AUSTRALIAN COMMERCIAL GALLERIES ASSOCIATION
© Bett Gallery Hobart
Tasmania
No image on this site may be reproduced in any way without prior permission from the artist. Please contact Bett Gallery Hobart on +61 3 6231 6511.
Raymond Arnold - Curriculum Vitae (August 2008) |
|
| 1950 | Born, Melbourne, Victoria, Australia |
| 1972 | Dip. Teaching (Art-Craft) Melbourne State College |
| 1978 | Dip. Art and Design Chisholm Institute. Melbourne |
| 1979 | Member Print Commission. Print Council of Australia |
| 1981 | Grad. Dip. Art (Printmaking) Chisholm Institute Melbourne |
|
1972-79 |
Secondary Teaching. Victorian Education Department |
| 1981-82 | Tutor, Printmaking. Various Melbourne Colleges |
| 1983-86 | Tutor, School of Art. University of Tasmania, Hobart, Tasmania |
| 1983-91 | Studio member Chameleon Artists Co-operative, Hobart, Tasmania |
| 1984 | Artist in the Community. Screenprinting Project, Risdonvale CYSS. Tasmania |
| 1985 | Curator Approaching Landscape exhibition, Chameleon Contemporary Art Space, Hobart |
| 1986 |
Curator The Geeveston Print Project for the TAAB’s Art for Public Buildings Scheme |
| Print commission. Burnie Art Gallery. Tasmania | |
| 1987 |
Mural. Warrane Neighbourhood House. Hobart |
| Visiting Artist/Tutor, Canberra School of Art | |
| Community Artist in Residence. Savage River, Tasmania | |
| Patron Print commission. Print Council of Australia | |
| Australian National Gallery. Bicentennial Print portfolio commission | |
| Print commission. Wilderness Society. Melbourne | |
| 1988 |
Poster commission. Parliament House Construction Authority |
| Poster commission. Office of Multi-Cultural Affairs. Canberra | |
| Commission for Launceston General Hospital. Art for Public Buildings Scheme | |
| 1988-90 | Panel member. National Infrastructure Committee. Visual Arts and Crafts Board of the Australia Council |
| Board member. Tasmanian Arts Advisory Board | |
| 1988-91 | Chairperson, NETS committee Tasmania |
| 1989 |
Community Artist in Residence.
Savage River. Tasmania |
| Banners in collaboration with David Keeling. Tasmanian Trades and Labor Council | |
| 1990 |
Art co-ordinator. Summer School. Victorian Department of
Sport and Recreation |
| Artist in Residence. Rosebery District High School. Tasmania | |
| 1991-03 | Tutor/Lecturer. Printmaking. University of Tasmania. School of Art. Hobart |
| 1991 |
Artist in Residence.
University of Western Sydney.
Kingswood NSW |
| Participant Common Ground Seminar, Arts Tasmania | |
| Print Commission, Print Council of Australia | |
| 1992-95 | Board member Contemporary Art Services Tasmania. Chair 1993 |
| 1993 |
Curator To the
Surface-Contemporary Landscape |
| Exhibition at Plimsoll Gallery, Hobart | |
| Public painting, Redline Bus Depot, Hobart with David Keeling and Helen Wright | |
| Research Fellowship/ Australia Council. $35,000 | |
| Source - Collaborative book project with Milan Milojevic, Penny Carey Wells and Peter Jackson | |
| University of Tasmania | |
| 1993-94 | Research - Paris, France |
| 1994 |
Participant. Lost in Landscape Seminar,
Island Magazine.
Hobart |
| Moet Chandon Fellowship judging panel | |
| 1995 |
Consultant West Coast Cultural Trail CEAD project
development |
| Curator Figure-Ground, Dick Bett Gallery, Hobart | |
| Participant in School of Art research team for small ARC grant on Picturing Wilderness | |
| Commission of Public Artwork for Lake St Clair Visitors Centre | |
| Keynote Speaker TATA conference, Launceston | |
| 1996 |
Research -
Paris, France |
| Judge - University of Western Sydney Printmedia Prize. NSW | |
| Print commission. Lacourière et Frélaut. Paris | |
| 1996-03 | Development of Cultural Landscape Research/Teaching Program, School of Art, Hobart |
| 1997 |
Poster commission. Megalo Access Arts,
Canberra |
| Public Art Project - The City Provoked. Melbourne Festival | |
| Australia Council Project Grant $20,000 | |
| Curator. Excursive Sight - Contemporary Prospect and Historic Precedent, Plimsoll Gallery. University of Tasmania | |
| 1998 | Research - Paris France |
| 1999 |
Print commission. Lacourière et Frélaut.
Paris |
| Research - France | |
| Geelong Print Prize. Victoria - Purchased | |
| Fremantle Print Prize. WA - Award | |
| 2000 |
Study for Master of Fine Art –
Monash University. Melbourne |
| Etching Master Class - National Art School Sydney | |
| Curator. Between Phenomena - The Panorama in Tasmania. Plimsoll Gallery. Hobart | |
| 2001 |
Research,
France |
| VACB Skills and Development grant | |
| 2002 |
Research,
France |
| Federation Medal – Commonwealth Government | |
| 2003 | Research, France |
| 2004 | Research, France |
| Masters of Fine Art (Research) Monash University Melbourne | |
| Retire from University of Tasmania | |
| 2005 |
Artist in Residence,
School of Art, Canberra |
| Research, France | |
| VACB Development Grant | |
| Establishment of Landscape Art Research Queenstown (LARQ). Tasmania | |
| Rochester NY Print Club Commission. USA | |
| 2006 |
Artist in Residence, School of
Art, Canberra |
| Research France and Scotland | |
|
Solo Exhibitions |
|
| 1981 | Hawthorn City Art Gallery. Melbourne |
| 1982 | Robin Gibson Gallery. Sydney |
| 1983 | Australian Galleries. Melbourne |
| 1984 | Robin Gibson Gallery. Sydney |
| 1985 | Australian Galleries.Melbourne |
| 1987 | Screenprint Poster Survey. Fine Arts Gallery. University of Tasmania. Hobart |
| 1988 |
Australian Galleries.
Melbourne |
| Salamanca Place Gallery. Hobart | |
| 1990 |
Cockatoo Art Space. Launceston.
Tasmania |
| Australian Galleries. Melbourne | |
| Dick Bett Gallery. Hobart | |
| 1992 |
Grahame Galleries.
Brisbane |
| Australian Galleries. Melbourne | |
| School of Art Gallery. University of Western Sydney. Penrith | |
| 1995 |
Australian Galleries.
Melbourne |
| Grahame Galleries. Brisbane | |
| Dick Bett Gallery. Hobart | |
| 1996 |
Lacouriére et Frèlaut. SAGA Print Fair.
Paris |
| Nisart Gallery. Launceston | |
| 1997 |
Australian Galleries.
Sydney |
| Australian Galleries. Melbourne | |
| 1998 |
Dick Bett Gallery.
Hobart |
| Musée des Beaux Arts. Le Locle, Switzerland | |
| 1999 |
Lacourière et Frélaut. SAGA Print Fair,
Paris |
| Bett Gallery Hobart, Tasmania | |
| Australian Galleries, Melbourne | |
| 2000 | Gallery 482. Brisbane |
| 2001 |
Atelier Lacourière et Frélaut |
| Cité Internationale des Arts | |
| 2002 |
Bett Gallery
Hobart, Tasmania |
| Gallery 482 Brisbane | |
| Australian Galleries Works on Paper, Melbourne | |
| 2003 |
Australian Galleries
Sydney |
| Cité Internationale des Arts Paris | |
| 2004 | Australian Galleries
Melbourne |
| Gallery 482 Brisbane | |
| 2005 |
New French Prints - Bett Gallery
Hobart |
| Nature/Culture - Raymond Arnold Survey - Australian Embassy Washington DC USA | |
| Double Vision - Timespan Gallery, Helmsdale, Scotland UK | |
| Double Vision - Australian Galleries, Melbourne | |
| Australian Galleries Sydney | |
| Double Vision - Atelier Lacourière et Frélaut, Paris | |
| 2006 | Double Vision – Albury Regional Gallery |
| 2007 | In Harm’s Way – Carnegie Gallery. Hobart |
| 2008 | Timber Mill / The Fetish of the Painted Subject - Bett Gallery Hobart |
Group Exhibitions |
|
| 1977 |
Henri Worland Print Prize - Warrnambool
Victoria |
| Student Exchange – Print Council of Australia Exhibition (Touring Europe) | |
| 1978 |
Exhibition - Print Council of
Australia 1978 |
| Invitation Art Exhibition, Purchase Award - Caulfield Arts Centre. Victoria | |
| Second Western Pacific Print Biennale - Print Council of Australia (Touring Exhibition) | |
| Prints - Mornington Peninsula Arts Centre. Victoria | |
| 1979 | Australian Student Printmakers - Print Council of Australia
(Touring Exhibition) |
| Oz Print Gallery. Victoria | |
| 1980 | Contemporary Australian Printmakers - Print Council of Australia (Touring USA and UK) |
| 1982 |
Michelton Print Exhibition - Monash University
Gallery, Shepparton and
Benalla Art Galleries,
Victoria |
| Print Council Exhibition 10 - Print Council of Australia (touring exhibition) | |
| 1982-85 | Australian Screenprints - Print Council of Australia in conjunction with Festival ’82 Warana and |
| Commonwealth Festival (toured Australian State and Regional Galleries) | |
| 1983 | Chameleon Members Exhibition, ANZART in Hobart - Chameleon Gallery, Hobart |
| 1984 | The Chameleon Print Show - Chameleon Gallery Hobart |
| 1985 |
8+Tasmania,
recent works by Tasmanian Artists
- Editions Gallery, Fremantle, Western Australia |
| Approaching Landscape - Chameleon Gallery, Hobart | |
| 1986 |
The Geeveston Print Project - Chameleon Gallery, Hobart, installed
Geeveston High School |
| Prints from the Collection - Fine Arts Gallery, University of Tasmania, Hobart | |
| 1987 |
Fabrications: recent contemporary art from
Tasmania - Hobart and George Paton Gallery Melbourne |
| A New Romance - University Drill Hall Gallery, ANG extension, Canberra | |
| The October Show - Queen Victoria Museum and Art Gallery, Launceston | |
| 1988 |
Right Here-Right Now - Co-Media,
Adelaide |
| LandFall - Chameleon Gallery, Hobart | |
| Early Efforts - Bicentennial Exhibition, Chameleon Gallery, Hobart | |
| 1989 |
Paradise Lost- Tasmanian Prints, Regionalism, Postmodernity
- The Print Council of Australia (touring exhibition) |
| Recent Contemporary Prints - University Drill Hall Gallery, Canberra | |
| Pre-settlement to Present’, Survey of Printmaking in Australia – ANG Canberra | |
| One Country- Two Views - Araluen Arts Centre, Alice Springs, Northern Territory | |
| 1990 | Palimpsest - Fine Arts Gallery, University Centre, Sandy Bay, Hobart |
| Australian Printmakers-Ray Arnold, Rod Ewins, Bea Maddock – TMAG Hobart | |
| Contemporary Print Show - Callery Cimitiere, Launceston | |
| What Happened to the Gum Trees - Fifth Biennial Mitchelton Print Exhibition | |
| Shifting Parameters- Photo based work - Queensland Art Gallery, Brisbane | |
| 1991 | Abadare Art Prize -
Ipswich
Regional
Art
Gallery,
Queensland |
| Reflexion - David Stephenson and Ray Arnold - Cradle Mountain Visitors Centre | |
| Group exhibition, Gallery Two. Ritchies Mill, Launceston | |
| South of No North - Group exhibition, Dick Bett Gallery, Hobart | |
| 1991 | The Melbourne Savage Club, Invitation Print Prize - Bendigo Art Gallery |
| 1992 |
‘6x6’ Australian Prints - Exhibition for
Thailand |
| Henri Worland Print Survey Exhibition, - Warrnambool Art Gallery, Warrnambool | |
| Tasmanian Tiger Shows - CAST, Long Gallery, Hobart, Arthouse, Launceston | |
| Selected Prints-Australian Print Workshop - Fitzroy, Victoria | |
| Wilderness Society Benefit Exhibition - Lyndon Gallery, St Kilda, Victoria | |
| My Head is a Map - Prints of the Decade - Australian National Gallery, Canberra | |
| 1993 |
To the Surface-Contemporary Landscape - Plimsoll
Gallery, Hobart |
| The 2nd Kochi International Triennial Exhibition of Prints - Kochi. Honmachi. Japan | |
| 1993 Pacific Rim International Print Exhibition - Hawaii | |
| 1993 International Biennale of Graphic Arts - Ljubyjana, Slovenia | |
| History of Australian Posters - National Gallery of Australia | |
| Small Works - Exit 339, North Hobart.Tasmania | |
| Source- A collaborative book - Entrepot, School of Art, Hobart | |
| 1994 |
Cite Internationale des Arts -
Paris, France |
| Brisbane Book Fair, State Library. Queensland | |
| 1995 |
Chameleon: A Decade - Long Gallery,
Hobart |
| Aspects of Australian Printmaking - The Last Ten Years, National Gallery of Victoria | |
| Sydney, Canberra, Melbourne, Hobart - A Print Portfolio, APW Melbourne | |
| Prints from Australian Galleries - Latrobe Regional Arts Centre, Morwell. | |
| Art of Reproduction - Plimsoll Gallery School of Art, University of Tasmania | |
| Blundstone Invitation Art Prize - Queen Victoria Museum and Art Gallery | |
| Poets and Painters - Dick Bett Gallery, Hobart | |
| 1996 |
City of Hobart Invitation Art Prize
- Carnegie Room, Hobart City Hall |
| Imagine Nature - Plimsoll Gallery, University of Tasmania | |
| 1997 |
Le mois de l’estampe à Cambrai - Ecole supérieure
d’art Cambrai. France |
| Knock Knock - Australian Galleries. Melbourne | |
| Excursive Sight- Contemporary Prospect/Historic Precedent - Cradle Mountain Visitors Centre Gallery | |
| 1998 |
Excursive Sight - Contemporary Prospect/ Historic
Precedent - Plimsoll Gallery |
| Decalogue - A catalogue of Australian Printmaking 1987/97- co-curated by Ruth Johnstone and Di Waite. Metropolitan Museum of Seoul, Korea. | |
| Nisart Gallery. Launceston | |
| 1999 |
L’Atelier Lacourière et Frélaut - Cabinet des
Estampes et des Dessins - Liège.
France |
| On or About the Surface - Creative Paper, Burnie touring to Hobart, Sydney, Melbourne | |
| Zero Horizon - Contemporary Art Services. Hobart. Tasmania | |
| 2000 | Death and Decoration - University of Tasmania, Plimsoll Gallery |
| 2001 |
No Muttering - Ivan Dougherty Gallery and touring
venues |
| Poets and Painters - Bett Gallery Hobart | |
| The Macau International Exhibition of Prints – Macau Museum of Art | |
| 2002 |
Memory Becomes History -
Imperial
War
Museum,
London |
| VII Bienal Internacional de Grabado - Ourense, Spain | |
| Aspects of Tasmania Art – QVMAG. Launceston | |
| 2003 |
Future Perfect - Bett Gallery
Hobart |
| Profane ou Sacre - Musée Courbet Ornans France | |
| ACT 12 New Works on Paper – George Adams Gallery. Melbourne | |
| 2004 | 23 - Port Jackson Press Melbourne |
| Contemporary Australian Prints - Art Gallery of NSW, Sydney | |
| Modern Master Printmakers
- Port Jackson Press Melbourne |
|
| Tasmanian Printmakers - Port Jackson Press Melbourne | |
| 2005 |
Benefit Exhibition - Australian Print Workshop |
| Notes from the Natural World, - Australian Galleries Works on Paper | |
| Gravures Monumentales - Atelier Lacouriere et Frelaut, Paris | |
| 25 x 25 Megalo Print Centre. Canberra | |
| IVth Novosibirsk International Biennale of Contemporary Graphic Art – Third prize | |
| Source – Scotch Oakburn School, Launceston | |
| 2006 |
National Works on Paper – Mornington Peninsula
Regional Gallery |
| 50 Years at Australian Galleries – Australian Galleries, Melbourne | |
| Australian Galleries - Melbourne Art Fair | |
| Hobart Art Prize – TMAG, Hobart | |
| Marks and Motifs: Prints from the PCA Collection – QUT Art Museum, Queensland | |
| John Leslie Environmental Art Prize – Sale Regional Gallery | |
| Annual exhibition – Coastal Art Group. Burnie Art Gallery | |
| Conrad-Jupiters Invitation Art Prize – Gold Coast Art Centre | |
| 2007 |
Artists’ INK –
Warrnambool Art Gallery |
| The Story of Australian Printmaking 1801/2005. National Gallery of Australia | |
Collections |
|
| Bibliothèque Nationale de France, Paris | |
| Musée Courbet, Ornans, France | |
| Imperial War Museum, London | |
| V & A Museum London | |
| Musée des Beaux Arts, Le Locle, Switzerland | |
| British Museum, London | |
| Rochester Print Society, Rochester USA | |
| National Gallery of Australia, Canberra | |
| Queensland Art Gallery, Brisbane | |
| National Gallery of Victoria, Melbourne | |
| Tasmanian Museum and Art Gallery, Hobart | |
| Art Gallery of New South Wales, Sydney | |
| Art Gallery of South Australia, Adelaide | |
| Queen Victoria Museum and Art Gallery, Launceston | |
| Burnie, Devonport, Maitland, Mornington, Newcastle, Shepparton, Warrnambool, Wollongong, Ipswich, La Trobe Valley, Ballarat, Hamilton, Wagga Wagga and Geelong Regional Art Galleries | |
| Alice Prize Collection | |
| Artbank | |
| Australian Parliament House Collection | |
| Monash University, Melbourne | |
| Print Council of Australia Collection | |
| Deakin University Collection | |
| Arts Tasmania Collection | |
Diamond Valley Collection, Eltham, Victoria |
|
| Geeveston and Rosebery District High Schools, Tasmania | |
| Launceston General Hospital | |
| University of Tasmania | |
| Westin Hotel Melbourne | |
| Fremantle Arts Centre | |
| Australian War Memorial | |
| Australian Galleries/Stuart Purves collection | |
| Queensland Library Collection | |
| Private collections throughout Australia and Europe | |
|
Bibliography |
|
| Sue Backhouse, Tasmanian Artists of the Twentieth Century, Pandani Press Hobart 1988 | |
| Roger Butler, Australian Prints, Australian National Gallery 1989 | |
| Roger Butler, Ray Arnold -Ten years of Screenprinting, Imprint Vol. 22 No3-4 Winter 1985 | |
| Jonathan Holmes, Resuming our journey into the landscape, Art and Australia Vol. 22 No 4 Winter 1985 | |
| Stephanie Wallace, Interpretation of landscape-Ray Arnold, Imprint No 2 1982 | |
| Ray Arnold, Locale - Our Common Ground, The Australian Institute of Landscape Architects & the Centre for Environmental Studies 1994. 10 pages. 8 Illus. | |
| Robert Nelson, Beguiling touch in Printmaking, Age Newspaper February 1995 | |
| Katherine McDonald, Ray Arnold – Printmaker, Imprint. Summer 1992 | |
| Roger Butler, My Head is a Map, Australian National Gallery. 1992 | |
| Peter Hill, Cheap Lace, Synthetic Hair and Remarkable Cave, Imprint. Autumn 1995 | |
| Robyn Daw, Unfinished Business, Imprint. Autumn 1995 | |
| Katherine McDonald, The Paris Factor, Art Monthly. April 1995 | |
| Peter Hay, Imagine Nature, School of Art, Hobart, January 1996 | |
| Marie Leroy-Crèvecoeur, Le SAGA a soufflé ses dix bougies, Arts et Metiers, July 1996 | |
| Filomena Coppola, Arnold mirrors Arnold, Imprint. Winter 1996 | |
| Robyn Daw, Reflexion, Object, autumn 1997 | |
| Anne Kirker, Reciprocal Terrains, Art and Australia. Spring 1998 | |
| Katherine McDonald, Double Camouflage/Hymen Skins, Catalogue, Australian Galleries, October 1999 | |
| Caroline Durre, Raymond Arnold/Danny McDonald, Imprint 34 Summer 1999 | |
| Anne Gray, Editor, Australian Art in the National Gallery of Australia, NGA 2002 | |
| Heather Hesterman, Amour or ‘Armour’, Imprint. Autumn 2002 | |
| Phillip Hutch, Traversing South, Australian Galleries, March 2002 | |
| Jörge de Sousa Noronha, L’estampe - object rare, Editions Alternatives 2002 | |
| Katherine McDonald, Nicely at Odds , Printmaking Today Vol.13 No 1. Spring 2004 | |
| Katherine McDonald Ed., Anne Kirker, Jonathan Holmes, Raymond Arnold Print Survey - Nature/Culture, Australian Galleries February 2005 | |
| Katherine McDonald, Body Armour / Char Corps, Limited Edition, Partners Press 2005 | |
| Robert Nelson, Double Vision just Splendid, The Age, Wednesday July 13 2005 | |
| Penny Thow, Prints come to Life, The Sunday Tasmanian, July 24 2005 | |
| Sasha Grishin, Printmaker: Raymond Arnold, Australian Art Collector, Issue 36 – April/June 2006 | |
| Jonathan Holmes, Blind spot – Regional Art Histories in Australia, Art Link Vol. 26 No 1 2006 | |
| Jonathan Holmes, Australian Artist in Europe, Imprint – Print Council of Australia, Winter 40th anniversary edition 2006 | |
| Lola Wilkins. Editor, Australian Artists in action, Australian War Memorial 2003 | |
| Jonathan Holmes, Senses of Place, School of Art, University of Tasmania 2006 | |
| Katherine McDonald, In Harm’s Way, Carnegie Gallery, Hobart 2007 | |
| Katherine McDonald, Protecting the Soldier, IMPRINT Magazine, Vol 42 Autumn 2007 | |
| Sean Kelly, Raymond Arnold: The Spectacle of Nature, A Tasmanian Monograph, Quintus Publishing 2008 | |
go to | Raymond's page | Painting | Printmaking & Works of Art on Paper |
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