centre, Victoria | |
| Murdoch University collection, Western Australia | |
| National Gallery of Australia, Canberra | |
| National Gallery of Victoria, Melbourne | |
| National Museum of Australia, Canberra | |
| Powerhouse Museum, Sydney | |
| Queen Victoria Museum and Art Gallery, Launceston | |
| State Library of Queensland, Brisbane | |
| Queensland Art Gallery, Brisbane | |
| Tamworth Regional Gallery, New South Wales |
|
| Tasmanian Museum and Art Gallery, Hobart | |
| Holmes a Court Collection, Perth | |
| Big River Collection, Hobart | |
| Private collections: Australia, USA | |
| Bibliography/reviews | |
| 2008 | McDonald, John, ‘Objects unearth lure of nature’, Sydney Morning Herald, Feb 23-24 2008, pp.16-17 |
| 2007 | Nelson, Robert, ‘Art alive with the sound of Indigenous voices: Power and Beauty: Indigenous Art now, Heide’, THE AGE – Arts and Culture, 12 Dec 2007, p.19 |
| Radok, Stephanie, ‘The Ranger’, Artlink Dec 2007, Vol 27. No. 4, p.95 | |
| Hoffie, Pat, ‘How to make a response to the invisible, to the absent?’ in: The Ranger catalogue, pp.14-28, SASA Gallery, UNISA, exhibition: 11 Sept – 2 Oct 2007, Curator Mary Knights. isbn: 978-0-9803062-6-2 | |
| Spencer, Ric, ‘Artistic installation takes no prisoners’, The West Australian - Visual Arts, 27th August 2007, p.9 http://www.thewest.com.au/default.aspx?MenuID=41&ContentID=38264 |
|
| Kelly, Sean, ‘From an Island South’, Artlink, vol 27, no.2, 2007, pp.32-36 | |
| Kesson, Anna, ‘If history is a picture puzzle how do all the pieces fit?’ Thresholds of Tolerance exhibition, curated by David Williams and Caroline Turner, ANU School of Art Gallery, Canberra, 9 May – 5 June 2007, catalogue pp.51-55, ISBN 978-0-9803673-0-0 | |
| Nicholls, Christine, ‘Response and Reconciliation’, Asian Art News, Vol. 17, No.4, July/August 2007, pp.74-80 | |
| KIrker, Anne, ‘Thresholds of Tolerances ANU School of Art Gallery 10 May – 5 June 2007’, Artlink, Vol 27, No.3, p.83 | |
| Abell, Judith, ‘Another place: Gough and McQuinn, You are going the wrong way’, Realtime, March 2007 (accessed April 2007) http://www.realtimearts.net/feature/Ten_Days_on_the_Island/8465 | |
| 2006 | Haynes, Roslynn, Tasmanian visions: landscapes in writing, art and photography, Polymath Press, Hobart, ISBN 0-9775738-0-X |
| Kidd, Courtney, ‘Biennale Fever’, Artnotes NSW, Art Monthly Australia, July 2006, Number 191, p. 49 | |
| Smee, Sebastian, ‘A world of difference’, Arts: The Australian, Tuesday 13 June, p.14 | |
| McDonald, John, Revelations in the dark, The Sydney Morning Herald, June 24-25, pp.16-17 | |
| 2005 | Bullock, Marita, ‘Melancholy Debris: Black Humour and Colonial Memory in grids by Julie Gough’, Southerly, Vol 65, Number 1, University of Sydney, pp. 35-44 |
| 2003 | Lindsay, Frances, ‘Interview with Frances Lindsay. NGV deputy Director (Australian Art)’, Gallery, Jan/Feb 2003, p.19 |
| Freeman-Greene, Suzy, ‘Turning a love of art into a change of heart’, Agenda - Sunday Age, 2 February 2003, p.2 | |
| Lendon, Nigel, ‘Julie Gough’, <ABSTRACTIONS>, ANU, Canberra, ISBN: 0 7315 3031 4, p.4 | |
| 2002 | Ryan, Judith, ‘Julie Gough’s Leeawuleena’, ABV 42 – The Annual Journal of the National Gallery of Victoria, p.66-67 |
| Jones, Kate, ‘Drawing Power’, Herald Sun, Tues 26 November 2002, p.49 | |
| Dennis, Anthony, ‘Impressive edifice puts art into focus’, Sydney Morning Herald, October 30, 2002 The Age ‘Art Transplant’, 25 October 2002 | |
| Hill, Tania, ‘Precious skill endures’, The Mercury, Hobart, 22 Oct. 2002, p28,29 | |
| 2001 | Weekend Scope ‘Les installations ludiques de Julie Gough’, Mauritius, 6-12 Fev 2002, p.73 |
| Boodhoo, Sarita, ‘Julie Gough’, Sunday Vani, 10 Fevrier 2002, p.24 | |
| Gerval-Arouff, Jeanne, ‘Les errances initiatiques de Julie Gough’, l’Express, Mauritius, 4 Fevrier, 2002, p.7 | |
| ‘Julie Gough’, Jan Vani, Mauritius, 8 February 2002, p.12 | |
| Andrew, Brook, ‘Remembering Jesus: the child in Australian Aboriginal art’, Artlink, vol.21 #2, pp.20-21. (illust.) | |
| Arts Tasmania Grants Handbook 2001, illustrations | |
| Lehman, Greg, ‘Tense Past – Narratives of Gaps and Silences’, Artlink, vol.21 #2, p.88. (illust.). http://www.artlink.com.au/articles.cfm?id=2166 | |
| James, Bruce, ‘The big idyll’, Spectrum – The Sydney Morning Herald: Spectrum,12-13 May 2001, pp.12-13. (illust.) | |
| Grant, Peter, ‘Wild Art at the World’s End’, Artlink, Vol.21 #1, p.16, p.17 (illust.) inSITE Museums Australia (Victoria) | |
| Newsletter, April-May 2001, Cover image (Detail of: The Whispering Sands (Ebb Tide), 1998) and brief story, p.3 | |
| 2000 | Godfrey, T, ‘Liverpool Biennale’, Burlington Magazine, Vol. 142, No. 1162 (Jan. 2000), pp. 53-55 |
| Fink, Hannah, ‘Julie Gough’, Oxford Companion to Aboriginal Art and Culture, ed. Sylvia Kleinert and Margo Neale, Oxford University Press, ANU, 2000, ISBN 0195506499, pp.594-595 | |
| ‘Australia’s Indigenous Arts’, Australia Council, NSW, 2000, ISBN 0642472300, p.34 (image/text) p.52 | |
| Snell, Ted, ‘Julie Gough’, Australian Painting Now, ed. Laura Murray Cree and Nevill Drury, Fine Art Press, Craftsman House, Sydney, ISBN 905703252X, pp.132–135. (2 col. images) | |
| O’Riordan, Maurice, The Diversity of Practice’, Artlink, Vol.20, #1, 2000, p.65 | |
| Breynard, Shane, ‘Global Virus – Latest Symptoms’, Broadsheet, Summer 99/00, Vol 28, No.4, Contemporary Art Centre of SA, p.22 | |
| University of Tasmania Research Report 1999,University of Tasmania, 2000.p.20 (2 col. Images) | |
| 1999 | Reardon, Valerie, ‘Trace – Liverpool Biennial of Contemporary Art’, Art Monthly UK, November 1999, #231, pp.34-35 |
| Flowers, Paul, Rich Creativity’, Methodist Recorder, 14 October 1999, p.13 (illust.) | |
| O'Brien, David, ‘Whispers, Lies and Text’, DB Magazine, June 16-29, 1999 | |
| ‘The Liverpool Biennial of Contemporary Art – Program’, Art Forum International, Summer 1999 | |
| Kelly, Sean, ‘Art Notes – Tasmania’, Art Monthly Australia, June 1999, p.43 | |
| Nicholls, Andrew, ‘Unfolding from the Margins’, RealTime 30, April/May 1999, pp.8-9 (illust.p.9) | |
| Scarlett, Ken, ‘Down by the Sea’, World Sculpture News, Vol 5, #1 Winter 1999, pp.33-35 (image p.34) | |
| Hansen, David, Artlink, v.19, n.1, March 1999, pp.18-21 | |
| Nicholls, Andrew, ‘Arts’, Westside Observer, 19 Feb. 1999, p. (illust.) | |
| Cavenett, Wendy, ‘Black Humour’, Black + White, #35, Feb 1999, pp.28-30 (illust.p.29) | |
| 1998 | Morphy, Howard, Aboriginal Art, Phaidon Press Ltd, London, 1998. ISBN 0714837520, pp.403-4 (Illust.) |
| Sims, Amanda, ‘Peninsula Awash with Art’, The Mercury, 5 Nov. 1998, p.6 (Illust.) | |
| Shrub, Sandra, ‘Sculpture by the Sea’, South East Bulletin, 4 Nov. 1998, p.1,8 (Illust.) | |
| Andersch, Joerg, ‘Interpretation of the word in their deeds’, The Saturday Mercury, Hobart, 28 Nov.1998, p.38 | |
| Fink, Hannah, ‘Bad Memory: Art, Collecting and the Mercurial World of Julie Gough’, SIGLO #10, Aut/Win 1998. The Collection/Recollection, pp.3-8. (Illust.p.6, 7, 8) | |
| Bolton, Ken, ‘All this and heaven too- Adelaide Biennial of Australian Art, 1998’, Art Monthly Australia, # 109, March 1998, pp.8-9 (Illust.p.9) | |
| Mosby, Tom Byra Mixie, ‘The Hell of Primitivism’, Like - Art Magazine, #5, Summer/Autumn 1998, pp.18-22 (Ilust. p.21) | |
| Murray, Kevin, ‘Adelaide Biennial’, ArtLink, v.18n.2,pp.85-86 | |
| French, Blair, ‘Adelaide Biennial’, Art + Text, # 62, Aug - Oct 1998, pp.95-96 | |
| Klaosen, Di, ‘Tasmania- A Laissez Faire Attitude’, Periphery, #34, Autumn 1998, p.17 | |
| Radok, Stephanie, ‘Black Humour’, ArtLink, v.18n.3, p.80 | |
| Quail, Avril, ‘Black Humour’, Periphery, #34, Autumn 1998, p.33 | |
| 1997 | ‘Julie Gough’ TAS APAC (Tasmanian Aboriginal Perspectives across the Curriculum), Tasmanian Aboriginal Education Unit, Hobart, p.4.54- 4.55 (Illust.p.54-55) |
| Denholm, Michael, ‘The Artist as Detective’, Periphery, #33, Summer 1997, pp.23-25 (Illust. 23- 25) | |
| Warhurst, Myfanwy, ‘Revealing the Rot in Romance’, The Age, Fri. 15 Aug. 1997, Entertainment Guide, p.17 (Illust.) | |
| Lewis, Felicity, ‘A Case of Junk Art’, The Herald/Sun, 7 Aug.1997, p.51 (Illust.). ‘Indigenous Cultures in an Interconnected World’ 1997 Fulbright Symposium – Pre-circulated papers (Coverpage Illust.) | |
| Barron, Sonia, ‘Provocative and Timely Humour’, The Canberra Times, 18 July 1997, p.12 | |
| Proudfoot, Cassie, ‘Aboriginal Artists See Funny Side’, The Canberra Times, 11 July 1997, p.11 (Illust.) | |
| Samstag Application visuals, Art Monthly Australia, # 97, March 1997, p.9 | |
| Hill, Peter, ‘Samstag award helps artist in PhD bid’, Unitas # 115, 10 Mar. 1997, p.5 | |
| Mundine, Djon, ‘Nothing is Understood. Culture Conferences- a Final Look’, Periphery #30, February 1997, p.21, p.35 | |
| 1996 | Lehman, Greg, ‘First Voice - A vehicle for Human Rights’, Siglo - journal for the Arts, Hobart, #7 Summer 96/97, pp.4- 8 (Illust.p.5- 8) |
| Schneider, Bruno F, ‘Köln Art Fair’, Kolnische Rundschau, Koln, 12 Nov.1996 | |
| Kisters, Jurgen, ‘Köln Art Fair’, Kolner Stadt-Anzeiger, Koln, 14 Nov.1996, p.41 | |
| Wallroff, Gunter, ‘Köln Art Fair’, Express-Koln, 14 Nov. 1996, p.2 | |
| Lovibond, Jane, ‘The Art of Storytelling with everyday objects’, The Mercury, Hobart, 2 Nov.1996, p.33. (Illust.) | |
| The Australian, ‘Samstag Winners announced’,Fri. 1 Nov 1996, p.12 | |
| The Age,‘Samstag 1996’, Fri. Nov. 1, 1996, p. B4. | |
| The Mercury ‘State Grant to Artist’,Hobart, 18 Sept 1996, p.9 | |
| Timms, Peter, ‘Julie Gough for Cologne’, Art Monthly Australia, #93, Sept. 1996, Artnotes: National, p.34 | |
| Murray, Dawn, ‘Wijay Na ...?’, Art Monthly Australia, #92, August 1996, p.27 | |
| Lancashire, Rebecca, ‘Cologne Selection’, The Age, Wed 31 July 1996, p.B15 | |
| Hill, Peter, ‘The Next Wave, nightclubs and surrounding islands’, Art Monthly Australia #91, July 1996, p.13 | |
| Foley, Fiona, ‘Where the Salt Water meets the Fresh Water’, Periphery, #27, May 1996, pp.20-23 | |
| Colless, Edward, ‘Quietly Gothic’, Realtime # 12, April/May 1996, p.38 | |
| 1995 | Hill, Peter, ‘The Art Fair Murders’, Art Monthly Australia, Dec 1995, p.32 Art and Australia, Exhibition Commentary, v.33 # 1, Spring 1995, p.107 |
| Swann, Heather B., ‘Julie Gough’, C.A.S.T Magazine (Contemporary Art Services Tasmania) Interview by Aug.1995, pp.20-24 | |
| Nelson, Robert, ‘Julie Gough, Gallery Gabrielle Pizzi’, The Age, 17 May 1995. p.23 | |
| McIntyre, Jo, ‘Insight into a Culture that is Flourishing’,The Examiner, 6 May 1995, p.19 | |
| Mendelssohn, Joanna, ‘Art Interbreeds’, The Bulletin, 21 Feb 1995, p.78 | |
| Lloyd, Tim, ‘Struggling to find a foothold’, The Adelaide Advertiser, 18 Feb 1995, p.31 | |
| Rankin, Amanda, ‘Perspecta’, The Drum Media, 14 Feb 1995, p.56 | |
| McDonald, John, ‘Why Perspecta has lost its hybrid perspective’, Sydney Morning Herald, Feb 11, 1995, p.13A | |
| James, Bruce, ‘Perspecta Exhibition a Hybrid Exploration’, The Age, 8 Feb 1995 | |
| Kavanagh, John, ‘Contamination as a moral issue’, Business Review Weekly, 6 Feb 1995, p.84 | |
| Pos, Margaretta, ‘Fearless Five in Visual Art Impact’, The Mercury, 4 Feb 1995, p.37 | |
| 1994 | The Mercury, ‘Diverse Media’ 17 Dec 1994, p.37 |
| Annear, Judy, ‘The making of Australian Perspecta 1995’, Art Monthly Australia, Nov 1994, pp.12-13 | |
| Hill, Peter, ‘Visual Artists honoured with Exhibition selection’, Unitas, 21 Oct 1994 | |
| Bromfield, David, ‘Youthful energy opens eyes to exciting styles’, The West Australian, May 21, 1994, The Arts p.4 | |
| DVD | |
| 2007 | ‘Julie Gough: we walked on a carpet of stars’, 2007, 26 minutes, Creative Cowboy films, ISBN 0-9757794-4-3, www.creativecowboyfilms.com |
| ‘Julie Gough: The Australian Art Resources pack’, 2007, 2 x dvd, 1 x cd education resource, www.creativecowboyfilms.com | |
| Exhibition catalogues | |
| 2007 | Power and Beauty: Indigenous Art Now, Heide Museum of Modern Art, 17 Nov 2007 – 10 March 2008, Victoria, Australia, curator Judith Ryan, ISBN 978 1 921330 03 2, pp. 2, 4, 23-24 |
| The Ranger, SASA Gallery, UNISA, 11 Sept – 2 Oct 2007, Curator Mary Knights. ISBN: 978-0-9803062-6-2 | |
| An Other Place, Long Gallery, Salamanca Arts Centre, Hobart, curator Sean Kelly, pp.16-19, ISBN: 978-0-646-47434-2 | |
| Thresholds of Tolerance exhibition, ‘If history is a picture puzzle how do all the pieces fit?’ Anna Kesson, curators David Williams and Caroline Turner, ANU School of Art Gallery, Canberra, 9 May – 5 June, catalogue pp.51-55, ISBN: 978-0-9803673-0-0 | |
| 2006 | Biennale of Sydney 2006 catalogue, ‘Unsettledness – Julie Gough’s LOCUS’, Judith Ryan, ISBN 0 9580 403 1 1, editor/curator Charles Merewether, 7 June – 27 August, pp.120-1 |
| Tidal 06, 1 Dec 2006 – 28 Jan 2007, Devonport Regional Gallery, ISBN: 0-9775913-2-8, pp.12-13 | |
| In the world: Head, Heart, Hand, the 17th Tamworth Regional Textile Biennial 2006, Thwaites, V, ISBN-13:978 0 9577871 7 9 & ISBN-10: 9577871 7 0, p.7, 19 | |
| An island South, An Asialink/Devonport Regional Gallery Touring Exhibition, Stewart, Jane, ISBN 0 7430 3660 4, pp. 1-10 | |
| Senses of Place, Plimsoll Gallery, University of Tasmania, 4-26 April 2006 ISBN: 1 862 95 306 6 | |
| Single Currency, Victoria College of the Arts, Melbourne, 3-25 March 2006 | |
| 2005 | Cross Currents, Linden – St Kilda Centre for Contemporary Art, 28 June-7 August Catalogue issue 1000, pp.1-2, 4, catalogue essay ‘Recovering’ by Julie Gough |
| On Island, Devonport Regional Gallery, Tasmania, Essay: On Island by Jane Stewart pp.10-11, 11 March- 17 April 2005, ISBN 0-9750729-3-5 | |
| Isolation/Solitude, Salamanca Arts Centre, Hobart, Tasmania, 31 March-1 May, ISBN 0 9581745 3 9 | |
| 2003 | <ABSTRACTIONS> catalogue, ANU Drill Hall, Canberra, 2 Oct – 9 Nov 2003, Nigel Lendon, ‘Julie Gough’, ISBN: 0 7315 3031 4, p.4 |
| 2002 | Flagship: Australian Art in the National Gallery of Victoria, 1790-2000, 2002, Ed. Isobel Crombie, National Gallery of Victoria, p.78 |
| Indigenous Australian Art in the National Gallery of Victoria, NGV, 2002. p.20. ISBN 0 72410221 2 4 | |
| 2001 | Native Title Business, Museum and Gallery services QLD Touring exhibition, ISBN 0958529167 |
| Home is where the heart is, Country Arts South Australia Touring Exhibition. ISBN 09595800-6-9 | |
| What’s Love got to do with it, RMIT Gallery Melbourne, August 2001 | |
| Response to the Island catalogue, Salamanca Arts Centre Inc. Tasmania, 2001. ISBN 0 646 41342 2 | |
| Between Phenomena: The Panorama and Tasmania catalogue, University of Tasmania, 2001. ISBN 0 85901 944 6 | |
| John Glover Natives of the Ouse River Van Diemen’s Land 1838 and Driving Black Home 2000 catalogue, Australian Collection Focus Series, Art Gallery of New South Wales, 2001 | |
| 10 Days on the Island Festival Brochure, 2001, Tasmania. Page 36 | |
| 2000 | Biennale d’art contemporain de Noumea Catalogue, Agence de developpment de la culture Kanak, ADCK, 2000, ISBN 2-909-407-86-1, p42, 131 |
| heart on your sleeve catalogue, Plimsoll Gallery, University of Tasmania, Hobart | |
| 1999 | TRACE – Liverpool Biennial Catalogue, UK, Curated by Tony Bond, ISBN 0953676102 |
| Luna Park and the Art of Mass Delirium Catalogue, Museum of Modern Art at Heide, p.30 | |
| Exploring Culture and Community for the 21st Century catalogue, ‘Some Notes on Sport, Masculinity, Globalism and Art’, Global Arts Link, Ipswich, 1999. ISBN 0958634807. p.75 | |
| Mapping our Countries catalogue, Djamu Gallery, Australian Museum, Sydney | |
| 1998 | Whispers, Lies and Text catalogue, CAST, Hobart (Illust) |
| Sculpture by the Sea Tasmania catalogue Nov. 1998 (Illust p.16) | |
| Telling Tales catalogue, Ivan Dougherty Gallery and Neue Galerie am Landesmuseum Joanneum, Graz, Austria. p.26, 55 (Illust.p.26) | |
| All this and Heaven too- Adelaide Biennial catalogue, 1998 | |
| ‘My Tools Today’ by Clare Williamson, p.34, 35, 69 (Illust. p.35). ISBN 0730830586 | |
| 1997 | Black Humour catalogue, CCAS, ACT, July 1997, p.21,22 (Illust p.21) |
| Extracts catalogue, Boomalli, Sydney, April 1997 (Illust.p.3) | |
| 1996 | Cologne Art Fair Catalogue, Oct. 1996 |
| Dark Secrets, Home Truths catalogue, Gallery Gabrielle Pizzi, Melbourne | |
| ACAF5 (Australian Contemporary Art Fair #5) catalogue, Melbourne, Gallery Gabrielle Pizzi. Also conference speaker ‘Landscape and Memory’ | |
| 1995 | Perspecta 1995 catalogue, ‘The Eagle has Landed’, Peter Hill, Art Gallery of New South Wales, Feb. 1995, p.46 |
| Nuini catalogue, University Gallery, Launceston, Tasmania, April 1995 | |
| Published writing | |
| 2007 | Gough, J, ‘The Ranger: Seeking the hidden figure of history’ catalogue essay for exhibition: The Ranger, SASA Gallery, UNISA, 11 Sept – 2 Oct 2007, Curator Mary Knights, pp. 7-11, ISBN: 978-0-9803062-6-2 |
| Gough, J, ’Strait on Shore’ catalogue essay for King Island Community art installation, Currie, King Island, March 16 – April 30, 2007 | |
| 2006 | Gough, J, ‘Trading Places – why make Indigenous Art and where goes culture?’, MACHINE, Artworkers Alliance Queensland, Brisbane, Dec 2006, issue 2:3, issn: 1834-0237, pp.7-9 |
| Gough, J, ‘Being collected and keeping it real’, Keeping Culture: Aboriginal Tasmania, (ed) Amanda Jane Reynolds, National Museum of Australia, Canberra, ISBN 1 876944 48X, pp. 9-20 | |
| Gough, J, ‘Being there, then and now – aspects of south east Aboriginal art’, Landmarks, (ed) Judith Ryan, National Gallery of Victoria, ISBN 0 7241 0267 1, pp.125 -131 | |
| Gough, J, ‘The ‘Xstrata Coal Emerging Indigenous Art Award: some thoughts from the baseline’, Artlines – Queensland Art Gallery contemporary art journal, April 2006, ISSN 1325-8842, pp. 50-51 | |
| 2005 | Gough, J, ‘Space to Move and Grow: Bill Viola, Dadang Christanto, Hany Armanious, Wendy McGrath’ Art and Australia, Vol 43 No 2 Summer 2005, ISSN 0004-301X, p.276 |
| Gough, J, ‘Recovering’, Cross-Currents exhibition catalogue essay, Linden – St Kilda Centre for Contemporary Art, 2 July – 7 August, 2005 | |
| Gough, J, ‘Aboriginal Art’, ‘ Langerrareroune (Sarah Island)’, ‘Oyster Cove’, ‘Penemeroic, Toinneburer, Rawee’, ‘West coast Aboriginal escapes’, in (ed.) Alison Alexander, The Companion to Tasmanian History, Centre for Tasmanian Historical Studies, University of Tasmania, ISBN 186295223X, five entries p.1, 206, 261-2, 268-9, 383 | |
| 2004 | Gough, J, ‘Richard Browne’, ‘Benjamin Dutterau’ ‘Conrad Martens’, ‘John Skinner Prout’, in ed. Lindsay, Frances, The Joseph Brown Collection, National Gallery of Victoria, 2004, ISBN 0724120523 pbk,p.40; p.42; pp 46-7; p.50 |
| Gough, J. & Purich, T, ‘Minyma Tjuta: Many women working with fibre and the figures of Kantjupayi Benson’ in ed. Judith Ryan, Colour Power - Aboriginal Art post 1984, National Gallery of Victoria, 2004, ISBN 0724120566 pbk, pp.126 -130 | |
| Gough, J, ‘Every which way but lost- the surround sound of skin’, SKIN exhibition catalogue essay, Long Gallery, Salamanca Arts Centre (Touring exhibition) , Hobart. 8 July – 8 August , 2004 | |
| Gough, J, 2004, ‘Lola Greeno’s Purmaner’, ABV 44 – The Annual Journal of the National Gallery of Victoria, (ed) Isobel Crombie, ISSN 0066 7935, pp. 94-95 | |
| 2001 | Gough, J, 2004, ‘Messages received and lately understood’, Australian and New Zealand Journal of Art, Vol.2, Number 1, pp.155–162 |
| 2000 | Gough, J, ‘Cultural Relevance and Resurgence: Aboriginal Artists in Tasmania Today’, Oxford Companion to Aboriginal Art and Culture, ed. Sylvia Kleinert and Margo Neale, Oxford University Press, ANU, 2000, ISBN 0195506499, pp.255-259 |
| Gough, J, ‘Physiological Adaptation to Cold and other true horror stories’, Oxford Companion to Aboriginal Art and Culture, ed. Sylvia Kleinert and Margo Neale, Oxford University Press, ANU, 2000, ISBN 0195506499, p.97 | |
| Gough, J, Talking Together – Conversations between artworks’, Catalogue essay for the Exhibition Talking Together. Curated by Lola Greeno, University Gallery, Launceston, September, 2000, pp.4-8 | |
| Gough, J, ‘History, Representation, Globalisation and Indigenous Cultures: A Tasmanian Perspective’, in Indigenous Cultures in an Interconnected World, eds Claire Smith and Graeme Ward, Allen & Unwin, 2000, ISBN 186448926X , pp.89-108 | |
| 1997 | Gough, J, ‘Cultural Relevance and Resurgence – Aboriginal Artists in Tasmania Today’, Art and Australia, Sept.1997, Vol.35/No.1, pp.108– 115 |
| Gough, J, ‘History, Representation, Globalisation and Indigenous Culture- a Tasmanian Perspective’, Fulbright Symposium papers, July 1997 | |
| Gough, J, ‘Indigenous Australians in the Australian Museum’, Periphery #31, May 1997, pp.10-13 | |
| 1996 | Gough, J, ‘From the Deep South bearing True North- Reflections on the Wijay Na ? Conference and Exhibition’, Periphery # 28, August 1996, p.7 |
| 1995 | Gough, J, ‘N.J.B. Plomley- My memories of that meeting’, Pugganna, TAC (Tasmanian Aboriginal Centre Inc), Feb 1995, No.42 |
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